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01 April 2014

STORM IN A COCOON / 守業者[TVB][2014][R] Funn Lim

Written by Funn Lim


I can't say to ignore the last 2 episodes and how bad the editing was and how rushed it was as well but the last 2 episodes should not be used to deny the greatness of this series. 

SPOILERS ... SPOILERS ... SPOILERS




NOTE
This review is a companion piece to the episodic commentary which you can read here.

RELEASED IN
2014

NO. OF EPISODES
32

CAST-CHARACTERS & SYNOPSIS
Please refer to Wikipedia

COMMENTS
I realise the Poon family is very very very forgiving.

Family forgives Ka Sing for killing Hau Yee and everyone is agreeable that Hau Yee would have forgiven him too. And Ka Sing spends the rest of his life helping others in repayment of this "debt".

Family forgives Ka Hin for sorta killing the father. He didn't actually do the actual killing but he did scold and threaten and do all sorts of act short of plunging the knife into the old man's heart and the father had a stroke and became incapacitated. The actual killing is by Cheung Chi Yan but it is fair to say Ka Hin put his already frail father into a very delicate situation. And the entire family forgives Ka Hin. Also he did kick his mother out, chased the workers away and they all forgave him. Chor Gau's death was not his fault and poor Chor Gau was very nice to stress that TWICE before dying. I suppose everybody knew he was used by the dastardly Cheung Chi Yan.

No one questions exactly what did Poon Weng Nin did to Ka Hin's mom. We know he had a wife whom he loved very much, he needed a son to secure his position and so he made his maid pregnant and gave birth to Ka Hin, knowing that the maid was in love and involved with Cheung Chi Yan. And he chased Cheung Chi Yan away. What is not said is he raped the maid. But the maid could have volunteered, because frankly series never mentioned what exactly did he do which resulted in Ka Hin. I mean they had sex, but was it voluntary? Did the wife tell the maid to do it? The fact that she felt so much injustice suggests to me that it was involuntary and perhaps the wife had something to do with it. Poon Weng Nin was quite a bastard and yet no on questioned that. In fact for Ka Yeung those were the older generations' problems, should not be exacted its revenge on the younger generation.

Bing Bing forgave Ka Yeung for using her to get to Cheung Chi Yan. Frankly I don't think she cares for her father one bit, and rightly so even if frankly Cheung Chi Yang could have been a good guy driven mad by his love for his wife (Bing Bing's mom) and his thirst for revenge for the man who took away his wife's purity and mobility. But then Ka Yeung was so loving to Bing Bing that he took all the guilt and left none for her. How can Bing Bing ever hate him for more than 1 episode?

Lai Kuen suddenly forgave Bing Bing and Ka Yeung. Frankly she had nothing to forgive them for since her brother was the one at fault and her mother as chinese said "grew a horn on her forehead" so to speak. But the sudden forgiveness is jarring and inconsistent with how much hate spew from her mouth and very very monotone delivery of lines which is pretty scary. Editing problem. I am sure in the middle there was a story leading to that forgiveness.

AND ALL THESE happened within 9 months of Yin Foon's pregnancy and subsequent birth. So many things happened on 9 months! I bet it was no more than a year from Hau Yee's death to Yin Foon giving birth. The timeline is a bit too fast. And if there is a sequel, WWII will probably drive the Poons to HK.

You know how much I love Steven-Tavia combination and I love their love story too except for Bing Bing leaving Steven for 1 episode. I detested Matt Yeung in Outbound Love who was busy reciting his line without any emotion but in here, his death scene was heartbreaking. Maybe because he has better chemistry with Natalie Tong. His death served a purpose; drama, grief and to show Ka Hin is not a complete monster yet. He did try to save Chor Gau.

But I don't get Natalie Tong's character. I remember in the beginning she was cheating money and then held many gold bracelets or something like that and suddenly the story shifted and giving her a more humane story. I believe somewhere in the middle something was changed. Whatever the change may be, her story is unnecessary and I find her love for Chor Gau unconvincing mainly due to lack of development.

Of all the characters in this series, I really like Poon Weng Cheung and his wife's story. They were the supposed villains but in the end redeemed themselves or as Ka Yeung said of his uncle that he actually had  a backbone when the uncle refused to compromise his integrity and his wife actually was quite accurate in all the things she said to Ka Hin before she left. In fact this couple knew more than everybody else except Cheung got one fact wrong; Ka Hin was the son of Poon Weng Nin. But this couple, especially Weng Cheung the dastardly uncle had a very good ending that I feel was a proper way to begin and a proper way to end.

The next character I grew to like and respect is Ka Hin's nosy and not so smart wife, Yin To. Yes she had a bad mouth, she is a poor judge of character but in the end she was the one who questioned Ka Hin when Pik Wan herself failed to do so. Pik Wan asked but Pik Wan never really openly questioned Ka Hin. She loved him too much. And here lies this series greatest moment(s); Ka Hin was loved by Pik Wan and Yin To and yet both women reacted very differently to the challenges regarding Ka Hin. Pik Wan chose to die with Ka Hin whilst Yin To chose to lie and give Ka Hin his life. Very moving moments, and Ka Hin is a lucky man who have been loved so deeply by both women. And I like his ending where he learned to love and appreciate Yin To. Not to say Pik Wan died needlessly but it is funny how Yin To never thought of death whilst Pik Wan chose death as a way out.

Hau Yee is one character that is mentioned from episode 1 to the last episode. Her influence is great on the actions of everyone even if her presence is missing. Hau Yee turns out to be a very very flawed person but as Ka Yeung said, she was only human restricted by the unjust laws of the village. Same goes for Kwok Leung who may be a bastard but was not a murderer. The biggest change was Yin Foon (not through editing or change of story but proper change) whom I thought was gonna be the usual bad mouthing small minded villain but surprise surprise, once she fell in love, she actually matured and it was Lai Kuen who was the bad mouthing small minded villain.

I may dislike the last 2 episodes, from episodes 1 to 30 highlights what TVB can do with some smart storytelling, good location and a set of good actors. There were so many unexpected twists and turns, first with who killed Hau Yee and then what did Cheung Chi Yan wanted. Along the way various problems, mysteries and romantic love. The last 2 episode prevented this from being a classic in terms of storytelling but these 2 uninspired episodes and the uninspired ending does not ruin the entire series at all, just made it out of character.

Needless to say, the performances is for the most part solid.

Steven Ma is not the best actor nor is he the most expressive but he has been through ups and downs and rumours and gossips and has matured as a person and as an actor. Whilst he was hated in his debut as Kangxi in Duke Of Mount Deer, I felt he had potential even if raw. Frankly over the years he is still raw, very raw. But he has a quality that is very very similar with Felix Wong; a certain sense of likability and a sense of heroism that even if he is a villain, he had to be a villain with a purpose that we can all empathise with. He is definitely a viewers' actor, with an ability to be well liked in any role he takes on even if we can't agree on his acting abilities. He isn't Bowie Lam but he is almost Bobby Au Yeung except Steven has to be the hero and nothing else. Even if he was a hero downtrodden and tepped on, we will cheer him on. His performance in here is I can consider his best thus far. His character is very well written with very good lines and does things that is within the usual real life expectations and not just TV sort of life. I like how he breaks the rules to save someone all the time and to him black and white is not a definite black and white. His Ka Yeung is educated, well mannered, understanding and compassionate and yet he is also forceful and knows what he wants and gets it without walking over dead bodies. There is something very honourable about Ka Yeung and he is one of my most favourite heroes on TV, apart from Seung Chi from Safe Guards who is also played by Steven Ma.

Tavia Yeung is someone I kept saying does not look like a heroine or is able to hold up a series on her own. I stand by that. But she is also one actress who is at her best when she is partnered with Steven. In fact she, Fala and Linda Chung all do their best when with Steven. The chemistry is there, you know they like each other as people and yet they're able to show the romantic side despite not being romantically involved in real life. A simple eye contact, a simple hand holding.. I don't know, I wish Tavia or Linda or Fala marries Steven and make us all happy. Tavia's performance in here is at first very very jarring. Someone told me she is the most glamorous looking village girl. It really isn't her looks but rather the amount of lip gloss and make up put on her to make her look "natural". Tavia looks best with less make up. The look normalises when she marries Ka Yeung because she dresses better so there is a consistency. But the lip gloss bothers me a lot. It does nothing to add to her performance, I feel it held her back. Ignore the gloss, the amount of makeup, the nose, everything and what you have is Tavia in one of her best performance. She didn't have to do much really, but there was so much more in so little displayed. She started out talking loudly but that is to show her nature as someone who dares to speak up. Quite annoying at first but as she settled down and speaks normally, I love the tone of her voice, a little bit raspy (probably sore throat) but very gentle. My most favourite scene of her is that scene under the bridge on the boat as Steven held her hand and kissed her hand gently. Her face shows us all how deeply she is in love with that man. I love also the declaration scene of "Yes! I am a widow! Yes I am marrying again!". Very beautifully written with dialogue sure to be remembered for long.

