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20 January 2009

STEPS [TVB]

Written by Funn Lim


"I have no idea how to describe this series other than it is really a series about nothing in particular and since it is nothing in particular, nothing IS particular in this series."


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SPOILERS ... SPOILERS ... SPOILERS


Released In
2007

No. Of Episodes
20

Cast-Character
Steven Ma - Ching Ka-Chun
Bernice Liu - Lee Sum-Ying (Samantha)
Wayne Lai - Lee Lik-Keung
Claire Yiu - Yau Lam-Lam (Donna)
Kate Tsui - Yeung Sze-Man (Victoria)
Matthew Ko - Mai Dik-Sang (Dickson)
Fala Chen - Ching Ka-Man (Carmen)
Stephen Huynh - Cho Wah-Lun (Wallace)
Mannor Chan - Ching Dik Bo-Bo (Bobo)
Samuel Kwok - Yeung Hon-To (Tom)
Wu Fung - Yeung Sing (Patrick)
Stephen Wong - Yau Shang-Tat
Kok Fung - Mr Yeung

Summary
Taken from Wikipedia

Full spoilers!

Dance lover Lee Sum-Ying (Bernice Liu) is going to audition for a place in the Hong Kong Dance Company. Before the audition starts, she bumps into her brother Lee Lik-Keung (Wayne Lai) and his colleague Ching Ka-Tsun (Steven Ma) at a supermarket, where she is accidentally run over by Tsun’s trolley and hurts herself. Due to her arm injury, Ying does not perform well in the audition and fails the assessment. At the invitation of Tsun’s mother, Ying goes to teach Latin dance at a local community center, in the hope that she can save up enough money for further studies abroad. Ying has a very warm personality and is well-liked by many of her students. Her popularity eventually lands her a teaching job at a dance workshop, which makes another dance tutor and Tsun's younger sister, Ching Ka-Man (Fala Chen), incredibly jealous. Man dislikes Ying so much that she means to make things difficult for her in every possible way.

Yeung Sze-Man (Kate Tsui), the daughter of Tsun’s boss, is appointed to take charge of the company. In order to improve staff morale, Man has announced a series of reforms. She needs her staff to learn dancing so that they can get more physical exercise. Ying is hired as the dance teacher of Tsun and his colleagues. Tsun, who has some knowledge in dancing, has soon resumed his interest in this expressive form of art. Ying and Tsun have gradually developed a close bond with each other and even decided to take part in an international dance competition as partners, but the pair’s relationship is put to the test when Tsun and Keung later fall out over business matters. The discord between the two men has put Ying in dilemma.

Not long after, one of the employees, who has worked at the company for long time until being fired by Sze-Man, told her father about the reforms and his being fired. As a result, Sze-Man was relieved of her duties. Sze Man's life took a turn for the worse when she found out that her boyfriend Dickson has married already. After some time, they broke up. But during the relationship, Keung's brother-in-law has a crush on her but didn't know how to say it to her.

Meanwhile, Keung and Tsun were still mad at each other. This makes Ying and Tsun's relationship difficult. But when they found out about the fired employee's plan to take over the company, they worked together to bring him down. In the end, they got along. However, Sum-Ying's eyes were damaged due to a previous injury and had to take surgery.

Before the surgery even began, she was set to be in a dance competition with Tsun as her partner. But during this time, Ka-Man was as angry as ever with Ying for two reasons. One: Ying "takes" Ka-Man's spot in the company commercial. Two: She thinks her mother thinks Ying dances better than her. After an altercation with her brother Tsun and her mother (by which it ends with Tsun slapping her in the face for pushing their mom), Ka-Man leaves the home.

When they found Ka-Man, they also found out that she is the student of her mother's rival, who has a dislike against her. The mother and rival started dancing to see who is better, but the rival intentionally stepped on Tsun's mother's leg, making her unable to dance forever. Tsun and Ying enters the competition to not only avenge Tsun's mother, but also to help Ka-Man.

At the competition, Ying and Tsun enter the competition along with Ka-Man to advance to the finals. The rival however has ordered her to use damaging dance moves to kick them out of the competition. The incentive of this, however, is to see her rival suffer with a family spat. But Ka-Man, seeing that Ying is injured, relents. When the rival disowns her as her pupil, Ka-Man accidentally pushes her down (actually if you watch carefully, Ka-Man didnn't push her down but the rival just trip over herself anyway) the rival's leg was damaged. As a result, Ka-Man was sent to jail, but Tsun and Ying forgive her.

Some time later, the company held a party. During that time, Tsun (with the help of Keung, Sze-Man and the others) proposes to Ying and she accepts. The series ends with everyone dancing to Papa Loves Mambo.

Comments
I watched this series intermittently, never quite paid any attention except whenever I see Wayne Lai and Steven Ma together, to which they make a great couple .. I mean friends. They played off each other well and quite frankly without them, this series isn't really happening.

You know when someone says "It's not happening" it doesn't mean something is expected but nothing seems to come out of that expectation. It just means it isn't happening. Like nothing is really going on at all. This series is a series with a theme, that is dancing or rather Latin dancing or to be more precise Latin and Ballroom dancing. The trouble is it doesn't have a story that fits the theme. I don't see the connection between a herbal drink company and dancing and as the series went on, the writers themselves seem to struggle with the connection. In the end it is a 2 story within 1 series; one part is about dancing and the competition and the other is the herbal drink company and the power struggle. No not those crush you I shall power struggle but briefly there is some get out of my way power struggle. Throw in love, friendship, family and rivalry, what you have with this series is a story with so many branches from its theme that none of them ever really do well at all. It is by no means an awful series or those over the top type like a certain series about car manufacturing but in the end as I finished the series I kinda realised this is one example of a series that really has no story. It throws everything in the hopes of having one but it comes off as touch and go, more go than touch if you ask me. It goes on for some time and once it hits 20 episodes, that was the end. The beginning and the end doesn't quite match and although the dancing is a theme, in the end it seems more like a gimmick; you know something different but totally irrelevant to the story. This is a series you will either enjoy or find it terribly boring and without a purpose. I didn't think it was boring, I just thought it was weird, in a non-purpose way like I am watching a series that is filmed as I was watching it. However I must admit somewhere in the middle I find it very very dull.

