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Showing posts with label Movies [Chi]. Show all posts
Showing posts with label Movies [Chi]. Show all posts

14 April 2013

SAVING GENERAL YANG [Mov][HK][2013][O] Funn Lim

Written by Funn Lim

"But somehow, in the end the movie does feel 2D instead of 3D in terms of character."


SPOILERS ... SPOILERS ... SPOILERS





Just saw this movie.

My reaction;

1. Someone made notes from The Two Towers and 300.

2. Looks epic but not at the epic scale of Return Of The King. It is Two Towers in essence.

3. hated the maze like fort.

4. For all the hoopla about everybody including and especially Raymond lam, Raymond was only the one next to the secondary. The main one was Wu Chun actually and I thought wow, Linda Chung in drag! But no one ever mentioned the main idol here, that is Adam Cheng. Adam Cheng's 1 scene could out act everybody in this movie, EVERYBODY.

5. Dubbing was terrible, even actors dubbing themselves, like Ekin who sounds bored. Raymond however did well in my opinion but too little.

6. All sons had little personality, no time to develop on them. But I shall scream if I see another obligatory each son 1 shot whenever they fight, run, pose, whatever.

7. Death scenes were done very well, very sad. BUT the story is amazingly underdevelop. I wonder why? Not enough time? 

8. Ekin is perfectly cast as eldest son, heroic, serious, etc and he is the lead by poster definition BUT if only his acting can match that look he has. And I don't get why everyone is so eager to die in this movie. In the end rendered pointless because of what the father did. Was it worth it? I don't think so.

9. Love some original fighting scenes; like the fight in the fields, the last fight between 6th son and enemy where he used al his brother's and his father's weapon to fight the bad guy. I thought that was the best and more representative scene of this movie where not one son is volunteering to die but rather worked together as one albeit through weapons. That scene alone made this movie wonderful.

10. And the the stupid ending stupify it all. That mother hugging the dead husband never once asked... "Where is eldest? Where is second? Where is third? Where is fourth? Where is fifth? Where is seventh? Where are my sons?!" and just touched the husband tenderly. Like to hell with my sons as long as I get my husband's body back. Very cold.

In summary, this could have been a great movie. I mean it looks good, the costumes look good (how come villain's ear's not pierced?, Most actors were good despite lack of development and personality and none of them look alike as brothers except for 6th and 7th,. Death scenes were heart wrenching although I hated the 300-ish meeting with the soothsayer scene and the whole father I am dead I am in your dreams then I argue with my alter ego dream like scene which takes away the harsh reality of the fact that his sons were facing imminent death just to rescue him alone, and female characters who were non existent and the worst casting of the mother. I thought she was Cheng Pei Pei and then I saw she wasn't. Why not FIND Cheng Pei Pei? I will pay to see her sit on Adam's lap! Although it is a bit borrowed from some big Hollywood movies, I appreciate the effort to make the movie look epic and cinematic. And I love the first throw bags into air and shoot with arrows and throw with fire and burn all enemy scene.

But somehow, in the end the movie does feel 2D instead of 3D in terms of character. The story is flawed too. Yue Fei dying I understand but the sons and father dying didn't make enough sense to justify tear fest. But it is in the end one of the best chinese movie of recent years because it looks like a movie.

SADDEST DEATH SCENE
Ekin eventhough his eagerness to sacrifice himself is troubling. If he had known 7th have died, would he stop and think maybe that fortune teller dude needs to be trashed?

MOST SHOCKING DEATH SCENE
Not sure which son, the one aka Legolas.

BEST FIGHT SCENE
The 6th and enemy man to man fight with his brothers and father's weapons/.

CHEESIEST DEATH SCENE
Was it 4th and 5th off the cliff? If yes, that one. Quite funny.

BEST PROP
The horses and they were real

WORST PROP
The women. You see them, but they have nothing much to do.

MOST USELESS CHARACTER
The Emperor

MOST CLIFF HANGER OF ALL CLIFF HANGERS
Did 5th and 6th die? My friend said in another version 5th became a monk, 6th married the enemy's princess? Is it true? In fact my friend said 7 will go, 6th will return when actually  3 didn't die, out of which 5th became a monk and so stopped being Yang and 4th married the enemy's princess and so stopped being a Yang and only 6th came home. True?

MOST EFFECTIVE INEFFECTIVE VILLAIN
That chancellor? Minister? We all know he's a villain but he is just there, nothing to do

MOST OVERLY USED MOMENTS
The posing scenes. Each has his own focus. And the top off scene. For some unknown reasons a son suddenly take his top off and fight the air. But a lot were like pose and pose and pose. Most poses came from the Legolas dude and dear 5th son (often close ups)

MOST FAVOURITE SON
For me, was Ray the 5th son? Because he can fight AND he is ready to die AND he died with a smile AND he is a doctor AND GOD DAMN IT, this is one of Ray's less pretentious performance!

BEST PERFORMANCE
Adam Cheng. The rest can just hang around him as posse as they are.

WORST ACTING
The mother.


VERDICT
Highly recommended but definitely not as great as some fans say it is. But it is better than a lot of other Chinese movies out there.

P/S 
I notice different country different person at the front of the poster. In Malaysia Ekin is at the front. Taiwan? Probably Vic Zhou? I couldn't recognise Zai Zai!
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22 November 2010

HEAR ME [Mov][Chi]

Written by Bridget Au


"The movie manages genuine surprise in its final act and because we’ve grown to care about the characters so much that by that time, something poignant, maybe even magical, is felt."





SPOILERS ... SPOILERS ... SPOILERS


Chinese Title
“Ting Shuo” (I heard)

Genre
Romance

Year
2009

Origin
Taiwan

Cast
Eddie Peng
Ivy Chen
Michelle Chen
Lo Bei-an
Lin Mei Shiu

Foreword
It’s been awhile since I cried at a movie. An excellent example of when less is more.

Review
Recent entries in Taiwanese cinema have been impressive (Cape No. 7, Secret and this year’s smash hit Monga) and now Hear Me can add itself to the list of reasons to watch Taiwanese movies. There’s nothing that new in here, but the movie is well-made enough that you think you are watching something new.

Eddie Peng is Tian Huo, a local delivery boy who meets and falls in love with Yang Yang (Ivy Chen), a girl who is working numerous jobs to raise funds to send her sister to the Deaflympics. Tian Huo is immature and not that bright, but his unconditional love for Yang Yang and the way he interacts with his parents – who clearly dote on their only son – is pleasant to watch and makes him a very likeable male lead.

The sister relationship between Yang Yang and Xiao Peng was equally engaging. Well-written and thoughtful, their relationship offers the opportunity to present revelations about the barriers that people with hearing disabilities face, such as the sisters living in a flat with basically no rooms, as deaf people prefer to be able to see everything in their surroundings. The movie never tries to fish for audience sympathy, but they get it anyway, as the way these barriers are presented in a way that is simple and unpretentious.

Hear Me reminds me a bit of Korea’s …ing, where nothing really happens in terms of plot until later in the movie, but the simplicity of the story, heartfelt performances and portrayal of Taiwan’s underprivileged urban charm is honest and genuine, which is appreciated in today’s world of brouhaha film-making. The fact that the movie manages to affect even though most of the story happens in silence (since most of the dialogue is communicated via sign language) is even more impressive.

For some reason, Asian actors are ace performers at portraying people with disabilities who use sign language (Yuko Fueki in Wuri’s Family, Julian Cheung in Return of the Cuckoo, and Fala Chen in Moonlight Resonance), and Hear Me is no exception. Michelle Chen delivers her best performance to date as the deaf Xiao Peng, although there is a bit too much head-jerking in some scenes. Eddie Peng continues to improve and he is charming, cheerful, and aw-shucks likeable as the juvenile but optimistic Tian Huo.