Evergreen Mak was also competent. I see a huge change in his from being nice docile Ka Hin to angry jealous Ka Hin back to wiser nice Ka Hin. The eyes speak volume even if I quite dislike the way he delivers his line when he is near tears. He tends to go up very high pitch which is distracting. However his Ka Hin is interesting to watch. The unloved son. I feel he had every cause to be as angry as he was except maybe it was totally uncalled for to pin his anger and jealousy on Ka Yeung. But his father deserves his comeuppance in the sense for treating Ka Hin unfairly over the years mainly due to his own shame and guilt.

Maggie Siu's role is in the end not much to contribute. I think even the writers' don't know what to do with her so they just killed her off. I never knew how youthful she is until I saw her in this series; lacking make up, years older than Tavia but her every wrinkle and every line (not much by the way) enhances her performance and her beauty. She has hardly aged. Wonderful performance and Pik Wan has such a sad life.

Natalie Tong improved a lot but she is in a role that had me scratching my head as to her purpose. She is less dramatic these days though which is good. And she matches very well with Matt Yeung.

I don't know what is wrong with Matt Yeung. You can't say he is bad and yet you can't say he is good. He was at his worst in Outbound Love but in here, his Chor Gau is likable and a simpleton.

Tracy Ip impresses me with her performance. She is beautiful, she speaks her lines clearly and well even if in a higher pitch and she can act very very well. I thought her performance in here is one of the few I look forward to every night, like what she's gonna say and how she's gonna react. I also like that her story has a nice ending instead of some tragic end and hows her character to be a strong woman who can withstand the bad times.

Akina Hong is one of my most anticipated actress in any performance she gives. She is amazing as an actress in the sense same tone, same look, same face and yet she can play all sorts of characters. In restrospect her Hau Yee is a woman of substance even if she has a lot of skeletons in the closet. She ran the factory, the plantation and as a woman, she had to held back her greedy uncle and the unreasonable villagers. Akina Hong certainly displayed the woman of substance character very very well and although her character died earlier on, fans of Akina will be happy to know she is featured heavily in a lot of flashback scenes.

Katy Kung and Cilla Kung, two Kungs who deliver their lines as different as night and day. Cilla tends to shout and yet in here she holds herself back and for once I felt this girl has the potential and she is very pretty. Katy tends to whisper and with her half closed eyes, she looks like someone ready to hypnotise you, whether to sleep or to full attention is up to your preference. Between the 2, I prefer neither. They're not ready for big time yet. If the likes of Tracy Ip is not ready, they're double not ready yet. But you can see vast improvement in their performances.

Yeung Chiu Hoi (I got the name from Wiki) is someone I do not know, but he looks like a cleanly scholarly handsome young man, akin to Steven when he was younger. Acting wise is raw but definitely not raw enough to make you want to switch off the TV. He looks good in costumes of that era.

Stephen Wong has grown up. In A Fistful Of Stances he was still a kid. In Brother's Keeper he suddenly grew up and in here, he looks like a man. Handsome, dark and these days, in menacing role. There will come a point he will graduate from menacing roles and become one of the leads. Performance wise, not much to comment on.

Stefan Wong has also grown up as an actor. I used to remember he was raw but in this series he actually acted very well. His role is small but pivotal.

Cheung Kwok Keung seems to be the lead actor amongst veterans these days. He has a huge role in Return Of The Silver Tongue and although he appeared half way in this series, his role is huge in its impact on everyone, much like how Hau Yee was in the first half. It was a great performance simply because there is consistency; he walks like an old man and he is an old man in this series. Cheung Chi Yan probably died not knowing if Bing Bing is his child.

I never thought Raymond Cho had such a short role. I thought nahhh he didn't die.. but he did. Shocking eh? One of the many shocks from this series. Competent performance as always from him.

The other veterans are flawless except for Elliot Ngok who to me is a bit jumpy whenever he delivers any line especially those near heart attack sort of lines. I do believe if Chun Pui was here, he would have been cast. Elliot is a good actor but nowhere near Chun Pui.

VERDICT
Exciting plot, unexpected twists and turns, great dialogue, memorable scenes, romantic scenes, war, death, betrayal, sex, this series has everything. Fans of Steven Ma and Tavia Yeung will love this series. I can't say to ignore the last 2 episodes and how bad the editing was and how rushed it was as well but the last 2 episodes should not be used to deny the greatness of this series. But it did deny this series' label as a classic. It could have been perfection and I was disappointed how it ended for many characters in the last 2 episodes but  it is near perfect and for many fans, this is indeed good enough.

A must watch.
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STORM IN A COCOON / 守業者[TVB][2014][R] Tb1

Written by Tb1


Steven’s performance and the imperfect, yet highly desirable well-written Ka Yeung character, are enough for me to recommend at least one viewing of this series.


SPOILERS ... SPOILERS ... SPOILERS




NOTE
This review is the first in a series of character analyses. 

02.04.2014 :  Added the first part about Poon Ka Yeung/Steven Ma

RELEASED IN
2014

NO. OF EPISODES
32 

CAST-CHARACTERS & SYNOPSIS
Please refer to Wikipedia

REVIEW
Introduction
Let me start off by declaring Storm in a Cocoon took me out of my long break from TVB and revived my interest in its series. It has been at least 12 years since I actually watched a series from start to finish without giving up somewhere in the middle. It takes a lot to sit down and start a 20-plus episode series. I can’t remember the last time a series captured my attention, interest, and thoughts like Storm in A Cocoon did with its thoughtful storytelling, characters, dialogue, scenery, costumes, and musical arrangements. However, as much praise and love I have for this series, like Funn, I can’t place this series in the unforgettable classic category because of the last two episodes. This review is the first in a series of character analyses and will not be done all in one go. With that said, it is fitting to start with the central and protagonist, Poon Ka Yeung, as he was the driver of this drama series.

Character Analysis - All About Poon Ka Yeung
Although broken into two main plots, the series connected so well through the lives and events that befell the members of the Poon family and by extension, the village. Because of this, I feel the story took a backseat and the series was anchored by the characters. The death of Poon Hau Yee set off a storm of mystery, shock, twists, and finally a resolution that made the characters more real and pushed the viewers to think, reflect, and explore their own decisions and conscience. I will not go into detail but if one to explore the decision that Poon Ka Yeung had to make when he discovered the truth about Hau Yee’s death, a sudden realization will become more obvious – that each of us, at certain points in our lives, have faced similar dilemmas and tough decisions. What’s right and wrong? Should there be compassion and forgiveness because after all, nothing can be done now to right the past, but to learn from your mistakes, move on, and improve on becoming a bette! r person? As a viewer, I was pushed to think about my own decisions that often were made swiftly without much thought.

Poon Ka Yeung does not belong in pre-modern Republican era. He is a modern man with ideals representing independence, free thought, compassion, and individualism. Unyielding to societal norms, Ka Yeung questioned the traditions that conflicted with his experience, knowledge, and beliefs he acquired while exposed to the world outside of the village. He is not rigid and stubborn either and in one scene, while discussing the traditional practices of the Poon village with his brother, Poon Ka Hin, he declared that he was not challenging them, but will not accept such ideals either. Ka Yeung is also a very rational man with a strong ability to discern the situation before each decision. The best examples of Ka Yeung’s patience can be found throughout his investigation of his sister, Hau Yee’s, death. Facing devastating revelations about the cause of her death, he remained calm and listened while his partner, Tong Bing Bing, impusively jumped to conclusions and loudly s! colded him and the suspects. If he exists today, it will not be hard to imagine Ka Yeung doing great things for a society that lacks compassion and empathy for those who need help.

While he has many great qualities, he also has flaws as evident in his compassion, which gravely affected not only himself but those around him. He indirectly caused his mentor’s death by choosing to help the reprehensible Kwan Cho Yiu. Although Ka Yeung’s unquestionable and unconditional love for Bing Bing is very honorable, his selfless act in saving her nearly cost him his life. For Ka Yeung and for many of us, compassion can be a double-edged sword. How much can one do for strangers like what Ka Yeung did for many who received his help?

The ending was a disappointment. With his memory loss, the Ka Yeung we all loved was eradicated in not one, but two knocks on the head by flood debris. Outside of adding suspense, I can’t think of a logical reason why this was done to such an endearing character. Why TVB? Perhaps a sequel, remake, or even a modern interpretation was your intention? This sudden turn of events diminished Ka Yeung and all that he represented - a highly desirable, but very real and flawed human in which we can each identify. If TVB wanted to use disappearance and amnesia to wrap things up, then surely another episode or two would’ve helped in explaining what happened to him in the four years that he was gone. At this point, I don’t even begrudge the fact that it wasn’t a conclusive happy ending for our beloved couple. I fear Ka Yeung may have become a byproduct of either careless writing or ruthless budget cutting measures at the hands of TVB and its scriptwriters. Sigh.