The problem is like I said without a purpose this series had to hit out on something just so to move the story along. From the beginning we are shown the close friendship between Chun and Keung and then suddenly they quarrelled and their friendship put to the test for most of the story. It became quite irritating to watch how Keung would insult Chun and Chun not doing anything much although it is fun to hear how many names can you call someone you think betrayed you. Keung at least had a dozen such names for Chun. And quite as sudden they patched things up towards the end.

The love stories are also quite sudden. Sum Ying didn't quite the more flamboyant Chun at first but suddenly she was really in love with him, so much so she pursued him. Actually that was the funny part and quite as sudden they shared a kiss and then they were a couple. The same for Sze Man and Dickson pairing and in some ways Donna and Keung, which I failed to see at first why Keung liked Donna so much. The pairings in this series is pretty much that's it. Not much love lost except for Sze Man and Dickson where they broke up so that Tat can pursue her. Rather predictable stuff.

Then there was the rivalry of this series; between Carmen and Sum Ying. Carmen hated Sum Ying with a passion because she felt her own mother a dance instructor favoured Sum Ying more than her. There was no rhyme nor reason, no background story, she just hates the sight of Sum Ying. As is typical of all such rivalry story, Sum Ying meant well but inadvertently took Carmen's place as Spokesperson for Hei Yeung Yeung, the company owned by Sze Man's dad. I kinda enjoyed the cat fight eventhough it was all very silly, especially how the mother meekly accepted the daughter's unreasonableness and didn't quite just well, slap that Carmen to stop bullying Sum Ying. The truth is there isn't any rivalry since Sum Ying is such a nice girl she really meant well. Somewhere along the way Carmen made a huge mistake to which she learned her lesson and quite suddenly became a nice girl, eventhough there is still some jealousy in her. And towards the end suddenly she teamed up with a dance instructor from hell (hell for me because she was such an awful actress although I suspect she is dancer first, actor second) and became bitchy again. But she learned her lesson again and went to jail. You may ask why she went to jail? She went to jail for NOT pushing that hellish dance instructor who ACCIDENTALLY fell and I suppose broke her leg. Where is the crime element? Why is she even in jail? One conclusion is in HK there are no lawyers and everybody confess to crimes to which aren't crimes in the first place. At this point the series turned stupid but luckily it was already the last episode. Anything beyond I am afraid it could become moronic.

As you can read what I wrote above, you can sense that this series doesn't have much to the story. There is no true villain, no true redemption, no true heart stopping moment. Even when Sum Ying got knocked by a car, she fainted during competition, etc I knew she would be fine. This series isn't about tragedy. It isn't about intriguing love since everybody settled nicely with everybody else. It isn't about business rivalry also.

You see one interesting segment had Sze Man trying to strike out in her own herbal soup business because daddy refused to change his traditional over conservative business strategy and I thought finally, something exciting. But halfway through Sze Man was defeated in her attempts by an absconding partner, not by daddy and they patched things up!

So what's next? Before that there was the story of a bribe taking director in the company very trusted by the father. When Sze Man tookover she investigated him and forced him to retire. He went to a rival company and the father mistaking Sze Man as being prejudiced and incompetent in her decision making ability believed the errant director and so the relationship between Sze Man and the father worsened. And then? Well the errant director tried to cause chaos through his lover who was spying on his behalf in the company. And then in a rather good scene where his employer wanted Chun to work for him and Chun refused to consider since he didn't want to be in the same company as the errant director. The company investigated and discovered lost money and so fired the errant director. Errant director got drunk, tried to rundown Chun (but knocked Sum Ying instead), ended up in hospital and then ... well nothing. The lover continued to work there until she unwisely tried to seduce the boss and got fired and tried to persuade Sze Man to give her her job back and then ... well nothing. You see the trend? A story starts, goes on and abruptly ended.

All these just seems to show that the writer or director or whoever seems at lost with the material given to them. They didn't know what to do with it or maybe the script was just plain awful and badly written. A pity since we have a few capable actors in this series that somehow held it together. Like I said, I like Wayne Lai and Steven Ma and they were the reasons why my eyes were glued to the TV even if as I watched the series I realise and I shall repeat again, this series is really about nothing.

And so the dancing. Bernice did most of the dancing with Steven Ma trying to strut some moves and failing spectacularly and Fala Chen doing the 2nd most dancing although she stopped midway. Fala has the body of a dance, Bernice is a bit bulky eventhough she looks healthy and strong. Both were graceful I must admit, the problem is neither can convince me they're dancers, more so Latin or ballroom dancers. Worse of course was Mannor Chan (is that really her name? Mannor?) who is supposedly the expert here but when she did dance in the end in the dance-off with hellish dance instructor, you could see she can't dance at all, or at least not ballroom or latin dance. Of course you might say they did reasonably well since they're actors, not dancers. But not in a competition with a real pair of dancer where you get no. 3 overall. You must convince. Bernice as Bernice was good but Bernice as Sum Ying was awful. Earlier on she demonstrated I think the 5 Latin dances, Cha-Cha-Cha, Paso Doble , jive and the other 2 I can't remember. Samba, ramba, mamba, 2 of these 3. She did show some differences but not very clearly. I know the lack of time sometimes just made the actors look bad but you know, I am just not convinced. In the end the entire series seems stuck in cha-cha-cha dancing routine and nothing else. The dancing was ultimately boring, un-inventive, no passion and for a series built on the theme of dancing, I don't see any of them dancing with passion, sweat or vigour.