The big plus is Ivy Chen, who performs admirably as the timid, thoughtful Yang Yang. Her acting is infused with a total lack of pretension and raw emotions, and it also helps that she looks like she walked out of an anime production. And Lo Bei-an and Lin Mei Shiu, who portray Tian Huo’s parents, are warm and funny, and although their characters are sometimes nagging and long-winded, they clearly consider Tian Huo’s happiness their chief priority, which is refreshing.

The movie manages genuine surprise in its final act (and for once I won’t ruin it for you in this review) and because we’ve grown to care about the characters so much that by that time, something poignant, maybe even magical, is felt. All you need is love.

To Watch or Not to Watch, That is the Question
Highly recommended.

Rating
5/5

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14 November 2010

LOVE IN DISGUISE [Mov][Chi]

Written by Funn Lim





"And if you ask me, this is not a Wang Lee Hom movie. Nope. It is a Wang Lee Hom DOCUMENTARY."










SPOILERS ... SPOILERS ... SPOILERS


Chinese title
Lian Ai Tong Gao

Let me guess, literally translated as "A Notice/Order For Romance". I like the English title though.

Released in
2010


Directed by
Leehom Wang

Writing credits
Hung-chieh Chen, Xin Yi Du, Leehom Wang

Cast-Character
Taken from IMDB.com

Leehom Wang ... Du Ming-Han
Yifei Liu ... Song Xiao-Qing
Joan Chen ... Joan
Han Dian Chen ... Wei Zhi-Bai
Khalil Fong
Zhenyu Qiao ... Mu Fan
Na Xie
Yike Zeng ... Xiao Tao

Summary
From GSC movies

Du Minghan (Wang Leehom) is a famous celebrity pop star and with the help of his agent, Joan (Joan Chen), his career took off amazingly.

When he accidentally met the plain looking Song Xiaoqing (Crystal Liu), he immediately fell in love with her and decides to disguise himself as a student, Ah De, together with his best pal (Chen Han Dian).

Will Xiaoqing ever find out the truth of Ah De's real identity? Will she be able to accept him for who he is?

Comment
I hope the above is not the official summary because reading that summary I felt like I was watching a different movie.

Let me say this out clearly; I do not doubt Wang Lee Hom as a musician. I admire his musical abilities, I was his fan until he became like every Taiwanese pop star with the melancholic love songs, I really miss his earlier works. I may have doubts over his lyrics writing skills but I do not doubt his voice and his melodies so to speak. But I wonder who suggested to him that he can write, direct AND star in a movie that I believe he himself feels strongly for (as he should as this is his baby) and I believe his fans will eagerly watch and buy and keep and promote and praise till no end in sight but the general populace like myself may just feel the only reason he got this weak script made into a movie and directed by himself, a first time director and directing himself no less is purely because of his popularity as a musician. I will not even call him a singer, he is above that and again that I do not doubt. It is obvious if this script came from a Mr Up And Coming Nobody, it would not have been made into a movie without at least a complete overhaul of the plot plus a few rewrites. Not that it was awful.

For a first time director, and an occasional actor, Wang Lee Hom did a fair job but that is me being kind because I like him. Truthfully the movie is incoherent at times, inconsistent mostly and uniformly messy. Oh yes, it can be messy and yet organised mess.

I will save my breath over the story; it is simply a pop star meets ordinary pretty girl, goes looking for her, falls for her, juggles between 2 identities and realises the times he was in disguise is his real self, and in the end manages to get the girl and saves the music university from total and absolute annihilation due to unpopularity of Chinese music instruments in the face of modern R&B and hip hop and what nots. In the middle he crammed some stuff on the difficulties of being a pop star like constantly surrounded by rumours that are not true, paparazzis as well as snotty classically trained musicians versus famous pop stars seemingly without musical credentials. And above all that he crammed in as well the meaning of music, the making of music and the flow of music through visuals and some imagination sequences.

And if you ask me, this is not a Wang Lee Hom movie. Nope. It is a Wang Lee Hom DOCUMENTARY. Take away Crystal Liu and the half baked love story and what you really have is a musician's take on a musical journey through the eyes of a musician that is Wang Lee Hom.

And that is what I like about this movie. Everytime he sings, he plays the piano, plays the Chinese violin, performs or in Du Ming Han mode, he is at his best because that is not acting; that is Wang Lee Hom being Wang Lee Hom. But when he is far away from a musical instrument or a stage or not in a performance, quite frankly I have no idea what he is doing onscreen. As an actor, he must work on his diction. I can understand Joan Chen and Crystal Liu and everybody else perfectly but Lee Hom gave me problems; half the time I have no idea what he was saying. He sounds lazy and he speaks like he sings. Which is why I said I doubt his lyrics writing ability quite simply because half the time I can't understand him. You can compare him with the other musical thespian more famous than he is who wrote, directed and starred in his own movie that is Jay Chou except these days I can understand Jay Chou better. I think working for Zhang Yimou really helps with his music and acting performances. Of course Lee Hom can boast he worked for Ang Lee too but seriously, in that movie that shall not be named, I didn't quite bother with his presence.

That is not to say he isn't charming. There are some funny scenes; like how one overeager designer dressed him in various impossible fashion to disguise his real identity. That scene is funny but in the end meaningless and darn ridiculous. Such an image consultant/designer will not get hired for those ridiculous fashion. And the actress was way over the top in her performance which for a moment made me wonder if this a slapstick comedy?

And yet the whole thing came crashing down to earth when he entered the university and had his I suppose first taste of Chinese music eventhough his concert at the beginning incorporated those elements already. Was he playing the Monkey God in the beginning? Anyway the improptu performance he gave to the headmaster together with his best friend guitarist showed that his Du Ming Han is quite well versed with Chinese instruments. And that was this movie's best scene. What a fun musical session! So I wonder, what motivates him to join the university? To get the girl? And yet he said he just wanted to be her friend, somewhere along the way he felt jealous when he saw a fellow student touching her and so there began the very short courtship.

And then the movie changed mode and focused on the troubles of the university; like some statement given by a serious musician, that youngsters today have no appreciation for classical music, in this case the Chinese classical music being our roots and our culture and so the musical event organised by the headmaster (who so happens to be the father of the girl of his dreams) was heading into trouble as the headmaster lamented the lack of students. And yet in the beginning when Du Ming Han was walking amongst the students I see plenty of students, many of them quite young. So if there is a lack of enrolment I wonder is the headmaster hoping for 200% enrolment? The solution to the headmaster's problem is Du Ming Han himself performing at the event to draw in youngsters but as far as I am concerned, apart from perhaps 2 modern music blended with the chinese classical music, he then performed his love ode to his dream girl on a piano in a rather modern sort of way, with lyrics written by her of course. She felt moved and so ran back to him. The anger, the pain, the rejection, the confusion, the betrayal, the humiliation, all solved with 1 song and I suppose in 1 or 2 days. I find that rather simplistic.

And that is why I find this movie lacking. It thrives to be important, expounding his views on classical music versus modern music and the amalgamation of these 2 different worlds into great tunes and yet at the same time filled it with nonsense such as needless slapstick and confusing visuals that made me think "are they on drugs?" and some surface wise heavy themes but looking deep down is just touch and go issues. All wrapped up in a friendly fan pleasing love story that neither advances his musical theory or impeding it; just that it was that. It is like as if the musician him is struggling with the popular him; do I make a movie about my passion or a movie to please others? Hence the confusing script.

You know a production that better illustrate this point? The Korean dramedy, Oh! My Lady. That series made the love affair between a hot young pop star and an older woman with child more believable, probably because it has a better script, better acted and a few more hours to tell the story properly. Or maybe, just maybe it doesn't pretend to be some social commentary and is just what it is.

However I like some visuals from this movie. The sequences where Ming Han was very seduced by the music played by Xiao Qing or the masters at the university. Lee Hom filled that with butterflies and the best of course a painting being painted, Chinese style as his character flew in it. There is promise in the visuals, you can feel his passion for this sort of music. And then the love story had to butt into that part and I felt rather ambushed by it.