Performance analysis - All About Steven Ma as Poon Ka Yeung
What to say about Steven Ma that many of his fans haven’t already expressed? Funn is correct about his onscreen connection with the audience. Ah yes, the likability factor he shares with Felix Wong. Ironically, both he and Felix fell out with TVB , but Felix was more vocal and direct with his criticisms. I’ve always been indifferent to Steven and found him one-dimensional, lacking in depth and versatility. He still slurs his line, and sometimes over exaggerates. When Ka Yeung was defending Bing Bing from accusations of adultery, he was a bit over the top and screaming his lines. However, this series has officially made a fan out of me. In Ka Yeung, Steven brought earnestness, passion, and refinement. Ka Yeung’s youthful and idealistic exterior hides a man of great pain, conflict, and torture from years of witnessing countless horrific deaths as an army medic. Similarly, Steven has nearly two decades of experience in show business and has weathered much critic! isms, gossip, and tragedy, and conflicts. In his Ka Yeung, Steven undeniably gave him the honorable and heroic traits, but for the first time in his career, he actually breathed some darkness to the character. In his quiet solitary flashback moments recalling the atrocities of war, Steven expressed emotions ranging from anger to regret without an utter of word. I’d like to see more of Steven playing more complex characters like Poon Ka Yeung, a role that allowed him to turn in the best acting performance thus far in his career.

Steven has amazing chemistry with Tavia. I wonder how many times they laughed together each time they share intimate scenes in this series. There were so many romantic moments, though subtle and not obvious, lends much greater realism – from handholding, eye contact, hugging, smiles, a small kiss on the hand, and dialogue – a lot of attention was given. As a viewer, you can see the natural body language both Steven and Tavia have in real life through their interviews, which explains the ease that both have when sharing the screen together. One scene, although without a kiss or gratuitous display of affection in sight, accurately depicts the love and realness of a married couple. It was in the kitchen and Bing Bing’s face was covered by hot steam in front of the boiling pot of soup. Ka Yeung made himself comfortable, wrapped his arms around her waist, placed his head on her shoulders, and observed that she had lost weight. Tavia didn’t flinch or was surprised ! at all with the very close contact. Steven didn’t appear apprehensive or awkward either. I can’t say the same for most other actors coupled in other series, except maybe when Steven shares the screen with Fala or Linda. I agree with Funn that they each bring the best acting in the other. And yes, I think we all would be ecstatic to see any of the three “sisters” married to Steven. They all have fondness and love for him.

Steven’s performance and the imperfect, yet highly desirable well-written Ka Yeung character, are enough for me to recommend at least one viewing of this series. Maybe, skip the last two episodes to save you from the subsequent disappointment and questions at the end.

VERDICT
A must watch!

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20 January 2014

COFFEE CAT MAMA / 貓屎媽媽 [TVB] [2013][R] Funn Lim

Written by Funn Lim


His (Vincent Wong) performance in this series sealed his fate as TVB's best young actor in my heart.

SPOILERS ... SPOILERS ... SPOILERS



Released In
2013

No. of Episodes
20

Formerly Known As
Mr & Mrs Bean

A bit on the former title
The cafe in this series is called Mr & Mrs Bean, named after Nancy's deceased husband and herself aka Mr & Mrs Bean. The new title is more about moms and cafes. Whilst both titles are kinda not on point, both titles are also kinda not NOT on point. Point is I like Mr & Mrs Bean more.

Cast-Character
Bosco Wong, Koo Ming Wah, Vincent Wong, Michelle Yim, Mimi Chu, May Chan, Jonathan Cheung, Nancy Wu, Eliza Sam, Miki Yeung, Mimi Lo, Regen Cheung, Du Yan Ge, Ha Ping

Summary
Taken from Wikipedia (http://en.wikipedia.org/wiki/Coffee_Cat_Mama)

The drama revolves around numerous individuals and their relationship to a cafe start-up in Hong Kong.

That's it?! Really?

If you have been reading the synopsis here at http://www.jaynestars.com/features/hot-gossip/synopsis-of-coffee-cat-mama/, may I say the synopsis there is 100% inaccurate.

FURTHER POSTS
By myself in a separate post in main blog when I was watching the series. You can read them all here.

COMMENTS
I had little hope for this series since I didn't really like Bosco for a start. But I love Vincent Wong and the idea of him with May Chan as a couple intrigued me. With a skinny bean pole-ish guy and a heavy woman as girlfriend I was ready for onslaught of fat jokes and what nots but I feel in this area this series dealt with the issue marvelously. From episode 1 until episode 20 minus the last 15 minutes, I was perfectly happy with this series. The last 15 minutes had me scratching my head curiously and then as I sat on my opinion for the next few days, that curiosity grew into frustration which grew into anger. Yes, I am angry. I can't understand why for a supposed comedy had to end with everyone so bloody miserable. I mean misery is sometimes funny but not as presented in this series. And so, rarely do I say so but I shall say it, ignore the last 15 minutes ever happened and I like this series fine enough.

So what is there to like? I do agree with some criticisms that this series didn't really have a major plot. If opening a cafe is a plot, yes there was one but nothing major ever happened to the cafe except being trashed one time. But even after trashing there was no financial problem whatsoever. In other words, there was no disaster. I also agree with the relationships, nothing major happened also. Some summary wrote that Michelle and Nancy who disagreed with one another later ganged up to tear apart the lovebirds, Eliza and Bosco since they both disapproved of Bosco's lowly status and the fact that he was a single father of one. I was waiting for that to happen, and waited and waited and waited and in the end, nothing of that dramatic sort happened. In fact plot wise this series was lacking some huge punch. Basically this series is more of a character driven series and it flows where it wants to take you. Don't expect shouting matches, tearful goodbyes, angry encounters ... it was a rather "well behaved" series which to me is ok because after Brother's Keeper with it plot driven series minus any character growth, I welcome a relaxing funny witty series.

And this series has plenty of that sort; witty funny scenes, thanks mostly to the male cast. The ladies were more like us; being driven along, going with the flow wherever the male characters wanted to take them. And I do like the characters who were decent folks. Again nothing dramatic or sinister.

GRACE BEAN & PAU CHI TAI
Eliza Sum plays a young woman with difficulty in making choices. If you asked her to make a choice out of making a choice or not make a choice, she will falter. She was however not so much falter when choosing to fall for Bosco's Pau Chi Tai. I am not saying this is one great love story. It is similar to her character's situation in Divas In Distress; single father with a young child, etc etc. However, I find her character in Divas In Distress more fleshed out and more bite and the love story more convincing and emotionally more provoking. In Coffee Cat Mama, her love story with Bosco was... uneventful. Only slight objections, very little wooing involved and not much declaration of love. There was however I believe 3 kissing scenes but even those were either accidental or not very romantic kissing scenes.

However I do like both actors.

ELIZA SUM
Eliza is cute. Her cantonese has improved tremendously and I could understand her unless she had to speak more than 5 lines at one go which then she will falter, a little. Her best scene was when she tearfully told Bosco that she was in love with him, not so much as so direct but in not so many words, she did confessed her love. Her eyes was puffy from crying and she looked genuinely upset. I find her a far better actress than most of her naysayers say she is.


BOSCO WONG
As for Bosco, I think this is the first time I have seen his series in full. I genuinely can't remember watching anything else with Bosco in it where I finished all the episodes. Frankly I like him more in such easygoing role. He has a knack for comedy as in reacting well in comedic situation. I thought this series was a joy to watch thanks to Bosco. However one part he faltered, as in he did so badly but that was because the writing was just wrong. Which part you asked? That part where he was so out mentally when he thought he was given CPR by first a man, then an old nun. I thought it was such an idiotic scene; such pettiness and I didn't find it funny at all. Other than that, Bosco was stellar and he had great chemistry with the boy who played his son as well as everyone else.