Of course someone suggested the actors danced the best they could, they're good enough. Let me ask you this; if in a kissing scene they have to kiss for real, in a bed scene they have to roll around on the bed feigning passion and looks real (well as real as any TVB actor can act out on prime time TV), shouldn't the same attitude be applied to dancing scenes? If sex has to be feigned to be so real or piano playing or sports playing or even a death scene had to be authentic with blood and gore, how come the same principle is not applied to the dancing aspect? Of course they did the best they could but was it good enough? Was it convincing enough to win competitions, join Olympics, open dance studios, etc? Which is why it is very important to find a suitable actor who knows how to dance and hopefully can act as well. Maybe those who are trained. I am not sure if Bernice is a trained dancer but she does not strike me as a trained or even have learned ballroom or latin dancing. These two dancing, especially the latter does not only involve swaying your hips left and right in dramatic fashion as demonstrated by the actors in this series. Moreover, the whole choreography was just boring. If you could catch an episode of Dancing With The Stars you will see what I mean. I don't even see sweat.

But none is worse than the so called dirty tactics, how Carmen tried to kick high and low at Sum Ying as she danced with her partner in a competition. Or those stupid tactics like using the elbow to punch your rivals, etc on the dancing floor. And Carmen even got I think no. 3 or no. 4. She wasn't last I tell you. I was like you mean the dance judges are all blind? Stupid? Incompetent? Carmen should have been kicked out of competition or at the very least penalised when she went off dancing on her own leaving her partner exasperated. It is moments like these that kills the series' credibility. Then there was the showdown between the mother (Mannor) and the evil teacher who is teaching everything wrong to Carmen. It was laughable, because it was very obvious one can dance, the other can't. And the so called showdown looked more like a warm up to an exercise routine that never happened. And I simply must not forget to mention the good bye dance between Sze Man and Dickson. Sze Man broke the relationship when she realised Dickson's ex wife and sick child needed him more and he still cared for the ex wife and next scene, there they were, in the middle of the grass I think and did some latin moves and all, with Sze Man over pouting her lips and over flinging her short hair and Dickson looking glum. And then she left. A bit too Bollywood for me. Simply put, the dancing was terrible across the board.

So the acting must compensate for the lack of good dancing. Sorry to say, the acting were mostly average with an exceptional few.

The exceptional few is of course Steven Ma and Wayne Lai who both shares great chemistry together, more so when they were fighting and not together. I am particularly impressed with Steven Ma, who since what was that series where he played a bodyguard in the ancient series? Anyway since then he seems like a new man, who exudes charm, likeable and most of all, come good acting chops. He also sounds less breathless and could complete a sentence without sounding a need to breath for a while. And it took me a moment to realise Wayne Lai was also in the same series! Ah Wayne Lai, that man can do any everyday man role and in here he is hands down the best although his character seems petty after a while since the rivalry went on far too long. But it was funny seeing him in dream sequences wearing hideous looking costume and dancing. He can't dance but he sure can act.



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Kok Fung as usual is great, and he can do comedy, especially this character that is essentially a nice boss and a great father but is strangling his daughter's creativity by being terribly old fashioned.

The young 3 guys who plays Dickson, Wallace and Tat are 3 different varying degrees of bad acting. The worst is Wallace played by Stephen Huynh who simply has the worst performance for the least amount of screen time. Matthew Ko as Dickson looked way to suffering and too serious for me to like him, more so he shares zero chemistry with Kate Tsui who looks far more masculine than him. Tat played by Stephen Wong is bearable but next to acting god like Wayne Lai, he was obviously lacking and next to charming Steven Ma, he lacked that likeable factor that would make him different and refreshing. All 3 guys are I also believe either dark or deeply tanned. Same hair colour too?

The girls seems to share same hair dye that for sure. Bernice Liu will always be Bernice Liu. She will always talk funny, she will always look very pretty and her acting will always be wooden. In here she has the added responsibility of dancing and she has to be an expert at that. Sadly, her dancing is worst than her acting but for once, her acting is not terrible but still wooden. Whilst outwardly she doesn't seem to have any chemistry with Steven Ma, but somehow I feel convinced by their togetherness. I find both of them cute together and her best moments are always either with Wayne Lai or Steven Ma, especially when Wayne's character forbade her to see Steven's character again and I can tell you, possibly her best acting moment has to be those exasperated faces and her unnaturally fluent delivery of her lines. Is this Bernice's best performance? I don't think so. I don't think she has any best performance and for me I am still waiting for that moment where I bite my tongue and give up saying she's awful. She is however such a sunshine especially when she smiles and easily is the TVB actress with the most sunshine smile and personality. Her figure is in awesome shape and she looks healthy and pretty. What I don't get though why her character seems so fond of looking dowdy most of the time with her hair tied back and wrapped in layers of clothes with that sling back always by her side, no matter where she goes, what she does or where she is even in her own house. What's with the obsession with holding on to handbags in TVB series anyway?

Kate Tsui impressed me the most in here. You see in all her previous performances she was either ok or awful, and one common thread is she always is crazy ok or crazy awful. There is something unsettling about this actress and when I say unsettling, what I mean is she always gives me this impression she is born to play a crazy person. She looks like capable of being crazy in a moment's notice. And her hair always seems wet and to tell you the truth, I thought she was over pouting her already pouty lips a bit. So yes I find her scary and I am waiting for the day to see her in a drama as a mental patient. And I mean really mental patient. In here, she plays a soft spoken lady like but ambitious and intelligent Sze Man. I thought her performance was really good until the writer decided to basically write off her character by making her overly ambitious and useless without her father. It would be nice to see her work somewhere else and make her own name and return to bask in her own glory but for whatever reason, maybe running out of ideas, deviating from the core story or running out of episodes, her character suffers from her own confidence and fell down really hard. I just thought Sze Man would be far too cool to make such mistakes you know? Her pairing with that Dickson guy was terrible and I suppose her pairing with any other young guys in the series will be terrible. Playing Bernice's best friend would be a stretch of imagination since Kate looks far younger but I do like their scenes together. I like it when she plays serious, donning her glasses and giving business instructions because she is convincing as a career woman and so she could play a professional as well, if smartly written. However even in those scenes there is something unstable about her, like she is trying very hard to be serious when her mental self is trying to break out. I tell you, TVB take note of her when casting a mental patient. She is it.