There are however some visuals I didn't get. Like when Xiao Qing heard her lyrics being turned into a song in the hall, suddenly rain fell on her as she walked. She was wet. When she went back to Ming Han on the stage, she was still very wet. So when the whole sequence of rain falling on her and her alone, it was real?! And then they hugged, happily and immediately his fans roared with approval. Seriously, really? Why not try and get Wang Lee Hom to do that to rumoured girlfriend Crystal on the concert stage for real and let's see if the roar of approval is instantenous because I will bet it won't be. At least a 10 seconds silence or shock would be more realistic. His manager, Joan Chen crying alone when she found out he lied to her and willing to abandon his pop star status for love and I was thinking is she in love with him or is she just crying her rice bowl may break? When his car hit Xiao Qing she stayed on the road underneath the car to play the Chinese piano to which Ming Han heard and saw butterflies. I was like again, seriously? How cliche is that? And then he went in search of her, calling her an inspiration when I never got the impression he lacked inspiration at all. Maybe showing him as a talented but somehow down on his luck musician may better illustrate his need to find her or maybe a talentless pop star who actually has talent buried underneath when he heard her music and was inspired by it. As it is I don't see the motivation except a pop star on a self indulgent spree.

And that is basically what this movie is; an indulgent.

Performances wise, Joan Chen was wonderful as she should be.

Crystal Liu is mesmerising. I find her beautiful, intelligent looking and graceful. She gives me an impression she is classically trained musician herself because she was convincing when playing the chinese piano. A pity her character is so poorly written. No doubt she is in almost every single scene and yet I felt unsatisfied; I thought she was underused. She may be in each scene but she really had nothing much to do. Even when she had something to do like looking at the snotty classical trained senior, I was thinking if Xiao Qing in awe of him? In love with him? She lacked expressions thus making her a competent mesmerizing actress but not necessarily a great one. Something was missing. And in the end at the final concert I was hoping she would duet with Lee Hom's Ming Han like in earlier scenes but she was reduced to an angry jilted lover seduced by his love song and so rushed to him to love him back. I find that nonsensical. How great it would have been to have them as equals in music; she in classical music, he in modern music, both finding a common thread in music as the basis for their love and devotion for one another. Except it ended with them kissing, lamely if I might add with the whole paparazzi looking on. And frankly that is one message Lee Hom can bear in mind next time he is kissing someone he doesn't want her seen; just let them take the pictures. However one can't always live the life one preaches. I quite detest him for reducing Crystal into a prop; a prop that is sometimes dressed in her I suppose most famous role, Xiao Long Nu.

Lee Hom himself is not terrible. Some reviewers did note that he had no problems parodying himself or rather making himself as the joke and for that I applaud him. But I didn't like how he imagined he strangled the paparazzi who dared ask him about his rumoured relationships after a successful concert. That is not funny and I feel a tad crass. I don't believe Lee Hom is such a person. I find him classy and intelligent and very patient looking. Whatever anger issues he harboured, I believe this is the first I see, on screen. And since this is to be a documentary or a biopic on him, that may be his real feelings. But what do you expect from a life as an entertainer? You're public property, whether you like it or not. Your musical abilities confirms your talent but what fuels you is your popularity and that is derived from press' opinion of you. As they always say, bad publicity is better than no publicity at all. He tries very hard in this movie of his; he cast the right people, he writes the right music, he chooses the right subject but in the end as a director he was inadequate. Sometimes another person may be able to realise one's own vision so to relinquish the baton of directorship may have been the movie's best move. It is just silly how he narrates the movie, lost the narration half way, ends it with narration again, all those dream sequences (some well done and quite relevant) and the worst move, adding title sequences between scenes ala Babe to make a point, of which I really didn't quite care. His performance is ok but his story and directorship is everywhere. Which makes this movie nowhere.

You know what would have been a better movie that would serve his purpose of the debate of classical versus modern music and explaining his views why it doesn't matter? A real documentary. A documentary of a famous musician cum pop star from Taiwan called Wang Lee Hom on a journey of musical discovery through Chinese classical music and how in the end he discovered himself along the way, showing in visuals how he sees classical music, sequences on how he merges these two mediums and ends with a mini concert and an album. In between he can talk about his approach to music, why Chinese classical music, his vision, his hopes, his dreams. Like a 2 hour special, except with widescreen treament in the cinema with premieres and stuff. That sort of documentary can be released in cinemas and if well directed, could also be submitted for considertion of the Academy Awards for Documentaries. Rarely do I see a pop star approach in classical settings and moreover, who better than Wang Lee Hom, himself I believe has classical roots? After all he is not just a pretty face or a pop star, he is a serious musician who writes good music. That would have been a great "movie", one I would gladly watch in the cinemas.

A great pity of the potential this could have been.

Verdict
Musically, heavenly. Acting wise, hit and mostly miss thanks to a poor predictable superficial script. Entertainment wise, the music works, the movie itself failed. Overall, the full movie is strictly for fans but some parts are worth a watch. Now hoping someone would just cut out those musical parts and that 30 minutes or so would have my seal of approval as one of the best "musical" ever.

INTERESTING MUSIC
Frankly I can't differentiate between hip hop and R&B so to me an addictive tune is a good tune.

My favourite from the movie is not the main ballad which is to me typical Wang Lee Hom but the other one, the one he sang with the Chinese orchestra. Found it! Thanks to chriztna and juljin79 for the tip. The title is 十八般武艺 which is the title of his album. The chorus is awesome with his falsetto but the starting not quite. I hate the woah! and I wish he uses less autotune because it does sound like autotune and quite mechanical at parts. If it is not autotune then I am not sure why he sounds too manufactured. English, Chinese lyrics all here. Did he sing all that?! By the way the English translation I believe is literal.



CLEAR VERSION
Click the embedded player to listen. If there is one great thing about Love In Disguise, it is this song, 十八般武艺 which becomes better with each listen. I was curious what the title means and the translator just says "Be Versatile" although the literal translation is 18 Martial Arts. I wonder is that actually meaning "Be Versatile"?






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24 February 2010

72 TENANTS OF PROSPERITY [Mov][HK]

Written by Funn Lim



"In fact after finishing the movie I realised the selling point of this movie is the well written witty dialogue. It looked and sounded like real effort was put in, the movie is clearly a labour of love"







SPOILERS ... SPOILERS ... SPOILERS


Released In
2009, 3 days before Chinese New Year to be exact

Language
Cantonese

Produced By
TVB I think because all the actors are TVB contracted actors or are familiar with them

Note
I can't remember the names of the characters in this movie so all the names below are taken from the Wikipedia page.

Cast-Character
Full list at Wikipedia.

Plot Summary
Taken from Wikipedia

This film used the 1973 Shaw Brothers film, The House of 72 Tenants as the blueprint. However, this story is a new creation, of which only some roles identical.

Yes, it is true. It starts with the 1973 version which we are all familiar with, with Joyce Cheng playing the same Teochew woman that her mother, Lydia Shum played in her youth. The story is similar, centering not on the eviction of 72 tenants or the corruption of the public workers (instead of firemen, in this version we have the 2 doctors from Healing Hands - Lawrence Ng and Raymond Cho if I am not mistaken demanding for bribes before administering vaccinations) but rather on Pinky, the lovely and innocent adopted daughter of the landlords (scary landlady played by Charmaine Sheh and lusty landlord played by Gordon Lam) who was forced to marry a much older but richer man but the tenants helped saved the day in the end. That was the original story. This movie continues on the basis Pinky was then pursued by sworn brothers, Ha Kung and Shek Kin, and she seems to like Shek Kin more but as both men decided to decide her fate by coin tossing and some cheating in the process, Pinky ended up marrying the shorter Ha Kung and gave birth to one son (Bosco) and one daughter (Linda) whilst Shek Kin married someone (at the start of modern times we know the wife died many years before) and has 2 children as well, one daughter (Stephy) and one son (Wong Cho Lam). What is interesting is Ha Kung the shorter one gave birth to a tall son whilst Shek Kin the taller one gave birth to a short son! Anyway they became sworn enemies and their quarrel even spilled into their handphone business, located directly opposite each other amongst the other 70 shop tenants of Sai Yeung Choi road. Thus the basis of the new 72 tenants, not tenants as in houses but tenants as in shops. The fact that Shek Kin is still madly in love with Pinky is also a sore point for Ha Kung.