YAM KA CHING & TOFFEE
The pair I really liked was May Chan and Vincent Wong. Whenever I saw them, I kept thinking of what Wong Cholam said in the ASTRO awards about pairing May Chan and Ruco Chan. I tell you, a good actor will make this pairing work and Vincent Wong is a very good actor. I was first too happy to see absence of any fat jokes. The fact that Fei Fei (May Chan) is fat is of no bearing to the story. It in fact made her cuter and showed that Vincent as Yam Ka Ching fell for her because of her inner beauty. And Fei Fei is seriously TV's nicest girlfriend, ever. Often in this series you will hear Yam Ka Ching say "I have a really really nice girlfriend" and for once, it is very very true. I was hoping for Fei Fei to marry Ka Ching but the moment we are told Ka Ching and Nancy's So Mei were childhood BFFs, I know all was lost. I speculated Fei Fei will leave Ka Ching and bless him with So Mei and I was right, partially. She was even more awesome than what I speculated and Ka Ching wasn't a jerk or a douchebag for being with So Mei. No one was at fault in this triangle love, except maybe So Mei. I wasn't convinced with So Mei being in love with Ka Ching. I thought she felt he was convenient, and that was all. This is really due to poor writing and the suddenness of So Mei being in love with Ka Ching and then conveniently forgot about her much loved dead husband. In fact, halfway through this series, Mr Bean seems to vanished from everyone's memory. Anyway May Chan was delightful. My most favourite moment of her was when she sang and danced to Leslie Cheung's songs, despite being the vice president to Alan Tam's fanclub. It was hilarious. And everything in this series showed May Chan in a very good light; any man will be lucky to have a very very good girlfriend like Fei Fei, aptly named Toffee.

VINCENT WONG
Vincent Wong is the main reason why I watched this series. After his sinister turn in Will Power to which he received his well deserved Most Improved award, I was wondering can he be funny? Well, he proves it; he can be a hunk, he can be evil and he can be house husband material. There is nothing he can't do. I bet he can even be emperor or some wuxia hero or even the dragon Smaug if he wants to. I will say except for some very lazy writing (the ending in particular), Vincent's performance was pitch perfect. I love the way he interpreted his role. Yes, he may be home economics teacher and probably can cook/knit/sew better than any woman out there, he is by no means a coward or a mousy person. He was the first to voice his displeasure at any wrongdoing. He will scold his friend if he thinks his friend is wrong. He will stand up for what's right, unless of course confessing to Nancy's So Mei of his deep love for her. He is to me quite a masculine man in his own way and I can see why Fei Fei loved him so much. I love the way he stands; a slight stoop. Usually Vincent stands quite erect but here, notice his posture. Notice the way he holds his recycle bag and he proves he has chemistry with his cast mate, his glasses AND his bags unlike another actor. I love the fact that the camera zooms into his animated face whenever he is speaking his lines and you see everything; emotions and all, laid bare for us to see. I also love he is no holds bar as an actor. Famous for being slapped dozens of times (twice in different series by different veterans), now I feel he is famous for his natural gestures; how he picked food for May Chan with his chopstick, how he laid his head on her shoulder in appreciated, kissed her forehead and of course in his most romantic scene ever, cradled the fainted Fei Fei (from hunger) and declared "I will never let you go hungry again" which to me is my sort of man. I love the fact that his Yam Ka Ching loves Fei Fei not as a rebound or even feel that Fei Fei is not on par with So Mei but that he genuinely love her and like her as a person, a girlfriend and a friend. He sees nothing wrong with letting her be who she is. However Fei Fei lost out to So Mei simply because So Mei was his childhood crush and you can't compete with a 20 year old secret crush. His very best scene was to me this series best confrontation scene ever; the one where he confronted with So Mei about her knowing he was in love with him for many years and knew this since Form 7. All his pain, disappointment, heartache and sense of betrayal bared for the audience to see. I thought his performance in that scene was just perfect. I felt for his Yam Ka Ching. In case you can't understand why Ka Ching was so hurt or was right to be hurt, perhaps you might want to read my analysis here (see 09.01.2014 post). I also pitied Fei Fei for the inevitable but strangely I never quite begrudge Ka Ching for being with So Mei. His performance in this series sealed his fate as TVB's best young actor in my heart. I feel next year he must be given an award for this performance alone.

MAY CHAN
May Chan is cute, and whilst I have issues with her own perception of herself which is lacking, I feel she has nothing to be ashamed of. She is very talented as an actress and whilst she was raw in Inbound Troubles, she displayed her fine acting skills in an emotionally charged performance in Bounty Lady. Her scene about finding someone to love her was heart wrenching. In here, it is not as emotionally charged but still a sizable role. Upping the cute factor, she made Fei Fei into someone I want to cheer on whatever the obstacles. And I love the fact that her size is not the issue. I find that a positive thing.  

NANCY WU
Nancy Wu comes into this series as a fan favourite and she has quite a dedicated fan base who cries that she isn't the first lead in any series. Well for this series she looks too mature to be in Eliza's role. Although she is Mrs Bean, an honour shared with Michelle Yim, halfway through this series she disappeared and made way for Eliza's Grace in this series. I will however say she is shared first lead with Eliza, much like Vincent with Bosco. But if you must be specific, of course Eliza is 1st lead and Nancy is 2nd lead, but a lead nonetheless. Her character So Mei started off very promisingly catty with Michelle Yim, however quarter way she lost her bite. Some more way later, she lost her love for Mr Bean because she stopped thinking about him (that's how I interpret it anyway). Towards the end she just lost everything. I never quite like So Mei, and I particularly disliked her after Yam Ka Ching poured out his heart why he was so hurt by her betrayal. She was very callous with him to say the least and took him for granted. I like however how she tried to redeem herself, etc etc but by then my opinion of her was very low;  I felt she wasn't really in love with Ka Ching. I felt she was just missing her BFF. Her character was not very well developed to tell you the truth. Some time a mature stepmom, some time a persistent ruthless boss and in the end like a little spoilt girl. I was confused by her character and in part her portrayal which wasn't consistent. She wasn't bad. In fact Nancy is a competent actress but due to the fluctuations in her character, I find her inconsistent. Also it may be because I like May Chan more and I dislike how Ka Ching didn't end up with Fei Fei although the ending may suggest otherwise.  As for her fans crying the injustice of Nancy always the bridesmaid and never the bride, look, she is doing just fine. Again you may be interested in my analysis here which I am reposting for convenience. Don't cry for Nancy, she is really doing quite well.

KOO MING WAH
Koo Ming Wah is So Sick here which is direct opposite of his Divas In Distress character which is So Gay, his breakthrough role. So Sick is a fine character, love his obsession with porn and how he associated everything with porn. However I am baffled why his character has got the most "worst editing" in this series. His scenes were jumpy, some made no sense, continuation was terrible and his reaction to certain scenes seem overblown although I believe that is because previous scenes were left on editing floor. I do love his scenes with Mimi Chu. His speech may be rough but basically So Sick is actually a nice guy. Basically a fantastic actor but brought down by very very bad editing.

MIMI CHU
Mimi Chu's Sam Cha Hau (3 tongued mouth) is such a joy to watch. I love how So Sick is always shouting at her and she is shouting at him, truly like uncouth people except there are families like that and still love one another. Her best moment was her rather passionate kissing scene with Vincent Wong. This time Vincent was not slapped by a veteran but KISSED by a veteran or rather he kissed her. It was the scene where a drunk Yam Ka Ching told Mimi that So Mei was a third party in a relationship and marrying an older guy and as he thought she was So Mei, he was busy fondling her and kissing her on the lips. Such a scene would not have been funny but I love how Mimi reacted as she was busy thinking "My daughter a third party?" and such revelations that she was just too stunned to push him away. You have got to watch this scene and of course Mimi's performance.

MICHELLE YIM
Compared to Mimi, Michelle Yim was too reserved to be that sort of actress to compete with the great Mimi Chu. I find her character pointless really. No development, anything interesting was in the first few episodes and after that it just went downhill. Her performance was also mostly one note.

HA PING
Compared to Michelle Yim, Ha Ping who played the wise but befuddled Sister Lolita was such a fun performance to watch. She has one of the funniest moment in this series; the song hallelujah sung and it was her handphone ringtone and I swear I laughed so hard it hurt. I love how Sister Lolita is in everyone's life and her character added to this series a sense of quirkiness that I love and that I find so refreshing to watch. Anyway I was curious how she looked like when she was younger and so I googled and found the following:-



Wow! She was what we call a babe!

MIKI YEUNG
She plays Sung Chaubo, mother of Bosco's son. No they were never married and she was supposedly very much in love with Fan Fatt before he ran away to Jamaica. Anyway, competent performance as a really irresponsible mother. I love how Tai Chi Pau basically never give her any respect since she lies her way through life and keeps disappointing the son.

MIMI LO
I see Mimi's name in the cast list and for the life of me I can't remember her in this series. I do know who she is (apart from being Power Chan's wife) and then I remember; was she the prostitute Ah Fung?! If yes my god, she looked so different! If she is, or even if she isn't, I find Ah Fung to be rather interesting and pitiful.

REGEN CHEUNG
Took me a while to find the name to the actress who played Eliza's sister. Anyway found her. Competent performance of a very annoying girl. I hated how she snickered when poor Fei Fei begged So Mei to leave Ka Ching. Which means she was competent in her performance.