Claire Yiu who plays Lum Lum was ok eventhough I can't see why Keung was so crazy about her in the first place.

I am watching Ultimate Crime Fighter now and Fala Chen is not who she is in that series when she is in this series. Her cantonese is of course more bended then Bernice, skinnier but I thought in Ultimate Crime Fighter she improved much and acted better. But then that character is a walk in the park for any actress, totally unchallenging and way too easy. The character Carmen is far complex. Spoilt brat is how I see her, unnecessarily competetive and ultimately an idiot, her ending though is totally unjustified. Her acting however was terrible. She looks bitchy but she plays nice I wasn't convinced, so maybe it is in her interpretation Carmen was never nice though she tried. I just realised perhaps why she was awful is because her character was so badly written that she has no purpose. Villain? Not quite. Dancing foe? Not quite. Romance? None. Rivalry? Maybe. Family drama? What drama? Her Carmen is just like a filler character, no impact and no purpose. Her ending was awful and the series' worst moment.

Akina Hong, I really do pity you. She is actually I think classically trained as a dancer but her talent is underused in here. She is pretty, but is relegated to the role of that sneaky secretary who is having affair with the boss. And that is her role. She should have been given a better role because she can act very well. Although I was tired with her character, I feel she is one of the bright sparks in this otherwise pointless and dreary series. I really really do pity her.

The worst acting across the board belongs to the evil teacher. Don't know her name, but she is tall and has a dance physique but unfortunately can't act to save her life. I was particularly annoyed with her sneering mouth.

I must note though; all the girls have killer bodies with Bernice winning the best body. She and Fala Chen had to squeeze into tiny dancing costumes and I can tell, back and front profile, male fans will be the ones to appreciate the awful dancing scenes because you get an eyeful.

Verdict
A pointless series I suppose to fill in the voids left by big productions series or those personal intimate ones. From the start the plot was going nowhere and eventhough dancing was the central theme, somehow the herbal drinks company theme tookover leaving the dancing theme rather weak. I have no idea how to describe this series other than it is really a series about nothing in particular and since it is nothing in particular, nothing IS particular in this series. The love stories were not complicated and was straight forward, the rivalry was childish and badly written, the competition reminded me why TVB should never do mock competition and the business aspect died its own death somewhere along the way. Except for fans of the actors in the series or for those wanting to admire the beautiful bodies of Bernice and Fala, sorry to Wayne Lai and Steven Ma, I can't bring myself to recommend this series.



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13 January 2009

I AM HAPPY [TV][Kr]

Written by Bridget Au


"Some very compelling relationships, extremely well-written characters, and overall very entertaining."


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SPOILERS ... SPOILERS ... SPOILERS



Korean Title
"Haeng-bok hamnida" (directly translates to happiness)

Released In
2008

Also known as
"Happiness" and "Bliss"

No. of episodes
58

Cast
Lee Hoon as Lee Joon Soo
Kim Hyo Jin as Park Seo Yoon
Lee Eun Song as Park Ae Da
Lee Jong Won as Park Sang Wook
Choi Ji Na as Ha Kyung
Gil Yong Woo as Park Seung Jae
Lee Hwi Hyang as Lee Se Young
Chae Yeong-in as Ji Sook
Ha Suk Jin as Kang Seok
Shin Da Woon as Jong Ah
Kim Chul Ki as Lee Young Jae
Ahn Yong Joon as Lee Joon Young
Kim Jong Suh as Lee Joon Ki
Lee Kye In as Lee Chul Gon
Kwok Ki Sun as Ahn Mi Sook

Foreword
After watching 4 below-average Korean series in a row, I was ready to take a K-drama hiatus. However, when I saw this brand-new series that boasted the comeback of one of my favourite Korean actresses (Kim Hyo Jin), I decided to give this one a chance.

Plot
The Park family owns SJ, a successful company in Seoul, and have three grown children. Sang Wook, the oldest, has married Ha Kyung, a woman from a high-class family, to solidify his status as the heir to SJ. However, Sang Wook is in love with Ji Soo, an orphan "adopted" into the Park family and who works as the family secretary. Ji Soo even gave birth to Sang Wook's child, who is four years old when the series begins. When Ha Kyung realizes she cannot bear children (after an unsuccessful attempt at in vitro fertilization), she successfully fights for legal custody of Sarang. She also frames Sang Wook for insider stock trading when he tells her that he will divorce her to marry Ji Soo and raise their child. Eventually everyone figures out her lowly deeds, and she ends up agreeing to a divorce. Sang Wook then returns to Ji Soo to raise their child together.

Seo Yoon is the second child, a daughter who has been rebellious and disobedient since birth. She has worked at SJ for four years, starting at the bottom of the corporate ladder to prove she's not there just because of connections. Seo Yoon falls in love with Joon Soo, an employee at SJ, and is finally permitted to marry him after facing off with her mother several times. She experiences some funny challenges in having to cook and clean for Joon Soo's family after their marriage, and also when one of her family's servants becomes her mother-in-law. Later, when Ha-Kyung gets her downfall in her quest to secure Sang Wook's position as SJ heir, Seo Yoon and Joon Soo are offered the opportunity to take over the company, but turn it down.