However their quarrel was interrupted by several events; one where someone has been throwing acids onto the street and also a huge increase in the shop rental where few could afford it. They all rightly concluded that the unseen landlord hiked up the rental so as to force them out as the street is more lucrative now being empty than rented out as there was rumour of a rich Chinese businessman buying over popular shopping destination. They tried to find a way to solve the problem and also to find out who was throwing the acid onto the streets but in the process both Ha Kung and Shek Kin came face to face with their decades old rivalry as both their children fell for the other as the tenants find a way to preserve their beloved Sai Yeung Choi road.

Will the love of the new generation solve the rivalry of the older generation?

ENDING REVEALED
SPOILERS!! Highlight [ to ] to read the contents.

[ Quite simply, all's well that end's well (pun intended). If not what's the point of a CNY movie?


The acid thrower turns out to be the rich businessman's sexy assistant, who is the daughter of the despicable landlords in the 1970s part of the story. She wanted to avenge her father who was dragged to jail and died not much later. No news on what happened to her mother though. Ha Kung proved his love for his wife, Pinky by staying with her as he and Shek Kin tried to figure out a way to remove the strapped acid bomb on her body and they rekindled their love and patched things up. Shek Kin was able to move on and became sworn brothers with Ha Kung again and one day met with a young girl who looked like the young Pink (actually same actress that is Fala Chen). The respective children end up with the ones they fell for and the Sai Yeung Choi road was saved when the Chinese businessman was very impressed with Ha Junior, Ha Kung's son who came up with the idea of modernising Sai Yeng Choi road. Kin Chai became Ha Junior's partner in the modernisation. So the road was saved, everybody's happy and the entire movie ended with the entire cast dancing and singing, all wearing red and wishing us all a happy prosperous new year ]


Comments
Of all the CNY released movies in the cinema, this was the only one I wanted to watch, even if there was one locally produced CNY movie for a very simple reason; it has the ensemble of major and not so major, veteran and not so veteran and almost everybody from TVB that you're familiar with. In fact I did think of this movie as "Spot the TVB actor" sort of movie before I walked in, having been brainwashed by the promo shown daily on Astro Wah Lai Toi. And did spend some fun times spotting familiar faces whose name I knew and those I didn't but was glad to see them again. Of course some major names were not in here which makes me wonder could it be management's decision? Really missing are big names like Bowie Lam, Bobby Au Yeung, etc but almost all the big names of TVB are here, each starring in very small but significant roles. Like the movie tagline says, this is a movie without supporting actor because everybody has a share of the limelight. And when everybody's role is reduced to a mere 15 minutes appearance, some longer, some much lesser, suddenly I sort of appreciate their acting prowess, because 15 minutes is too short to annoy me and just enough to do what they must before we move on to the next scene.

For example, Ron Ng who spots huge glasses playing Ha Kung's shop assistant. I thought he was quite funny in a silly way as his character is quite silly. And overall he has about 15 minutes appearance and I found myself enjoying his performance. It just shows if you let the actor do what they do, let them ease up and enjoy the process, when they have fun, we the audience have fun. Then there's Charmaine Sheh with her beehive hair and her really mean landlady role. I thought she was effective too, rather bitchy and again that 15 minutes (lesser actually I think) given to her, she shone and delivered because not enough time for her to turn annoying or give a bad performance. She seems to enjoy herself in this character. Even Gordon Lam was annoying as the landlord but effectively funny. Then there's some others given more than 15 minutes but delivered the goods. Top of my memory is Wayne Lai, as the owner of a comic book shop. He delivered one of the funniest lines in this movie, the one about what he had to do to do business in this bad economic crisis, having to dress up like the comic characters and we are talking mangas here so imagine him as in Death Note, Full Metal Alchemist, etc. Very funny scene. Nancy Sit has a short memorable moment as Wayne Lai's assistant.

A special paragraph must be dedicated to Bernice Liu's performance of the tenant who sells beef ball noodle. Clearly a homage to Karen Mok's breakthrough role in Stephen Chow's classic, God Of Cookery except Bernice Liu can't act even if you give her clear instructions on what to do. First of, I commend her for bravely taking on such an ugly role, and dirty as well. If she didn't open her mouth to speak, I don't think lesser fans would be able to recognise her. I am not her fan by the way but I recognised her because every day I see her ad on TV. She is a beautiful girl with sunshine smile but in here, oh dear, really ugly and disgusting. But it was her performance that was annoying. Everytime she speaks, the other actors look at her, as if counting the minutes she will finish her lines before the next one is due to deliver theirs. She is not even funny when she is supposed to be. Her performance was the worse in here which reminds me if ever she stars in a comedy, and as a leading actress, I must avoid that series.

I must add also whilst some casting may be debatable, one was perfect casting and that was Kate Tsui as the crazy woman. She has the looks which I have been saying for a long time. Crazy eyes to full effect in here.

One guest starring I was very annoyed with was Myolie Wu, clearly as a pun to her real life relationship with Bosco. Another guest starring role which I find very very funny was the amazing and always entertaining and now really bald Dicky Cheung. His emotionless role as the bailiff was really one of the highlights, even if it was a 10 minute performance. It is not the time but the acting prowess that shows whether you can deliver or not. Michael Tse revived his most popular character, Laughing Gor but frankly I don't like Michael Tse as an actor anymore. He just annoys me. Then there was the just appear sort of role for Kevin Cheng and one other I can't remember who as firemen, clearly a reference to their popular roles as well as many others. Like I said everyone here is someone and someone from TVB, from the ke-le-fes to the supporting to the main ones.

But the full weight of the movie rested on several main characters that can be divided into the young ones and the veterans.

The young ones that is heavily featured is Wong Cho Lam as Shek Kin's son, Bosco Wong as Ha Kung's son and an actress I did not recognise, Stephy Tang as Shek Kin's daughter. Linda Chung as Ha Kung's daughter had more than 15 minutes of scene but lesser compared to the other 3. Amongst these 3, Bosco and Stephy had the most role, as the entire movie's younger generation story rested on their so called forbidden Romeo and Juliet sort of love story which was probably the movie's worst aspect. I wasn't convinced by their love nor do I care. But to give credit to Bosco, he was fun to watch and he displayed his MJ moves too even if that scene was kinda tasteless whilst Stephy was ok, can't say she was brilliant because she wasn't and can't say she was bad since she wasn't that bad. She was just the usual sort of performance but her character is scary. She likes AV movies (in Japan, AV movies is hard core porn films, though the essential parts are blurred, make no mistake, they are really doing the deed and AV movies are big stuff in Japan with the actresses earning a lot in a relatively short career - I can tell you for sure one Japanese singer that I like, Fukuyama Masaharu is a fan of of AV movies which shows very little stigma there but still shocking fact for me to digest) and is so fascinated by that sort of films she became an assistant director aiming to make her own gospel themed AV movie one day. Gospel theme AV movie! How can gospel and AV be in the same sentence?! Silly sort of ambition and her room is decorated with AV actresses' posters! Scary girl and in some ways the movie turned rather offensive at this juncture but almost and not quite offensive. Wong Cho Lam has a significant role too as the son that Shek Kin just love to scold. I find Shek Kin rather rude to this son who assists him in his business as well as other endeavours. His scenes with Linda Chung is more believable, where in one scene in an elevator, she punched him, he kissed her, rather passionately if I may add, something you will never see in TVB series. They do look like quite a pair! I must add Wong Cho Lam is very funny, delivering his lines with panache and he has excellent comic timing. In fact only he and Eric Tsang can be truly described as comedians, able to deliver the funny lines on time and effectively whilst the others were rather forced. The lines happen to be funny because the lines itself is funny.