DU YAN GE
Mr Bean played by Du Yan Ge. Thanks to Kidd for a bit of snippet on this actor whom at first I thought was Elliot Yue/Ngok;

The actor's name is Du Yan Ge (杜燕歌). He was a the head of TVB's mandarin dubbing department. I think he only recently moved to acting. The first time I saw him is in Beauty At War. He was also in Karma Rider as the main villain.According to chinese wiki (http://zh.wikipedia.org/wiki/%E6%9D%9C%E7%87%95%E6%AD%8C), he is Mary Hon's husband. Ahhhh I see!! ... no comment.

JONATHAN CHEUNG
I was very surprised to see Jonathan Cheung Wing Hong in here as someone totally opposite from his star turn as Fan Kan in 3 Kingdoms RPG. I do think from henceforth his surname will be Fan in any series! In here as an obvious pun to his famous character in 3 Kingdoms RPG, he is Fan Fatt (literally committing a crime) or Fatt Wan Gor, neither is a positive name. He looks very cool, hardly smiles since he is a reformed gangster turned barista. I love his performance and his chemistry with Bosco in some of the best moments in this series (such as Fan Kan wiping Tai Chi Pau's lips in a very natural and fluid gesture as if he has been doing that for many years). I hated his ending which is the last 15 minutes of this series but for what it is worth, I love Jonathan Cheung. Loved him in 3 Kingdoms RPG, loved him in Return Of Silver Tongue (as another Mr Fan, this time Fan Kang - rice spoon literally) and loved him in here. He is always a highlight and a boost to any series he is in.

And that is at the end of the day why I really liked Coffee Cat Mama minus the last 15 minutes. At the beginning it all seems so quirky which I thought was so unlike any TVB series I have seen, and it was seriously funny. The lines were witty, the situation was funny, characters were cute, and none were the sort where you hate. However the momentum slowed down when the focus was on Bosco and Eliza. Not that they were terrible, both were cute but somehow the momentum was lost as they were not particularly funny or quirky. Things were much better with Vincent and gang. But worse was with Michelle Yim, whether alone or with anyone else. She was such a bore to watch because she wasn't funny, she wasn't quirky and yet she wasn't nasty enough to have any sort of personality. Her character was confusing and whilst she is not likable, you can't really hate her character. For a series about the sacrifices of a mother or rather the difficulties of being a mother (step mother as well), the focus on this aspect in this series was at best minimal.

Which is why I feel rather confused with this series as it went on towards the obvious happy ending except the last 15 minutes which showed the expected pairings didn't end happily. It would seem to the writer that he might have thought in misery there is comedy. True but when everyone was so happy prior to that and to see 3 years later, bickering couples and what nots, it felt unfinished and sloppy. It feels like whatever I have seen prior to this 15 minutes were just not serious. I find the ending lack consistency and more importantly, integrity to the story. Maybe there really isn't a story to begin with.

Point is I really like this series. But I really hate the last 15 minutes. Much like how much I hated the last episode of Bottled Passion but luckily this series is not as terrible as that last episode. It is however such a miserable ending that I feel whatever laughter I have in me is gone.

VERDICT
Highly recommended. Fans of Bosco, Koo Ming Wah and especially Vincent Wong will definitely love this series. I enjoyed it very much. Except ignore the last 15 minutes.

INTERESTING STUFF
The entire series is about coffee and barista and frankly I can never get the western coffee culture. I am more like Tai Chi Pau at the beginning; more into the ordinary coffee rather than cappuccino and whatnots. I find the whole way of appreciating coffee Coffee Cat Mama style too tiring but that is a personal preference. I like my Malaysian coffee such as kopi, kopi-o, kopi-ping, kopi-o-ping, etc. Well that's not entirely true. I am more into tea and specifically Chinese tea AND iced lemon tea (HK style) or in Malaysia if you call iced lemon tea at coffee shop you will notice it is actually iced LIME tea which is more fragrant except if you're in HK where the 2 best drinks I ever had was iced lemon tea AND coca-cola slurpee.


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10 December 2013

WILL POWER [TVB] [2013][R] Funn Lim

Written by Funn Lim


Nowadays, like Will Power, the plot takes over from the characters. There is no proper investment or writing in the characters. It is often a character does A B and C but not much is told why they do. They just do and since A is surprising, B is interesting and C is shocking, in the end we forget about the character.


SPOILERS ... SPOILERS ... SPOILERS




Released in
2013

Cast-Character
Wayne Lai as Wilson Yu Ying Wai
Moses Chan as Morris Lee Ming Yeung
Fala Chen as Eugene Shum Yut Kan
Christine Ng as Sheila Luk Sze Ying
Jason Chan as Ching Ka Ming
Sire Ma as NaNa Lo Siu Lo
Vincent Wong as Gilbert Sung Ka Yiu
Elliot Yue as Lo Sam Po
Chung King Fai as Shum Yik Wor
Mary Hon as Ching Shuk Hing
Susan Tse as Mrs Song
Power Chan as Sung Ka Cheung
Samantha Ko as Elly Yip Nga-lai

Bits and Pieces and Some Rambling
From my opinion post on this series at http://www.point2e.com/2013/10/o-will-power-2013tvb.html
 
Plot
Taken from http://en.wikipedia.org/wiki/Will_Power_%28TV_series%29


The two well known laywers YU YING WAI (Wayne Lai) and LEE MING YEUNG (Moses Chan) are against each other in court. Because YING WAI wanted to win a case, it almost cost him his life and after that incident, he had a new view on life. Experienced lawyer LO SAM BO (Elliot Ngok) viewed the changed WAI differently, and recruited him to join his law firm as a probate lawyer. Due to his debt, YEUNG was forced to go back and work at his mentor SUM YIK WOR (King Sir) law firm and collaborates with his daughter and lawyer SUM YUT KAN (Fala Chen). KAN had been in a relationship with the wealthy SUNG KA YIU (Vincent Wong) for many years, but YIU loves merit too much and had no interest in ambitions, which gave YEUNG an opportunity to win KAN's heart. When the hearing for a case involving a will began, the judge happened to be WAI's ex-wife and YEUNG's ex-girlfriend LUK SZE YING (Christine Ng), the two heroes meet again, but together they discovered there was another side to the case. The person involved just happened to be WAI's apprentice CHING KA MING (Jason Chan), whom had a huge connection to the case. The actions of the lawyer lifted a crisis of life and death...

The two lawyers battle for wins but one man goes too far to get what he wants from his biggest client...Yeung's boss.


COMMENTS
For the start of my review of Will Power, let me begin it with an end, which is my recommendation.

It is a highly enjoyable series that many will find they rather like it. I rather liked it a lot. I liked it so much I chased it every night and I find myself laughing along (during appropriate times) and cursing (during even more appropriate times). It is to me one of better series of 2013 which boasts some fine acting from very unexpected people as well as the usual expected people. And if you want my recommendation, I will highly recommend this for a fan of TVB who longs for a better series to watch, chase and root for.

But... and there is always a but... at the end of the day, after finishing this series, I find no compulsion nor any need or any want to return to it. It is for me a 1 time series only. Whilst most who upon knowing Will Power as a legal drama will go "nooooo", which is perfectly reasonable, as a legal drama itself, this series tries hard and at times does present itself as a smart legal drama. However for most of the time it just either falters and dies or never had a decent chance. The only truly impressive legal drama that feels like a legal drama that is from TVB which I really liked was The Other Truth but that in itself had its procedural problem. In Will Power of all the cases which is mostly succession cases (cases involving Wills and Probates and what nots) that is considered legally sound even if procedurally haywire is the trial for the rape of Nana. The arguments, counter arguments, theories, submissions, etc actually covered a wide ground that you will usually find in real legal world and the some of the arguments which led to the release of Gilbert despite being guilty of the act of raping Nana is actually pretty possible in its context. However like in many TVB legal drama, the execution of court room trials are often screwed by the "anyone can call anyone's witness at anytime during the trial presided by the same judge over and over again in all sorts of cases" approach. It is so messy and you will wonder is it that way in HK legal system? There is no proper start or proper end? Any time is submission time? Any time I can just bring in any evidence in any way? At least there was some good moments of possible OBJECTION!! sort of scenes but when the crunch time comes for a good OBJECTION!! moment, it never came. My biggest problem with such legal drama, apart from the pretty messy way it is presented is the fact that each and every lawyer in the trial seems to take everything like a personal insult and in Will Power, they take defeat very badly. And when I say very badly, I meant they slumped down onto their chair in a look of total defeat. If lawyers are that way every single day, therapists will make a killing. And in a curious twist, that "total defeat look" does not extend beyond the court room. Meaning once they walk out of the court room, the entire "total defeat look" goes for a reset and you have the "let's socialise with other lawyers look". Often lawyers are shown having wine in pubs. Here we have them drinking Mafitte (or is it Lafitte but somehow mispronounced as Mafitte or whatever?), a very expensive wine all the time. But at least, less on pub scenes and more on working late in office scenes which is quite realistic. I am also happy there isn't much nicknames but since this is a 100% legal drama, no police best friends etc, I suppose you don't give professional people nicknames. These may be nitty gritty stuff, but it is often the unnoticed nitty gritty stuff that lends credence to the universe you will see in Will Power which is reality based. That is where Will Power fails. For a series about the legal world, it is enjoyable. For a legal drama, it fails.