Ae Da is the youngest, a ballerina studying in university. She is her mother's favourite, and causes her even more grief after Seo Yoon's marriage when she falls in love with Kang Seok, of an even lower class - an orphaned boxer who grew up in poverty. Ae Da has a much tougher time convincing her mother to bless the relationship, since she is less rebellious and outspoken than Seo Yoon, but eventually musters up enough courage to run away with Kang Seok until he realizes they are too different and sends her home. Tragedy strikes when Kang Seok participates in a Boxing Newcomer challenge, wins the championship, but succumbs to his injuries. She ends up making up with her mom, who realizes she can no longer dictate her children's lives.

Review
The most compelling plotline of this series is definitely the Sang Wook-Ji Soo-Ha Kyung triangle. I seriously do not understand what these two beautiful and intelligent women see in Sang Wook. The man is a complete coward and a sorry excuse for a man. Ji Soo had a much better choice waiting for her in the form of Young Jae, while Ha Kyung could have easily re-married with her beauty and social status.

Choi Ji Na gives the strongest female performance of this series, followed closely by Lee Hwi Hwang, and then Chae Yeong-in whose acting is somewhat overshadowed by her Dracula-like features and makeup. Of the younger generation, Lee Eun Song gives the best performance. Of the men, Lee Jong Won was excellent as the spineless Sang Wook and veteran Gil Yong Woo was very good as the no-nonsense but compassionate Mr. Lee.

The relationship between Ae Da and Kang Seok is for the diehard romantics and teens watching this series. They were my second favourite plotline to watch because they are two pretty people who can act and they had fantastic chemistry together. Ha Suk Jin will probably be Korea's next new heartthrob. He can act but his problem is that he mumbles his lines. I'm not sure whether this is just his interpretation of his character, though. Lee Eun Song is pretty with character, and does a very good job as the damsel-in-distress for someone her age (she was 19 at the filming of this series). Of course, I'm pissed the hell off that the writers killed off Kang Seok, but I can't blame the actors for that.

The supporting cast also turns in some fine performances. All the actors in the Lee family are perfect for their roles, as is the actress who plays Mrs. Ahn. My favourite supporting cast member, though, was none other than Shin Da Woon, who is absolutely hysterical as Jong Ah.

I was surprised that the Seo Yoon-Joon Soo relationship was pretty boring. With few Asian series exploring the mundane but revealing things about married-couple life, I thought this would have been a fun, or at least, intriguing couple to watch. Their plotline dramatically suffers because the two actors have zero chemistry with each other, despite the dozens of scenes they have together. It also doesn't help that Lee Hoon, though he can act, has absolutely no charisma. And the character of Seo Yoon is just wrong for Kim Hyo Jin. She is playing 5 years older than her real age and screeches too much in this series. Though she does well with the rebellious side of her character, she has a hard time convincing the audience that she's actually 28 years old. And what happened to her!? It seems that she went through a growth spurt of 4 inches and lost 20 pounds at the same time. She looks painfully thin.

As for the non-romantic relationships, I most enjoyed watching the scenes between Seo Yoon and her mom. On the surface it seems that they are sworn enemies: her mom sees her as a complete brat who has no clue what she needs, and Seo Yoon sees her mom as a shallow, manipulative b_tch. They actually remind me a lot of Lorelai and Emily from Gilmore Girls. What makes Seo Yoon's mom interesting is that deep down, she really isn't a bitch. She loves her three children and truly thinks that because they've grown up in luxury, they won't find true happiness with someone of a "lower" class. Sure, she thinks it would be great to have arranged marriages with other big conglomerate kids to help the business, but in reality she isn't that involved with SJ and just acts like a mom: she actually truly feels that someone like Joon Soo won't be able to give Seo Yoon the happiness she deserves. Because her own happiness is based on shallow things like shopping and getting massages and pedicures, she automatically assumes that it's the same for her daughters.

The father, however, makes much less sense as a character. The series establishes early on that he doesn't believe in playing favourites and won't just hand over the company to Sang Wook just because he's his son. And yet, he plays favourites with his own kids: it's pretty clear that Seo Yoon is his favourite. The father gives a promotion to Joon Soo without knowing much about his past performance and supports Seo Yoon's impending marriage in the face of a screaming wife. Then when his youngest daughter, Ae Da, runs off with her boyfriend, he doesn't say much to support their relationship. One can argue that because Seo Yoon chose to start at the bottom of the SJ ranks, the father has more admiration for her and therefore sees her as his favourite. But for a man who supposedly doesn't play favourites at all, this is a weak argument.

I also like the early contrast between the two sisters. It is obvious Ae Da envies Seo Yoon but also idolizes her for something she herself doesn't have: the courage to stand up to her mother. When later, Ae Da grows her own spine and speaks for herself, it is heartbreaking but also catharthic to watch the mother having to deal with the fact that none of her children will be her puppets anymore.

By the way, the women in this series are the most well-dressed of any women I've seen in Korean drama. I didn't see Mrs. Lee, Seo Yoon, Ae Da or Ha Kyung in the same outfit twice. That's 60 episodes of different outfits for 4 women representing 3 generations, with a different outfit in every single scene. Amazing.

Most Hated Character
Sang Wook, jerk / coward of the century

Most Annoying Character
Lee Se Young, although you have to feel sorry for her at some point because all three of her children ended up with people she never wanted them to marry

Favourite Couple
Ae Da & Kang Seok

Favourite Pairing
Ji Soo & Ha Kyung and Seo Yoon & her mom

Favourite Character
Lee Young Jae

Best Scenes
1. The catfight between Ji Soo and Ha Kyung when the latter realizes their affair. There is nothing quite like watching two grown women glaring at each other, openly fighting for a man, and slapping each other/pulling each other's hair out.