But the main crux of the movie rested on 2 veterans; Eric Tsang and more importantly Jacky Cheung who has the most scenes and may I add, the best scenes in this movie. Their chemistry together is amazing and Jacky Cheung, apart from being a great singer is actually a very very good actor. He has comedic timing and I could hardly believe he was wearing a wig! Hair looked too real to be a wig! Both Eric and Jacky also delivered in the drama department. No denying these 2 carried this movie whilst the other appearances were of course very good bonus. I even thought Anita Yuen was kinda funny although she was better in the drama department. No denying she has acting chops but if you ask me if she was funny, no she wasn't.

Other actors stood out for various reason. For the older generation scenes I particularly enjoy Joyce Cheng having a go at her mother's role but again I stress she shouldn't have been cast in that short role. I thought she should have Linda's role because she doesn't need typecasting simply because she is her mother's daughter. I understand the decision to cast her in that role but I feel Joyce Cheng has bigger talents on her own to not just fill in the void left by her mother but she could carve her own career. Wouldn't it be nice to see her in Linda's role? Linda can have Stephy's role and Stephy can have someone else's role.

Then there was the lovely Fala Chen. I am beginning to really like her, after the dismal Moonlight Resonance where story sucked but characters and acting trimphed. She was lovely in here even if her love story was silly. Raymond Lam would become Jacky whilst the other was Justin Lo (speaking with Eric Tsang's nasal voice as well!) would become Eric. Both effective even if their story silly. I was glad Eric and Jacky quickly took over because Eric and Jacky were the main selling point when it comes to performances.

Whilst the main drawing point of this movie is the spot the actor sort of fun, I was very impressed with the fact that the dialogue was well written and very witty. Some play of words, the names of the businesses after checking out Wikipedia, such as Ting Tai Phone. That's a restaurant name! There's a Kee Wah Phone if I am not mistaken, again a bakery, very famous in Hong Kong! I also remember a scene where the camera zoomed into an eviction notice with the law firm's name printed on it. I can't really remember the name there, was it Si, Liu & Pei, Advocates & Solicitors? All are valid surnames but never quite put together in one line and when it was put together, the meaning became something else which also in short means "total and utter nonsense". I remember the name was fun play of words, very funny but frankly I am not sure if it was what I wrote in here.

There was also a rather interesting scene that if done badly would be offensive but in this movie, was really funny which was Shek Kin's new business tactic of selling handphones. Remember, he is selling phones but a customer walks in, taken to a room akin to those nightclub type, young pretty girls walk in and he can pick his salesperson who took off her top as she explains the functions of the phone. She sells the phone and gives a lifesize blow up doll with her image as free gift. And all along the disbelieving customer kept muttering "I am just buying a phone... just buying a phone". I thought that scene was hilarious, whilst tasteless but all in good fun.

And earlier one which was offensive, as Shek Kin's shop revealed 3 young scantily clad girls selling phones with heavy sexual connotations but balanced that well later with a very funny trio from Ha Kung's shop, one of whom played by Chu Mi Mi.

The ending scene was funny too, where Shek Kin and Ha Kung figured out how to dismantle the bomb on Pinky. Very very simple actually, and you have to watch it to believe it!

However there were 2 scenes I really loved that involved music. One was earlier, where the workers of both handphone shop sang to Sam Hui's classic about the workers' plight (ironically I believed it was written as a mockery to TVB back in those days!) and you see many familiar faces singing to that song whilst we see Ha Kung and Shek Kin scolding the workers as they sang and worked. The one that had me laughing the most was the hospital scene, where Wong Cho Lam and Jacky had a sing off over Jacky's classic song, the title I can't remember, was it "Loving You More Each Day"? (direct translation by the way). Anyway it started with Jacky as Shek Kin singing but then we found out it was mimed to a cd version of the song as Kin Chai that is Wong Cho Lam cooly switched off the CD player and said to his father "Dad, stop miming to Jacky Cheung's song. I can sing better, listen to the expert!" and then he sang a pitch perfect Jacky version of the song and Shek Kin then said admirably to his son "You're right! You sing better!" and if I remember correctly, Kin Chai ended the scene saying "Tell Jacky that!". Something like that. There is a dispute on whether Wong Cho Lam was mimicking Jacky or it was really Jacky singing. Wong Cho Lam isn't talking, he'd rather you speculate on whilst fans say it was Wong Cho Lam singing since he is a very good mimic and famous for it.

But let me present my theory; it was Jacky singing, Wong Cho Lam miming. Why I said that is because ...

1. When Wong Cho Lam was singing, Jacky was out of sight by the left of the screen, when he was done, Jacky walked back into the scene

2. The singing was live. I was very sure of it. So when Wong Cho Lam supposedly sang Jacky style, I find his mouth movements too over the top, it couldn't have been him singing, it looked more like miming

3. The singing was to the left of the screen. The sound source was not directly from Wong Cho Lam's direction, which was why I was sure the singing was live. My theory is the first scene, where Jacky sang it was miming to a Cd version. When it was Wong Cho Lam's turn, Jacky sang live at the side with Wong Cho Lam miming to Jacky. You can't have Jacky in a movie and not sing his own song, live.

Which is why I am sure it was Jacky singing, Wong Cho Lam miming. I am not saying Wong Cho Lam is not capable of singing well, but let's face it, Jacky is God Of Song. He can sing the phonebook and can still reign as the God of Song. I am sure of it and since Wong Cho Lam is not telling, we will never know so let's speculate on!

But whatever it may be, that scene was really funny and I love the exhange between Wong Cho Lam and Jacky.

In fact after finishing the movie I realised the selling point of this movie is the well written witty dialogue. It looked and sounded like real effort was put in, the movie is clearly a labour of love and the movie set, the recreation of Sai Yeung Choi road is not only impressive but looks real as well, although look at the floor and lightning and I am sure you will be able to see it is a movie set. But at least hundreds and hundreds of people in one scene is amazing enough for me. With well written dialogue, surely the actors would have fun delivering the lines and it shows.

I don't think I have ever been this wrong about a Chinese movie. I walked in thinking it would be the usual slapstick movie, hoping not to cringe and just enjoy "Hey! That's who and who!" but I walked out being really entertained, finding it one of those movies that balances well the dramatic moments and the comic moments with some very good performances coming from unexpected places whilst the usual ones prove us fans right. A good actor in any role is a good actor. A bad actor in a time controlled role will be an entertaining one! Of course the younger generation's love story was awful and predictable and boring but their stories didn't feature heavily in this movie. I am glad the focus was on the tenants AND on Jacky plus Eric because Eric and Jacky were the backbone of this movie. I had fun!

Verdict
You will love this movie if you are a TVB fan. Enjoy spotting your favourite actors and actresses. But more importantly, the witty dialogue and some very good performances will have you laughing hard whilst enjoying yourself. A must watch!




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15 December 2009

THE STORM WARRIORS [HK][Chi]

Written by Funn Lim



"This present movie is too in awe with the technology aspect that it sacrificed the characters and the story. The story became muddled, confusing and irrelevant."








SPOILERS ... SPOILERS ... SPOILERS


Cantonese title
Fung Wan II, meaning Storm Riders 2 but like Wikipedia said, to avoid copyright problems, the directors rename it to Storm Warriors.

Released in
2009

Based on
Comic series by Ma Wing Shing

Language
Cantonese

Origin
Hong Kong

This Is
the sequel to Storm Riders

Cast-Character
Taken from IMDB.com

Aaron Kwok ... Cloud/Bou King Wan
Ekin Cheng ... Wind/Lit Fung
Kenny Ho ... Nameless/Mou Ming
Nicholas Tse ... Heart/Juet Sum (I would translate that as Hearless)
Charlene Choi ... Tai Yee Mung/Second Dream
Simon Yam ... Juet Mou San/Lord Godless
Suet Lam ... Piggy King
Patrick Tam ... Emperor
Yan Tang ... Chor Chor
Tak-bun Wong ... Lord Wicked/Che San (I would translate that as Lord Evil)
Anson Leung ... Earth
Byron Pang ... Sky

Plot
For the entire plot plus the pivotal role of Ma Wing Shing in the recasting of Ekin and Aaron in respective roles, do read Wikipedia. Exciting stuff but spoilers alert. The directors do not deserve the author I tell you.