It so happens that when I was watching Will Power, I was also watching Legal High and Legal High 2. Legal High is a Japanese drama, 11 episodes of straight to the point wonderfulness. It is a legal drama. I am not sure if Japanese court or saiban is that way, but in my world, apart from the over the top lead character that is  Kamikado the sleazy lawyer, everything seems pretty normal to me. That series works because whilst Kamikado is that sort that is loud and often times annoying but funny, everybody else that surrounds him functions normally. No one tries to outdo him and so Kamikado is this sort of oddball. Will Power tries to have some sort of an oddball character with Moses' Morris who started out as a comic relief but 3 episodes in lost his sense of humour and sense of fun and became dead serious. Wayne's Wilson which started out as a serious character ended up providing some genuine funny moments and it is often the combination of Wilson and Morris that provides the genuine laughs rather than each alone or rather Morris alone. With each character having the lead, none really stood out for that matter. Will Power towards the middle lost a lot of steam because no one was effectively leading the series. Neither Morris nor Wilson is interesting enough to dominate. Maybe for costars this is good but for us viewers who look forward to some great moments, what we have are moments dominated by very good acting but not very memorable scenes. I kept comparing Will Power with Legal High because I find Legal High much better character wise despite being much shorter. There is also a very good reason for such a comparison.

Have you noticed these days TVB series is not concerned with growth of a character? It is almost always plot driven. In the past for the golden years, there was balance between plot and character. Plot thickens and the character grows, whether good or bad. Surprises are plot devices but not the main purpose. Nowadays, like Will Power, the plot takes over from the characters. There is no proper investment or writing in the characters. It is often a character does A B and C but not much is told why they do. They just do and since A is surprising, B is interesting and C is shocking, in the end we forget about the character. This is the case with Brother's Keeper, a series more interested in piling the shocks and dramas rather than letting the characters grow on us and actually have an actual story to tell. Which is why TVB has no consistency. Same can be said of Will Power, except it is not as bad as Brother's Keeper.

One character I feel immediately interested in is Gilbert and his brother Ka Cheung and the impact of the mysterious third part of the Will as well as what Ming got to do with it. I thought perhaps since this is a series about Wills and probate, maybe Gilbert will be the human factor, the growth factor that as a character will in the end be the purpose of this series. Often times Lo Sam Po often says his duty as a probate lawyer is to carry out the wishes of his dead clients. And in this intriguing case of the super rich Sungs, I thought Gilbert and Ka Cheung will be given room to grow into purposeful characters that epitomises the idea of carrying out the wishes of the dead clients. Alas, lo and behold, TVB in all its glory in setting up this series decided to go for the plot driven angle rather than character driven angle. Gilbert and Ka Cheung in the end are nothing but one of those shock tactics used. Gilbert from being bad to the core remains bad to the core to his death whilst Ka Cheung from dependent becomes as dependent towards the end. No brotherly unity, no brotherly love and the meaning of the Will by Mr Sung got lost about 80% into the series and when revealed, was nothing anyone will feel bothered about because by then, it really doesn't matter. In fact by then I was confused if the Will is valid, not valid, partially valid or what? The trials really confused me and I didn't quite care.

Another character that could have some good growth is the strong Mrs Sung and she did have growth, as in became a better person but that was last episode and for the last 30 minutes or so. Prior to that, she had the potential of a great villain or a possible story of a great redemption of the wrongs she did to Gilbert by doting in him too much. The idea about DNAs and all that were thrown around to create some suspense but I felt so cheated when we find out Gilbert is not Mr Sung's son. How easy isn't it? What a plot spoiler. I just didn't expect Gilbert to die or the way he died. Poor Mrs Sung.

As for Ming, he was quite a funny character at first but again there was no growth. He remained as he was as before and I find it disappointing plot wise that I feel he is rather underused. And I wasn't surprised he was charged with a crime since it is very convenient and plot wise exciting but for someone who has watched the same thing again and again from TVB, it is boring and predictable.

The 2 leads are interesting with good chemistry but the tagline of best lawyers in town seems excessive. Morris and Wilson don't seem to be best lawyers in town to me because they don't look nor behave like one. I thought wouldn't it be funnier if they were the average joes but got caught up in major cases with major clients in major law firms? There arises the situation comedy as these 2 average joes, not that bad but not that great wrestles with their conscience and some incompetence to become better advocates?

Anyway, surprisingly there are 2 characters that stood out in terms of change and growth, one subtly, the other more obviously. The father-daughter duo of the Shums.

Eugene Shum is a strange name for a girl. Anyway she started out as someone who goes to court to someone who hangs around the office. The growth I meant though is her gradual dislike of her own father but in the end daughterly love wins over her disgust over her father's conduct. I like the fact that she did nothing to stop him nor did she do anything to help him. She just stood aside and became the moral observer. I also like the fact that whatever Morris did, he did it for her and for his mentor but he simply refused to trade his soul to the devil fully.

Shum Yik Wor is perhaps the best character in this series, growth wise. I will like to emphasise that his actions as a lawyer are the actions of real life lawyers except minus the devious evidence planting devils. The methodical way in which he cross examines the witnesses are truly one of the more realistic moments in this series. In fact when Eugene said her father had to do so much to counter Wilson's argument in court, I laughed. So much? Dear, your father trampled all over Wilson! I thought the old man did so well! The progression and true nature of his character becomes clearer as the series reaches the end and his ending, whilst pitiful is deserving. This is the only truly ONE character in this series that shows the potential of this series. And shockingly he is acted by a veteran I never really liked.

One character is however a total write off and that is Sheila the judge and ex wife of Wilson. Talk about one note, one sided, one dimension, no personality, cardboard personality, tree trunk, etc and you got the basic description of Sheila. It is not like she has nothing to do. She is a judge in 9 out of 10 cases in this series, be it criminal, probate, civil, everything. HK has very small legal world. My problem with this character is how unnecessary she is. Just because she is acted by Christine Ng, every attempt to maximise her screen time is made and she is inserted into every case there is and not to mention how unrealistic that is, it is also incredibly boring. I don't see why can't just take out Sheila's character and let Wilson have an unseen ex wife. Wouldn't it be fun to have guest actors as judges? Like spot and name them sort of moments. Her ending was also ridiculously stupid. She quit her job as a judge due to some unnecessary principle which I thought is the nail to the coffin so to speak. Sheila just nailed herself into her own coffin with that stupid ending. Of course the even worse end is Eugene ending up as possibly the youngest High Court judge, ever.

Story wise, Will Power has the potential. But the lack of room for characters to grow makes Will Power into a wasted potential. It just isn't sure if it is a comedy or drama but I will say it is more drama than comedy. The issues dealt with are very very serious stuff.

PERFORMANCES EVALUATED
Performance wise, Will Power shows its strength as a series. So story wise it is predictable, character wise nothing much changes but this is one series populated by veterans who gives surprising performance. And let me declare, I shall comment on them all. Notice the English names. You can't be a professional without an English/Christian name.

Wayne Lai as Wilson Yu Ying Wai
Wayne is a fantastic actor but he is not a convincing first class lawyer. He is however a convincing actor working as a lawyer. The greatness of Wayne is in his subtlety. I thought the compassion in his eyes when Power's Ka Cheung cried and urinated in court was so convincing, and I screamed GIVE HIM THE BEST ACTOR AWARD!! He may not be the most convincing lawyer, but he is a convincing actor.

Moses Chan as Morris Lee Ming Yeung
This is one of Moses' better roles todate and funnily, his expression hardly changed from serious to serious. This is one actor who can survive an entire series with one single expression. His acting is not great. He is also not a convincing first class lawyer but earlier, he is convincing with his comic timing, especially those scenes where Morris was harassed by debtors. But apart from that his acting is pretty usual with the frozen look. I enjoyed his performance but this series shows next to Wayne Lai who is capable of so much more, Moses is rather restricted. However he has great chemistry with Wayne Lai and his performance is enjoyable because he is one part of a dynamic duo. The only problem with Moses in this series is towards the end his character disappears from screen a lot, as if Wayne is the 1st lead and he is 2nd which is most likely the case. Wayne seems at times to be the main actor carrying this series.