2. The wedding between Joon Soo's father and Ms. Ahn, when Joon Ki serenades them with a song he wrote for his father.

3. The "elopement" scenes between Ae Da and Kang Seok.

4. Any scene with Jong Ah. Shin Da Woon has brilliant comic timing.

To Watch or Not to Watch, That is the Question
Some very compelling relationships, extremely well-written characters, and overall very entertaining. The series starts to drag at the 40-episode mark (as with many lengthy series), but at least it's something that doesn't have a target demographic.

Rating
4 out of 5




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MOONLIGHT RESONANCE [TVB]

Written by Bridget Au


"But I do have one small question - how many people in this cast (or even the general Hong Kong public) even know what "resonance" means?"


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SPOILERS ... SPOILERS ... SPOILERS



Chinese Title
"Tong Sum Fung Bo Zi Ka Ho Yuet Yen"

Theme song
"Mo Sum Hoi Lei" - Susana Kwan (Don't Intend to Hurt You - opening); "Ngoi But Gao" - Raymond Lam (Love Not Enough - interlude)

Year
2008

No. of episodes
40

Cast
Lee Si Kei as Hor Ma
Ha Yu as Jo Bao
Susana Kwan as Ah Sa/Sa Yee
Michelle Yim as Yan Hong
Wayne Lai as Lin Zi Yong
Linda Chung as Yu So Chau/Sum Lui
Moses Chan as Kam Wing Ka (Ah Ka)
Raymond Lam as Kam Wing Ho (Goon Ga Jai)
Tavia Yeung as Kam Wing Yuet
Chris Lai as Kam Wing Yuen
Fala Chen as Kam Wing Hing
Vincent as Kam Wing Zhong
Kate Tsui as Ka Mei
Bosco Wong as Ling Ji Sun/ Ling B
Astrid Chan as Eliza
Louis Yuen as Yan Chee
Claire Yiu as Wing Lam

Foreword
I am not ashamed to say that I watched this series purely for bandwagon reasons. Despite being one of the few who was less than impressed with the overhyped Heart of Greed, I knew this was a series not to be missed, given the hugely talented cast with every popular TVB actor under the sun. But I do have one small question - how many people in this cast (or even the general Hong Kong public) even know what "resonance" means?

Plot
Moonlight Resonance (MR) comes back to confuse us all by making a convoluted storyline even more convoluted by inviting every single cast member from HOG I and adding a few more to the party. Hor Ma and Jo Bao were once married with six children and owned a mooncake bakery business. They divorced after Jo Bao began an affair with Hong, a worker in the bakery. When they divorced, a court decision "divided" the six children and sent three to each household - Ka (the oldest), Yuen (5th) and Zhong (youngest) went to the mega-rich Jo Bao household, while Ho (2nd - nicknamed Goon Ga Jai), Yuet (an adopted daughter), and Hing (a mute) to the poor Hor Ma household. Predictably, the three kids who grew up in the Jo Bao household ended up being educated and successful, while the three kids who grew up with Hor Ma never went to university and spend their days helping out in the one bakery that Hor Ma owns. Despite this fact, the Hor Ma household is actually a tighter-knit, happier family. Lesson #1 from MR - money can't buy happiness (isn't this some song lyric?).

Ah Hong has a daughter from a previous marriage, Chau, who has a sibling-like relationship with all the Kam kids except for Goon Ga Jai, who she had some kind of puppy-love thing with when both were teenagers. Chau returns from studying abroad in England and has become a doctor. She gets stuck in a love triangle with GGJ and Ling B, another doctor who works at her hospital. Of course, Chau ends up with GGJ. Lesson #2 - history means something when deciding between two guys.

Other people peppering the plot include the super-annoying Ma Ma, Jo Bao's mother who despites Hor Ma and supports Hong; the even more annoying Sa Yee, who finds pleasure screeching at anyone bothering to listen to her; and Ka Mei, Sa Yee's daughter who first dates Ka until getting together with Yuen.

I'm not going to spoil the ending for you, as this is still a new series, but suffice to say that the ending is similar to HOG's.

Evaluation of Cast and Performances
Ha Yu
Why must he always portray these stupid, cowardly men? I really want to see him in a role like Damian Lau's in The Point of No Return and see how he fares. But anyway, he stopped his exaggerated hyena laughing and turns in a much better performance here than in HOG. However, I keep thinking he's missing that extra something... maybe he just needs to get away from the whole HOG stuff and portray a well-written character for once.

Michelle Yim
Donning the absolute worst haircut and scariest makeup known to man, I could not take Michelle seriously for the first half of the series. Her whole look belonged in a horror movie. Why did wardrobe give her this look? Poor woman. Normally she looks like she didn't age past 40 and here she is looking like the female version of Dracula. Her performance here is commendable. I knew she could depict a villain from watching The Brink of Law, and in MR she turns in another fine performance. Of course, I thought it was completely stupid that her character reverted to a good person in the last 10 minutes of the series, but that's just bad writing.

Susana Kwan
If you thought Flora Chan's Belle from Triumph in the Skies and Myolie Wu's Eleven from War of In-Laws were annoying, brace yourself for Susana Kwan's Aunt Sa, who is, quite possibly, the most annoying character in Asian entertainment history (and this says a lot, judging from the amount of series I've watched). I understand that Aunt Sa is supposedly a classless drama queen, but watch Susanna with your volume on mute and you'll know what I mean when I say Susanna delivered a super-annoying, deer-in headlights performance. I feel sorry for this woman because something tells me she can act, but would someone please give her a character who isn't mercilessly irritating?! This woman can sing, though, that's for sure.

Lee Si Kei
Same problem as Moses Chan - she gives the same interpretation of basically the same character from HOG. She comes off as less snotty than in HOG (but still as preachy as ever), but she severely lacks chemistry with the actors who play her children, which make the whole "I respect my mom sooooo much" lesson kind of forced in this series.