Comments
I have summarised my feelings in my ramblings in News & Updates which I shall not repost here and although that was basically my feelings, I feel since I am not known for brevity, I must elaborate on how I felt.

First of all I do not think this is a bad movie. I rarely watch HK movies in the cinema, a treatment now exclusively for Stephen Chow movies so when Storm Warriors came out, like many others I went in to watch, despite the rather negative reviews. I was ready for the criticisms as posed in local papers' reviews and knew what to expect. Of course knowing and watching is 2 different things.

Again, this is to me not a bad movie. It is just a movie that could have been so much better. For one, the story itself is intriguing, but the screenplay was insipid. The technology is amazing, and like the comic book which I have sporadically seen years before (my brother was a big fan of such comics), the kung fu and the styles and all looked like they just walked out of the comic book, in full colour. The costumes are great, making the actors look like the characters. Some casting I would say is brilliant but many has much to be desired. So with all almost positive sort of things to say, why can't I just admit this is maybe a good movie?

Because as a viewer and somewhat a reviewer deep in my heart, even if I am not proficient in the comic series (from what I read, the story does differ greatly), I realise this movie was badly executed. There are many brilliant ideas, even if borrowed ideas or you may even say stolen ideas or perhaps the comic series may have been the originator of such ideas, whatever it may have been, the execution was poor.

Consider for one the rich material that is the comic series. Ma Wing Shing is renowned for bringing comic series into a new height where storyline plays an equal if not more important function than the stylistic drawings which were excellent if I must add. Somehow when transporting that story into the movie, the screenwriter(s) chose to strip the entire story and gave us the basic. So we have 2 plotlines; one of Lord Godless and his equally if not more conniving son, Juet Sum launching a series of deadly attacks on the world of Martial arts (mou lam) to conquer China and break the so called backbone of China (you know, the dragon's pulse or however you translate that). And the other plotline is how Fung and Wan had to resort to multiple ways to beat Lord Godless, in the process the milder heroic Fung had to demonise himself to increase his kung fu power whilst Wan, usually the more moody one in the process of stopping Fung who could no longer control himself had to decide between killing Fung or not killing Fung. If this was Wan as in the original movie, no doubt he would have killed Fung in an instance. But Wan is a changed man, still as quiet but not as stubborn or hard. I find the story of Lord Godless very interesting and whilst the movie started with Lord Godless, however about midway Lord Godless dies and for the rest of the movie we have endless and scriptless fighting between Fung and Wan just to illustrate the sacrifice of one and the other and I suspect to let the 2 leading ladies have something useful to do.

And that is the main problem with this movie.

When the story shifted to just Fung and Wan and I do really mean just them 2 for over half and hour, the entire movie's pace slackened. Although the Kung Fu became even more elaborate, somehow the entire story fell flat. I appreciate the hard work put by the 2 leading actors in the fighting scenes, and they do look credible but to just focus on fighting and throwing out the story and only to bring it back for the last 5 minutes or so just tells me the directors only seem interested in the glamour and none the substance. I want substance. Many times in the movie I just wished there was more dialogue. I just wish Wan would ask the mysterious fighter "Who the hell are you?!" or scream at Fung and say "Fung, see me! I am Wan!!" instead of leaving that to the last 10 minutes or so. Yes, there is enough intense fighting scenes to satisfy that boy in you who loved the martial arts aspect but I am sure fans of the comic series would have wished that some substance from the series would reflect on the movie screenplay itself.

And the entire concept of the movie is strange.

It started great. I mean the first 10 minutes of the movie will capture your imagination, will satisfy that fanboy in you, will make you wish if only an entire movie is made of the most interesting character that is Nameless and he appears less than I shall say 20 to 25 minutes or so. He also has the coolest fighting scene with his if I translate it correctly, 10 Thousand Sword Stance which has to be seen to be believed. I feel that 10 minutes set the pace for the movie. But then after the singing credit (awful song by the way but nice introduction), the movie just fell flat! And it became worse when Nameless disappears from the screen. Such a charismatic character played brilliantly by a charismatic actor disappears and justifiably so since he is just a guest star but yet I felt both Ekin and Aaron combined can't beat that charisma of this one actor and of one character.

This I feel is due in part to the lack of script. I am convinced Nameless has more lines than both Fung and Wan combined. Juet Sum would have the next most lines with Che Wong (as in Lord Wicked although I would translate it as Lord Evil) coming close at third. Even Patrick Tam's emperor has more lines than Wan! The entire movie is like one long music video with intense fight scenes, like a long martial arts contest. And yet at times it is so quiet that it is so unsettling. Why the lack of script?

And when there is a lack of script even at times when there are no fighting, then the actors better be really bloody good at expressing emotions without script. Problem is we all know Ekin is an iconic actor but not a fine actor. Aaron can be good and can be bad, in this movie his acting is rather like the script, sparse and not exactly good. So to fill in the gaps, we have the actors posing. Lucky for fangirls, half naked posing. Yes Aaron Kwok looks great for his age, Ekin although aged a little looks surprisingly good baring his not that flabby chest and he still looks heroic. But must we have them staring out into the sky with wind blowing on their beautiful hair and posing for that precious 10 seconds when that could be utilised to tell a story?

Even Lord Godless had so few to say. He seems to stare a lot. Again Simon Yam is not the best actor around but he is competent when he has to be. He is quite scary as Lord Godless, his ruthlessness and his steely eyes which is at most time expressionless and man, he looks great for his age. He is also very convincing in fighting scenes as in pose and move hands a lot. BUT his story arc is so underdeveloped and he is so underutilised I felt he is practically wasted in this movie. Or maybe I should reword that. He has lots of scenes but somehow his story is not properly told. It's like lots of wasted moments and I wonder what was lost and then I realised too many scenes of him and other characters looking at the other actor, looking at the sky, looking somewhere. Precious seconds wasted. It is not a tightly told story. And with that being said, Nic Tse as Juet Sum is totally wasted. Juet Sum is potentially more ruthless than his father and you can see the dissatisfaction and discord between son and father where son is ambitious and wants to be Emperor himself whilst father is of the philosophy that a kingdom can't be shared even if with his son. And yet totally wasted character who disappears almost at the end without any indication of where he is, except maybe there would be a sequal for the Juet Sum story.

Then there were the other characters. I find Che Wong very interesting because he has such an evil name but he is actually a good guy who chopped off his own hands after he was possessed by his demonic stance and killed innocent people. You see in the mou lam world, people learn kung fu to better themselves, sometimes resorting to wrong methods and often they're filled with remorse. And often these highly skilled fighters refuse to help the country to defend against foreign invasion and they are very very eccentric, like Che Wong, unlike Nameless who is very involved in the world of mou lam. And Che Wong has such a shocking appearance that I was like can't he brush his hair? Oh yeah, no hands but hey he can "throw pebbles". But I find the casting disappointing which I shall elaborate later. Anyway I find Che Wong's character perhaps the most developed quite simply because so much screentime on him.

And then there was the 2 leading ladies. One can act better than the other, but both no less annoying and so cancel out one another.