Fala Chen as Eugene Shum Yut Kan
This is by far a much better role for Fala than that insipid Triumph In The Skies II's Holiday. Her Eugene may be fresh and green as a lawyer, but she has a conscience. Whilst she is bound by her love and respect for her father, she never quite helped her father at all as well. I like her Eugene. I also like the nitty gritty stuff like how earlier she would run after Gilbert carrying his sunglasses or cleaning after him, like how she is mothering him and he is taking her for granted. She is more relaxed with Moses than with Francis Ng and it shows. She may not be a great actress but given a good role, she is competent enough to be memorable in it. And I like her style in this series. My only objection is Eugene started out strong but towards the end faded into the background.

Christine Ng as Sheila Luk Sze Ying
The worst character and one of her worst performance.

Jason Chan as Ching Ka Ming
2nd worst character and the worst performance in this series. I read how Jason Chan will win Most Improved Actor and I just choked on my KFC. How ridiculous is that to give Most Improved to someone who has deproved or rather never improved? The only improvement is in wardrobe perhaps? He was unconvincing with his briefcase, he was unconvincing with his co stars, he didn't look like he bothered much when his Nana got raped and even as a defendant, he can't even do the dejected look convincingly. He just looked totally and absolutely lost all the time and that is his best acting look. His best moment was the writing demand letters for Nana and replying to himself, etc. That was a situation comedy and it was funny but then anyone in it will be funny. Off camera, Jason Chan is a charming sort of guy. I kinda like him. But in front of the camera, I hate him. He is to me the male version of Miss HKs who can't act and is thrown in front as lead and with fake positive news to convince us he is the next big thing. Right now he is my next big headache. He has successfully made Ming into a non entity and that is a tall order since Ming is the younger character's lead character. Is it the way he talks? Yes. He needs speech therapy. I am not convinced by everything he said. "I killed a guy?" Really? "I love you" Really "I just pooped in my pants" Really. In retrospect his best role was No Good Either Way and that is because he was playing a sleaze ball that no one is convinced about. But other than that, everything else is just a matter of how bad it was. Like all Miss HKs, I hope he improves. Takes years but if Gallen Lo can improve from a log of wood to a very good actor so can he. Meanwhile he and Selena Li should marry and have fluffy babies. They're so alike.

Sire Ma as NaNa Lo Siu Lo
Ahhhh scandal scandal poor poor Sire. She is a competent actress but Nana is such an annoying character who went through some terrible moments. I hate how there is no follow up to her Nana. After the rape case, her Nana is discarded, no more surprises, no more story, just there.

Vincent Wong as Gilbert Sung Ka Yiu
My candidate for Most Improved Actor for 2013, Vincent Wong proves yet again he can endure dozens of slaps by a veteran and he can almost outshine half of them. He is a good actor, learning his way around giving credible convincing performance. I had high hopes for his Gilbert but was more let down by the writing than his performance. I can't fault his performance.

Elliot Yue as Lo Sam Po
He is the unexpected comedic element in this series in the beginning. I find his Lo Sam Po rather mysterious at first, who appears when someone died, etc. He is the honourable character as opposed to Shum Yik Wo and each has different approach to their conduct as lawyers. Elliot Yue was fun to watch and whilst he is not Paul Chun Pui, he proves that veterans can still be a highlight in a series populated by younger actors. In fact he is one actor you won't overlook in this series.

Chung King Fai as Shum Yik Wor
This is another actor you will not overlook in this series. In fact towards the end he has so much screen time, so much more than Moses that I can't help but feel he is sharing the leading actor's duty with Wayne! I never like King Sir as an actor. I dislike his expressionless monotone voice and yet here, there were raw emotions. His scenes with Fala playing his daughter, there were genuine delights and affections, his ruthlesness in court and how he conducts his cases, his sparring with everybody else, the way he was manipulating Moses' Morris. This is perhaps his best work. His Shum Yik Wor is complex as a man, selfish as a boss, loving as a father and scheming as a lawyer. Most of all he is manipulative even to his clients. He is the villain in here and yet I can't hate him much. He schemes but within the legal ambit (except for the incredible lapse of judgment when Gilbert died- that was more out of ego and what he could do). His character is perhaps the best written and Chung King Fai did not disappoint. I find that rather shocking.

Mary Hon as Ching Shuk Hing
Standard performance and I dislike how she did not stand up for herself when she was slapped. After all she stopped being the mistress like more than 2 decades ago. I wonder though why Mary never gets the role that Susan Tse gets?

Susan Tse as Mrs Song
A disappointingly developed character but wonderfully acted by Susan Tse. Her dozens of slaps on Vincent Wong is fantastic but it was that raw emotion, that calmness before the storm, the unleashing of the slaps and her cries and tears of frustration that was as scary as it was moving. You will feel for this woman.

Power Chan as Sung Ka Cheung
So disappointing. I don't mean his performance. Power Chan delivers, most of the time. I am talking about his character who never really had much to do and in the end is more or less the same. But within the ambit of what he is given, Power Chan shines with his wonderful portrayal of a likeable and innocent Sung Ka Cheung. His best was the court room scene and well matched by Wayne Lai and oh, I hated that Shum Yik Wor at that moment more than anyone! Pity though that this character was not given room to grow.

Samantha Ko as Elly Yip Nga-lai
Samantha Ko is fast becoming one of my most favourite actresses in TVB. She has improved so much since The Last Steep Ascent. She stepped up her game in Friendly Fire in one of those rare portrayals of rape victims who refuses to be a victim and she was simply delightful in Bounty Lady. This girl is not the best looker or the slimmest or the best actress there is but she is charming. Like Eliza Shum, she is cute. Unlike Eliza Shum, I notice she has less coverage which is good for her. In here her Elly doesn't have much to do but well, what more can I say? I am writing this in light of Bounty Lady so it is a bit biased but seriously though, I am looking forward to Samantha Ko's next performance.

A SUMMARY
Best case
Nana's rape trial. Convincing, somewhat.

Worst case
The intimidation and the very unspectacular fall of the gangster as well. I watched in total disbelief why no arrest was ever made to the intimidation to Sheila. That case was to me the pimple of this series. Except it started with a good premise about the gangster's right to the symbol of power within the triad. I mean that is interesting and Legal High would have made a great fun case out of it. TVB chose to make it into Wilson rescuing Sheila. Bo-ring.

Best performance
Veteran
Chung King Fai. Give that man an award.

Lead actor
Wayne Lai. Nominate that man for an award.

Supporting actor
Power Chan.

Young actor
Vincent Wong. Give him some award.

Worst performance
Jason Chan. Banish him to Never-Act-Again-Land!

Best Scene
The slaps by Susan Tse on Vincent Wong perhaps. The ending scene of Shum Yik Wor telling I believe Morris to take care of Eugene if I remember correctly. But to me if was that moment, that short moment of Ka Cheung crying and scared in the court room and Wilson looking at him with such.. compassion. Not pity but compassion. That is why Wayne Lai is acting God. Since TVB is Hindu style when it comes to Gods, Wayne is one of the acting Gods.

Worst Scene
Sheila saying she quits her job and then Eugene becoming a judge. Yeah, not some Ming scene. Worst actor but not quite worst scene.

VERDICT
A legal drama not from TVB universe? Legal High is better. But within TVB universe, Will Power is one of the better series of 2013.

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30 September 2013

KARMA RIDER [TVB][2013][R] Kidd

It's a beautiful little small production that has good meaning, good acting and good story, and memorable songs.

Written by Kidd


SPOILERS ... SPOILERS ... SPOILERS




Chinese title
師父•明白了

Released in
2013

Producer
Chan Yiu Chuen 

Genre
Comedy, Drama, Suspense

Episodes
20

Rating
4/5

Cast
Raymond Wong as Chor Yat Jeen
Priscilla Wong as Foon Hei
Evergreen Mak as Wan Tin Bong
Rachel Kan as Hoi Chun Fah
Helena La as Foon Shu
Kaki Leung as Foon Jing
Mikako Leung - Foon Tim
Cilla Kung as Foon Siu
Wai Kar Hung - Bak Yat Yat
Owen Cheung - Bak Hok Yi
Amy Fan as Mok Sau Si
Matt Yeung as Cheng Ying Hung
Witney Hui - Wan Yau
Cheung Kwok Keung as Lok Mou Ngai
Cheung Wing Hong - Kong Tai Ping
Du Yan Ge - Wun Tin Sang


Plot
Set in an unnamed ancient settings, an orphan who was born without hair was taken in by a Buddhist master after he was cured by said master of injury, but strangely, this master refused to accept him as his student. This orphan grew up to be a dedicated police officer named Chor Ya Jeen. He was transferred to the police station in Ma Heung Town and in the town, he met a lot of o people who have fate with him such as the thief  Foon Hei, the rich girl Wu Dip and a man who can see glimpses of the future named Wan Ting Bong. He also has to solve a murder mystery and learn life lessons about fate, karma, true love and most importantly, what action you choose to take can change your supposedly pre-determined future.