Moses Chan
Maybe he didn't get the memo that MR is a HOG sequel in name only (it only has the same background music and cast), because Moses' performance basically echoed his interpretation of Triple D in HOG. And though I liked his Triple D, I was hoping he would offer something different in his portrayal of Ka. Sadly, he didn't. He doesn't have much chemistry with Tavia Yeung, either. A below average performance.

Raymond Lam
I can't believe I'm saying this, but this guy needs a breakthrough character. He always gives compelling and solid performances and he is the most versatile out of TVB's twenty-something actors, but I want to see this guy play a villain. He's done everything under the sun except play a villain. I don't want him as the villain-turned-good (even he's done this before). I want Ray to tackle the b_stard-to-the-end, like Sammul Chan's character from The Price of Greed. I am positive he can do it.

As for his performance in MR, I'm getting tired of repeating how good this guy is. His performance reminds me of his Ben from Survivor's Law (one of my favourite performances from Ray) - controlled yet emotional, laid-back yet compelling. He has chemistry with Linda Chung and they actually look like a couple - which says a lot b/c I've hated every Ray-TVB starlet pairing before Linda came onto the scene. Anyway, he gives GGJ a sense of wholeness as a character - a great performance. Rumour has it this series is going to give him his much-overdue TVB Best Actor Award, and he'll be one of the very few over the last few years who will actually deserve it.

Tavia Yeung
Is it just me or is Tavia looking more and more like a drag queen as time passes? I'm not sure what it is, but something about her facial features has changed since she started out as a Maggie Cheung lookalike. Is it her makeup? Maybe she's lost weight? Maybe it's the new HD technology that's amplifying all the actors' flaws (I could spot a lot of Ray's pores, for example). In any case, her face has gotten a lot more angular and almost masculine.

Don't get me wrong - Tavia is a very good actress and her Yuet is strong and determined. I hope TVB continues promoting her, because lord knows she's the only actress under 30 being promoted who actually went to acting school instead of pageants.

Fala Chen
Super photogenic and though I can't stand her in interviews, Fala can add her name to the very short list of pageant queens who can act. Her performance is good because she takes on the role of a mute here, so she needs to emote without talking (which means the emotion has to come from her face and her eyes). Best scene was definitely the wedding where she tearfully thanks her family. Zero chemistry with the guy who plays her husband though. She comes off as a total bitch in interviews, but when you've got senior management promoting you like no tomorrow, who needs fans?

Linda Chung
I will say here right now that I've become a quick fan of Linda since HOG...more so as a person than as an actress (for now, anyway). She comes off as very genuine, very girly (but not whiny) and sincerely kind-hearted. For those of you who have watched the youtube clip of Ray being asked to prank call her and her reaction - you will understand why she is very well-liked by people in the business. As for those who say she's won awards or promotion because she's so obedient - that's not her problem, it's TVB's for rewarding obedience rather than performance. It doesn't mean Linda isn't a sincerely kind-hearted girl. Oh, how I wish she and Ray were actually together.

After watching HOG, I would say she has potential as an actress too. But MR is a step down from her performance in HOG. She's still girly and sweet, but her character is not as well-written as Seung Joi Sum from HOG, plus her crying scenes her are more whiny. I just can't stand stupid characters like her - being super nice and friendly despite being the daughter of one conniving b_tch. TVB tends to write a lot of these dumb characters, and Chau is just another one. She's also one stupid girl (unlike SJS) when it comes to love. Whereas SJS was romantic yet decisive, Chau is just some blind girl who couldn't see what was good for her. She also cries way too much in this series...although that's more of her character's fault than Linda as an actress herself. We know Linda can cry. She needs to take on a tomboy character now, which she's actually doing right now filming another series (she chopped her hair off too... sad).

Linda also had no chemistry with Bosco in here, so I really didn't care about her relationship with Ling B. Her best scene was the one where Chau confronts her mother in the last episode. Linda showed there that she can have a temper onscreen (something missing from her previous performances).

Kate Tsui
I think I'm the only person who thinks this girl can act, but oh well. She has improved from her first overracting/underracting performances, and in MR she is good in her crying scenes. The problem with her acting is that she tries too hard - it's not a natural thing with her. However, since she's only really been in about 4-5 series, I think she deserves a chance. Her best scene is when she gets whipped by Aunt Sa. She has zero chemistry with Chris Lai, but when you have only 3 scenes with the actor who plays your lover, I guess chemistry shouldn't be expected.

And the others
Uh, yeah... so I forgot about Bosco Wong and Chris Lai. Oops. I guess this says enough about how memorable they were. While Chris Lai gets a less well-written character than in HOG (this seems to be a pattern in MR), Bosco at least gets an interesting one... so the fact that he still isn't memorable as an actor says a lot. I'm getting tired of repeating that Bosco has potential but he isn't living up to it. Will this guy give us something, anything? The Chinese have a proverb that goes something like "if you're not improving, you're getting worse" - seems they were talking about Bosco. Wayne Lai made more of an impression with his 5 scenes than Bosco did with 50.

As for the guy who portrayed Zhong (Vincent something?), he definitely gave the worst performance out of all the cast - he had no facial expressions whatsoever. But this is his first performance, so it may be too early to stick a knife into his premature career. Veteran Chow Chung gave the second worst performance with his overracting and bulgy eyes.

Claire Yiu and Astrid Chan manage to make an impact in this enormous group of actors, while Louis Yuen is starting to get on my nerves (and his pairing with Susanna is beyond creepy). Veteran Lee Heung Kam was fantastic as the b_tchy Ma Ma. If I forgot anyone, sorry, but there are just way too many people in this series.

The Loot Bag
1. Classic "in your face, you stupid bitch" scenes. The wedding between Hong and Jo Bao when the kids toasted to Hor Ma instead of Hong - I was laughing my a_ _ off at the look on Hong's face. The whipping, the slapping, the pushing old ladies down the stairs. I gotta admit, I love the all-out drama of this series.