Please tell me the point of Chor Chor and Second Dream's presence? To show some love? To make us empathise with Fung and Wan? Hey I do empathise with them without annoying Chor Chor and Second Dream. In fact I was so confused. How did Wan met Chor Chor? What is the exact relationship? Because from the get go, we see Wan willingly captured by Lord Godless because Chor Chor was captured. That was what the intro said at the very beginning. Then there was Fung and Second Dream. One 10 seconds scene explained they knew each other via pen pals, never met and then met and they're already in love. Second Dream has self esteem issues as she has a scar on the I think top right of her face. She is the daughter of someone respected and is the beloved somewhat goddaughter of Che Wong. So when she suddenly appeared, it took me some time to realise she went to see Che Wong for Fung. Of course there is the issue of sacrifice and all but the point it this movie started assuming we can just presume there were relationships. But the story then became so disjointed. I thought instead of the movie starting with Nameless and his great escape and all, start with the singing and the comic sketching. And instead of sketching the characters, why not sketch what we are assumed to know? You know like Spiderman 2 I think where we are brought up to speed of Spiderman 1's plot with the intro scene in less than 3 minutes or so. It would give the director some artistic license, the graphic artistes some challenge in presenting what we should know in minutes and also benefit the fans or non-fans who has no idea how the hell Chor Chor or Second Dream feature in the story or more importantly, how the greatest fighter like Nameless and some great fighters shown in the first 10 minutes could be tricked into drinking poison and captured by Lord Godless. I was thinking how? WHO BETRAYED THEM? And who in the end saved them by giving them the antecdote?

It was as if the directors were so in awe of the technology and what they could do with it that they had simply forgotten there is one element more important than those CGI stuff; the story. Of course I can buy the idea where the sword instead of slashing someone when flung can release more swords out of thin air. This is after all a martial arts comic series. What I can't understand is how Nameless could be tricked? A bit of explanation would ease the plot a little and make it make more sense and maybe make Chor Chor and Second Dream less cardboard and more full fleshed out. And maybe throw away the emphasis on Fung becoming demon as the main plot and just concentrate on Lord Godless because I just have this feeling after a while Lord Godless serves Fung's demon story and not the other way around and that is just so boring in the end.

And the directors are much too concern with slow motion sequences, from the fighting to when Second Dream was falling and saved by Fung. The expression of Charlene Choi's face is rather comical. And I must mention that whole Dragon's Pulse in the Dragon Tomb can be more subtlely presented. Instead seriously we have the skeleton presumably the ancestor of the Emperor there and the pulse is the spine of that skeleton. When the skeleton was broken into 2 I see no consequence so what's the big deal? Maybe the sequel will explain that.

But no denying the movie is beautiful to look at even if a bit barren sometimes.

The tone of sepia and also red to connote blood and blue/green gives it a feel like it walked out of a painting. But it is obvious where te director got the inspiration. Some scenes look awfully familiar, the ones where Juet Sum launched an attack on the mou lam, that is to me 300 the movie. It is in fact 300, except less stylistic. 300 was a beautifully made movie. Then there was the black thing crawling onto Fung when he was becoming a demon as he was in the demon pond. Doesn't that look awfully familiar? Like Spiderman 3 where one of the villains got the same treatment? Even when Lord Godless was marching towards the hidden treasures of the Empire (he doesn't seem to be in such hurry I tell you!) standing on top of a huge how shall I call it? Iron cart in the shape of a lion or something? Kinda reminded me of 300 when the enemy's king was marching towards our heroes, except the villain in 300 was decked out in gold whilst Lord Godless was in heavy colourless armour. Maybe the makers of 300 were inspired by the Tin Ha series perhaps? Who knows.

But one scene which is direct rip off from another movie which had me shaking my head was the end fighting scene between Fung and Wan where they stood looking at one another, in their mind fighting in the rain or some huge drops of sweats from the looks of it, for many many many minutes. THAT is a direct rip off from Zhang Yimou's Hero. Took me quite a while to realise Aaron and Ekin are 2 singers/actors fighting whilst in Hero, it was Jet Li and Donnie Yen fighting, both martial arts champion in their own right. No need for me to say which fight was better. And the thing is Hero was infinitely better filmed in that exact same scene and the entire concept in Hero, why they fought in mind and not physically was an intriguing concept excellently executed. And beautiful too. Back to Storm Warriors, if I am not reminded of Hero, that scene was pretty good too even if way too long. But notice carefully, poor Aaron and Ekin can't lift their legs any higher! But is that necessary? Perhaps it was Zhang Yimou who was inspired by the Tin Ha series? I doubt that. Although in that same scene, Storm Warriors had more special effects whilst in Hero, it was really man to man fight filmed in one long sequence.

But like I said, it is not necessarily a bad movie.

The performance(s) however is like the difference between day and night.

As mentioned above, Ekin Cheng despite looking a bit older and isn't a great actor to begin with still has that heroic iconic look. He serves his character well and I thought he did look convincing as the demon since he is pretty expressionless. You can see he worked very hard for those intense scenes so I appreciate that.

Aaron Kwok is moody, moody, moody all throughout the film, with very very very little to say. That man never ages and he looks great but like Ekin, he is pretty stiff in his performance. But he has more role than Ekin actually. His Wan has very important role to play at the end and fear not, I believe his end is a positive thing, meaning even if there won't be a 3rd part in movie, in comic world, Wan's ending can't be that depressing. I feel he serves his purpose well.

Kenny Ho shocked me. I haven't seen him for years, always remembering him as Chung Wa Ying Hung, not Ekin. Kenny Ho's only weakness is his kinda like pinch the nose sort of voice but he delivered his lines with authority and a certain sense of foreboding. But it was his looks. This man never ever ages! He looked very good, and heroic too. Like Ekin, he has a naturally iconic good guy heroic sort of look and to me he is perfectly cast as Nameless. Love the costume, love the hair, love his performance. He is convincing and he looks great also. I also find it rather funny that when Nameless said he had only 10% of power left, he could still beat the rest of the lot. Oh how I wish a movie is made of him having 100% power!! If there is a reason why this movie rocks, I will make it plainly clear; Kenny Ho. That's it.

Simon Yam is competent even if underused and then discarded like he was nothing. I felt his Lord Godless was interesting although at times he does look expressionless. Like I said, he is not a great actor but again serves his purpose well. Anyway I didn't even know Lord Godless is supposed to be Japanese until I saw the intro.

You may not like Nicholas Tse's performance as Juet Sum but I feel that is due more to the script rather than Nicholas Tse. I tell you he has perfected the "I wanna slap this face" look. That arrogance, that cruelty, that hidden evil, that dissatisfaction, you can see it all in his precious minutes of performance. Clearly his performance lives up to the name Juet Sum. What a pity his character was not properly developed.

Wong Tak Bun as Che Wong is a miscast. First of, yes he has the body, the height and even the depressing looks but to me he can stand there and yet not have an iota of heroicness, like Chinese say, "Yat Toi Jung See" or Master of Masters sort of look. I always thought he was boring. I was quite shocked he was given such a prominent role. In fact I thought I saw Joe Ma in the starting scene, one of the masters who sacrificed themselves to save Nameless and gang.

The best actor however goes to Patrick Tam. He is the emperor, not even robed and looked messy and yet there is a certain kingliness to him, an authority. That scene where Juet Sum held his family ransom, killing the wife and threatened to kill the son unless the secret of the treasure is revealed, that desperation in his eyes, his pain, all in that 5 minutes performance or less beat the rest of the cast in this movie. Give this man a Best Supporting Actor award! And check out that scene with Aaron's Wan, how he was reluctant to beg but had to go down on his knees but stopped by Wan. That pride! And also that scene where his men (soldiers) turned their backs against Lord Godless and how he understood the difficulties faced by then. In fact I just described the entire appearance by Patrick Tam! Other than Nameless as an iconic character and coolest performance, in retrospect Patrick Tam gave this movie the acting chops.

The same can't be said of the rest of the main players.

Tang Yan as Chor Chor. I was reading another review posted at SPCNET and this is apparently the character played originally by Shu Qi. No wonder the hair looks quite the same. Again if we are reminded of that in the first 10 minutes song sequence, there wouldn't be much confusion! Anyway between the 2 as in Charlene Choi or even Shu Qi, I find her performance tolerable even if her dubbed voice is annoying. However since I do not know where her character suddenly comes from, I find her Chor Chor annoying even if her ending shocking. As for the love connection, there isn't any. Just to give Aaron some excuse to give more than one dimensional performance as Wan.