Review
Story/Structure/Presentation 
The setting that the producer chose to use is interesting. The setting of this series does not belong to any one period in history. It's a mix and match of many eras, creating a fusion ancient period.  The characters dress in ancient costume, but, they have some modern looking clothing accessories. The furniture and houses are ancient in style, but, the table arrangements of the police station looks like those in the 90s series, and I think the '9 Lau Stronghold/stockade' is based on the Kowloon Walled City in Hong Kong. The producer said that he did this on purpose to create a comic book feel. In this respect, I think Devil's Disciple is more successful. Devil's Disciple did feel like a comic book to me, but, Karma Rider did not.  Nonetheless, I like this setting. This fusion setting gives a fairy tale like feel to the series. It is like the series is set in a mythical universe.

On the story, I think that the scriptwriter/producer already has the story well thought out before starting on the actual writing of the script. The relationships and link of events all tied up together well. There is no incident or event that is unnecessary or a plot that appear at the beginning and forgotten at the end. All the events and characters are related in some way, which really brings out the theme of fate. The only slip in the plot is the lousy math, which is a common blunder in many TVB series. The age of the characters do not add up. Another aspect that I feel the series could have done better is the solution of the main case. I feel that the solution of the main case is a bit rush.  The scriptwriter chose to pop the solution on the viewers first and use flashback to retell the process. This limit them in showing  some potentially touching scenes involving grandma Foon Shu's 4 missing children. Two of the siblings were together under a well for quite some time, but, there's hardly any interaction scene shown. The scene of one daughter finally forgiving her mother was less than a minute long.

Those who think 'Triumph In The Skies 2'  has too many subplots and too much focus on unnecessary sub relationships that veer away from the main plot would like this series. The focus of the series has always been on the growing relationship of Chor Yat Jeen and Foon Hei. The love built up slowly and does not feel rushed or sudden. The sub relationships have some crucial scenes to shown the milestone in the relationship and give viewers an idea of the depth of the relationship, but they were never the focus. In fact, I wish they have more scenes of one sub relationship. I love the couple!

How is this series related to "Butterfly Lovers"?
Here's a few elements that will keep reminding audience about "Butterfly Lovers"

- Foon Hei believe very much in the story of "Butterfly Lovers" and "Butterfly Lovers" is her favourite opera.

- Butterflies appear often in the series and played some real crucial roles.

- A girl disguise as a boy, making the boy she likes think she's a boy. 

- Joining together after death. (I wonder if  anyone sent complaint letter to the Broadcasting Authority saying this  plot gives the wrong message to young people).

Music
The songs used in this series are as followed:

Themesong : Understood (明白了) - Hubert Hu (胡鴻鈞)

Sub themesong : Butterfly Transformation (化蝶) - Hubert Hu (胡鴻鈞)

Sub themesong: Lucky Child (幸運兒) - Fiona Fung (馮曦妤)

Honestly, I don't remember how the themesong sounds at all. But, the 2 subthemes are still playing in my head as I write this review. They are very well chosen for the series.

Initially, I felt that Butterfly Transformation was too modern for an ancient period series. But, the more I listen to it, the more I like it and feel that it successfully brings out the theme "Butterfly Lovers". As for Lucky Child, I like it the first time I heard it. It is very apt to for the relationship between Foon Siu and Bak Hok Yi. 

Note: Just listened to the themesong Understood. The melody is actually quite beautiful and the lyrics very meaning. I wonder why it just failed to stick in my memory.


Acting/Character
The acting here range from average to excellent. None of the actors are bad enough to ruin the series, which is a good thing.

Raymond Wong as Chor Yat Jeen
Raymond Wong played a guy who was born without hair to signify that he was someone with an untroubled mind. Raymond did not wow me in his performance, but, he was not bad either. I guess this is one of his middle of the road performance. He played his part competently but not impressive. I think he was wrongly cast  for this role. While watching the series, I always have the feeling that this role should be played by a younger guy, at least looking about the same age as Matt Yeung and should look a lot younger than Evergreen Mak. I get the significance of the bald head, but, I don't get why this character has it. He didn't seem any less trouble free than other characters. He has his worries and attachment. When he finally grew hair, it was because he can't decide who he loves. What does not mean? Love is the most troublesome thing to the mind?

Priscilla Wong as Foon Hei
I think Priscilla Wong's acting was very natural for a newbie.  Some people said she was acting too cute and dumb. But, I think this was just how the character was written.  Foon Hei is a girl who still believes in the legend of 'Butterfly Lovers', who believe in good things.  She is not stupid. She has some quick wit, but, she thinks very simply. She went through quite a lot of hardship as a child and I think she's very grateful for what she has now. Priscilla was able to show all these qualities.  I think Foon Hei has a more trouble free mind than Chor Yat Jeen. But I guess we can't have a girl being the bald one. Priscilla will have to shave her head. I like that Priscilla's acting is still fresh and not yet tainted by years of experience that sometimes will make an actress become formulaic in her acting. I hope she will continue to grow as a dynamic actress.

It's interesting how both Chor Yat Jeen and Foon Hei are both so into butterflies. Maybe they really are the reincarnation of the butterfly lovers.

Evergreen Mak as Wan Tin Bong
I don't have much to say about Evergreen's acting other than it's very good. He gave a very good performance as the clairvoyant Wan Tin Bong. Initially, I thought he play a highly cultivated spiritual practitioner. But, it turns he's not. He's just someone who got chosen by heaven to have this ability or he somehow was able to tune in to the right channel to access the info. He reminds me of Moses, the reluctant messenger/prophet chosen by God to do His bidding. Wan Tin Bong didn't want to see those flashes of future too, but, they kept coming to him and every time they came, Wan Ti Bong would ask his teacher (the sky) what It wanted him to do.

Helena Law as Foon Shu
Helena Law is another veteran who gave a great performance as a mother who misses her children. Foon Shu is a very kind lady and seeing how much her foster children love her, she must be a loving parental figure. But, she did fail as a mother when it came to her 4 biological children. She made a bad decision in leaving her 2 girls alone in the temple and she gave a wrong message to her son regarding right and wrong. Many parents actually made this mistake too. When a child does some minor bad things, parents just let it pass instead of correcting them. When the child finally commits a serious crime, the parents become very upset.

Cilla Kung and Owen Cheung as Foon Siu and Bak Hok Yi
I put these 2 together because I love their subplot and because their major story is their love story. I think they have great chemistry.  I love their scenes together especially the scene where Hok Yi shelter Foon Siu from the rain. So sweet.  This is the first time I see Bosco Jr  (Owen) act. Initially, I felt that he overdid the weak scholar role. But, after awhile, I became more use to his portrayal and found him quite convincing. This actor has potential. I hope to see more of him. Cilla Kung as improved leaps and bounds since 'The Four' debut. She was very wooden and totally cannot act in 'The Four'. But now she can do the emotional scenes very well.  The part where she was crying over Hok Yi was well done. She only needs to tone down her shouting.

Wai Kar Hung as Bak Yat Yat
Wai Kar Hung was excellent as Bak Yat Yat, the not-so-bad gangster. I think this was the first time he played a father to a grown up son. Wai Kar Hung displayed the pride, love, and authority of a father very well and his devastation at losing his son was very heart-breaking. Bak Yat Yat is an interesting character. The more unlike him his son is, the happier he is. He must not like himself very much. But, the fact that he was able to bring up such a good son in a place like 9 Lau Jai' shows his success as a parent. Besides that, he is also faithful to his late-wife and respectful to elders. This character is a joy to watch. Once again,  excellent portrayal by Wai Kar Hung.


Kaki Leung as Foon Jing
Kaki Leung used a very unusual approach in portraying her character, the mute girl Foon Jing. Instead of using sign language alone, she mouth her every dialogue and dubbed her voiceover out of sign. Kaki Leung has said in the weibo that she purposely dubbed her voiceover out of sync with her mouth movement as a new experiment. I think her out of sync dubbing was successful because it reminded audience that the character is mute and the voice did not come out of her mouth. Her mouthing all her dialogue, on the other hand, was not very successful. It did not look natural. Normal mute people around us don't communicate like that. I wonder why Kaki portrayed the character this way. Was it to show how much her character desire to talk?

Other notable performances that worth a praise are Rachel Kan as bathhouse owner Hoi Chun Fah, Cheung Wing Hong as the assassin Kong Tai Ping and Katy Kung as the young Mok Sau Si. 

Conclusion
This is one of my favourite TVB series of 2013. It's a beautiful little small production that has good meaning, good acting and good story, and memorable songs. I won't mind watching it again. 


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