2. Good acting. Veteran Ha Yu finally stopped laughing like a crazy hyena, Michelle Yim was fantastic, and some of the young guns (Tavia, Ray, Fala, Linda) deliver. The supporting cast, led by Wayne Lai and the guy who plays Ah Gong, ranged from very good to brilliant.

3. The sibling scenes. You can tell the younger actors get along really well with each other because their offscreen friendship translates onscreen.

The Barf Bag
1. The portrayal of the doctor profession in this series wouldn't matter so much if it hadn't been hammered into our minds that Chau and Ling B were doctors. Their story is worse than the god-awful Healing Hands trilogy. At least HH had scenes in an operating room or working with patients. Aside from wearing white coats every now and then, Linda and Bosco don't do anything even remotely related to their profession. Chau is too busy crying in every other scene and Ling B is too busy deciding between two women. I wouldn't wish these two on my worst enemy if they were the last two doctors on the planet.

2. Over-preaching and use of the series in the title. Yes, we know it's called "Ka Ho Yuet Yuen". We can read, though we're not sure you can.

3. No character/plot development. The episode after Ka breaks up with Ka Mei, she goes and decides to marry Yuen. She sure got over that one quickly.

4. Bad hair days, every day. The center part seems to be popular here (Linda and Kate sport it and it ruins their good looks). I've said what I had to say about Michelle Yim's. Bosco's hair doesn't know what it's doing and Chris' looks like an old bag lady's. Vincent's an ugly mullet, and poor Ray needs some product. Were the writers responsible for the hair too?

5. Too many dinner scenes. Good god, it's a miracle they don't weigh 400lbs with all the time they spend eating dinner.

6. The violence. Kids, slapping people and pushing old ladies down the stairs is wrong.

7. Aunt Sa. She should have been whipped like her daughter.

8. Hor Ma - as in the overly preachy, saint-like character. Booooooorrrring.

The Burning Question: Is It Better Than HOG?
The problem with HOG was that the premise made absolutely no sense (2 women sharing the same man and everything was happy). Sure, it had some very well-written characters, some superb acting, and pretty people - but let's not confuse this with a good plot, folks. The ending was also stupid. I was hoping Susana Kwan's character would get killed off. Character self-redemption is booooorrrringgggg.

The problem with MR is a different one. While HOG had at least developed an overarching storyline, MR is basically a bunch of squabbles. So for people who are impatient and cringe at the thought of 40 episodes, this is good news. MR is much like some North American TV shows where squabbles start and get resolved within one episode. Now, for those who prefer at least some sign of a developed plotline, you'll need to look elsewhere... because the writers who wrote this thing clearly have ADD.

On second thought, MR is even worse than North American TV shows - because there is no difference between main and supporting characters here. This is why this series has no plot/character development - because there's not enough time! Everyone has an almost equal amount of scenes.

To Watch or Not To Watch, That is The Question
To be honest, I don't really know what to think of this series. While I love the drama and like the actors, the script is garbage. I can't really decide whether the great scenes and generally good acting make up for the problematic plot. What I am sure I hate is the whole hype around the HOG/MR series, encapsulated in the special finale show. Dinner with the audience in a mall to watch the last episode? The poor actors had to go up on stage like clowns, trying to be funny and most of them can't even speak live. I half expected Stephen Chan to go up on stage with a swinging watch chanting "You will love this series... you... will.. love... this...series!" What a farce TVB has become.

Rating
2.5 out of 5

Through the Grapevine
It's always interesting to hear what actors have to say about each other, so I did a search and this is what I came up with. Straight and verbatim from the actors in interviews:

Ha Yu on who he thinks has the most potential
- Male: "Raymond Lam. He is good-looking and is a talented actor. I think he still needs a few more years to grow and improve, but I think he has the most potential out of the younger actors today".

- Female: "Linda Chung. She is hardworking and such a good and well-behaved girl. If I had a daughter, I hope that she would be as well-behaved as Linda. Linda doesn't gossip and form cliques like many other young actresses today. She just focuses on her work".

Lee Si Kei on Raymond Lam
"I think he's a 14-year-old on the inside. Whenever he doesn't have to film, he sits in the corner and plays video games. I ask him 'Are you a child? Why do you still play video games'? He ignores me and just keeps playing".

Tavia Yeung on Moses Chan and Raymond Lam
"Moses is like a big brother, a good man. Yes, Moses is a good man to the core! I hope one day to find a guy as good as Moses. Ray is a serious professional but also likes to play when it's downtime. He's very rational and like a big brother to me. When I have a problem, I often go to him and he's able to analyze it objectively for me and make recommendations on what I should do. When he works, he comes to the set knowing exactly what he wants to do. He's very mature for his age".

Linda Chung on Tavia Yeung
"My good friends in the entertainment business? Tavia Yeung is one of them. She's a great girl".

Raymond Lam on Linda Chung
"She's funny. Because she grew up overseas, she sometimes messes up her lines in the script because Cantonese isn't her first language. So we end up with a lot of funny NG clips. She's a very kind-hearted girl, very cute." (note: Ray used the term "duk yee" in Cantonese - which is directly translated as 'cute', but more of a girly/kiddy cute rather than the usual way we use cute as in 'pretty'... although he has called her pretty before)

Linda Chung on Raymond Lam
"We're good friends. He's a very good and filial guy and cares about his family and siblings. Like sometimes when we're taking a break filming, he'll run off to buy a purse for his mom".

Michelle Yim on Kate Tsui
"She got so much prettier! In The Brink of Law, she was a somewhat chubby, very cute girl. But since she lost weight, she has been looking a lot more fit and very pretty."

Predictability at Its Best
MR is nominated this year (2008) for Best Actor/Actress, Best Supporting Actor/Actress, Most Beloved Male/Female Character, Most Improved Actress, Best Series and probably some others that I can't think of at the moment. And you thought the 2007 TVB awards were a sham.



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