Charlene Choi as I have mentioned many times before is god awful. Make that universally god awful. I must admit she looked pretty since she seems caked in 10 layers of powder thus making her look very pretty with flawless complexion which I am sure she has. Her costume, hair, make up all perfect. BUT her performance is not. First of her voice is annoying. The way she delivered her lines with concern sounded fake. I was hoping she would be the one running in between Fung and Wan as they fought but apparently her Second Dream is not that giving a person. And her name is silly but that is the author's fault. I was irritated that she showed no expression when poor Chor Chor met with such an ending. In fact she showed no expression throughout. Her casting is probably to attract her fanbase because quite frankly I can see no other reason. I did ask in my original post whether when she looked at herself on the screen magnified ten fold whether she asked herself did she do a good job and whether she realised she was god awful? I also mentioned she was also a waste of oxygen in the movie and I stand by that. Why this movie sucks is because of her although she is not the only reason but she is one of the bigger reason. Can someone just tell Miss Choi either she buck up, go take speech lesson and learn to move her face since she can't be that old to have been injected with botox which freezes her face to the point she can't express concern, happiness, fear, pain, etc? Please?

Everybody else pretty standard, no one stood out even if there were a few more annoying ones.

Verdict
In retrospect, Storm Riders was a better movie where technology and CGI serves the story and not the other way around. This present movie is too in awe with the technology aspect that it sacrificed the characters and the story. The story became muddled, confusing and irrelevant. Performance wise, a few notable ones I have named above but generally the performances were less than satisfactory, some caused by the actors themselves but some by the lack of a steady consistent good script. I think in the end when you stopped being in awe of the beautiful aspect of the movie you will realise just maybe it is a bad movie in that sense. You may say the directors did a credible job bringing the vision to life but to me the story is more important and that the directors failed miserably. If you need any reason to watch this movie, which I doubt you do since you will run to the cinema for it, watch it for Kenny Ho's Nameless. I don't think there has been any character than leave such an impact in a movie by doing so little. Well actually he did a lot but you know what I mean. Like I said the 1st 10 minutes itself is worth half the price of the admission ticket but in the end the rest of the sporadically exciting but mostly dull movie cancel the other half of that worthiness.

Best Scene
Kenny Ho looks fantastic! May I repeat brilliant casting!

 

Interesting Prop
The fans. I mean the hair blowing all the time, so beautifully thanks to the fans. I have a feeling many may have been replaced because burnt out for overuse! And hair extensions as well.

Interesting Artwork
You can't fault the artwork which I suspect the author may had something to do with it! Gorgeous renderings of the characters, teaser posters, etc. Check out the official website for more. Love the official site! Must check out the comic artwork section!!

The teaser posters and official posters



The Artwork of the characters







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18 February 2008

CJ7 [Mov] [Chi]

Written by Funn Lim


"My conclusion is whatever Stephen Chow offers, I will accept."







SPOILERS ... SPOILERS ... SPOILERS


Released In
2008 (1st day of CNY!!)

Version
The following is a review of the Cantonese version. I always prefer to watch Stephen Chow un-dubbed.

Origin
Hong Kong I suppose.

Director
Stephen Chow

Writers
Stephen Chow (writer)
Chi Keung Fung (writer)

Cast List
Stephen Chow ... Ti
Min Hun Fung ... P. E. Teacher
Chi Chung Lam ... The Boss
Shing-Cheung Lee ... Mr. Cao
Jiao Xu ... Dicky
Kitty Zhang Yuqi ... Miss Yuen

Interestingly the other children were not listed in IMDB.com.

Summary
A poor Chinese laborer learns important lessons after his son gets a strange new toy.

Not accurate at all. It is a son of a poor Chinese labourer learns the value of love and sacrifice when his poor Chinese labourer father brought home what was seemingly a junk toy which turns out to be an alien dog left behind by a spaceship where the boy nicknaked the alien dog, Cheung Gong 7, thus the title CJ7 (as in Chang Jiang Chi Hau - mandarin version).

More info
Imdb.com where I submitted a similar shorter review. See if you find my review.

An Observation
The trailer(s) and even the TMO revealed very very little about the contents of the movie. In fact the focus was really on the alien dog but very little on everyone or everything else. I thought the TMO was boring but the trailer brilliant because I am sick of those hollywood trailers that basically shows all the best clips, the entire story in the space of 3 minutes or so. Stephen Chow kept the trailer to the minimum and his name alone to attract viewers. May not work in foreign countries but who cares. In China despite the snow storm this movie opened the biggest for a very long time so that speaks volumes. I seriously think the box office in Asia alone is enough for this movie. I am sick of those nitwits complaining about the trailer, the lack of humour, the lack of Stephen Chow's screen time, the lack of this, the lack of that. Look! Name me another Hk movie worth your time and I shall predict that movie is either an adaptation of some Japanese manga, triad movie or some silly boring love story starring singers who can't act and actors who can't act. Enough said.

Comments
This movie was one of my most eagerly anticipated movie of the year and it opened in Malaysia on the 1st day of Chinese New Year. My entire family went, the cinema was packed with not just Chinese but Indians and Malays since slapstick humour is universal in its appeal and then the movie began. I don't know what happened to Stephen Chow but ever since he made King Of Comedy, every film after had his deeply personal touch, like almost a clue into the man himself. He has yet to make a bad film since, the good of the film is of course the variable in the equation. Truth is I am a big fan of his. I followed his career since the 1st day and since I was a child. I grew up watching his TV series, movies, appearances and to see him transforming from a very good dramatic actor to great comedian to a very good storyteller and a great director was indeed a privilege. With money, studio backing and age he seems to settle down to making movies he wants to make and yet the movies he wants to make is also highly entertaining.

CJ7 is a highly entertaining movie. Many compared it to ET. I find it has no similarity to ET except for the obvious nod to the idea of ET, cute alien and cute children in the story. Personally I never liked ET. The central theme in CJ7 to me is more like Lilo & Stitch, an alien dog befriending a young child and in the process teaches the child the value of family and sacrifice. The story I do not think I need to repeat. It is a simple premise that all parents, especially Asian parents would be able to identify; single poor father working hard to ensure a better future for his only child who was humiliated in school simply because of his clothes, his finances. Some reviewers complained the story about the bullying at school was too simplistic, I in turn find them very real. In Asian school system where everyone wears the same uniform, how one arrives at the school is very telling. This movie began with mercedes benz arriving at the school and the status issue is further emphasised with clothes, school bags and even the latest toys. If adults could sneer at another who does not have the latest I-phone or cars, more so children.

However what is wonderful about the process of this movie lies beyond just the superficial. It shows children although mean at first are capable of recognising a friend and an equal. I love the scenes of tenderness between father and son. Without much money and no TV, their source of entertainment was killing cockroaches. Scary but apparently derived from Stephen Chow's own childhood. In fact like King Of Comedy, I believe this may be Stephen Chow's most personal movie yet. It shows.

The winning element of this movie is of course not just the special effects (totally awesome by the way and only Stephen Chow could blend live action, CGI and all the special effects without overwhelming the audience and the CGI is used to enhance the story and not the other way around) but the acting themselves. So the ladies had little time, less and less in each of his new movie but more and more prettier if I may add, it was the little girl who played a boy that was perhaps the very reason why this movie is so good. I watched the Cantonese version which meant it was dubbed but it was very well dubbed actually. Xu Jiao was not just cute, but also handsome in a boyish way, tall for her age but looks believably skinny as a poor malnourished boy and her actions were boyishly charming. She plays a good son who became wayward for a short while when he thought CJ7 could help him achieve what he wants without much effort. She was in almost every single scene and yet she was totally mesmerizing. Towards the end in that one single scene when he was told of a news that no child should ever hear, her performance reaches the zenith with almost perfection. If this kid is not nominated for the Golden Horse or what not, I don't think anyone should. She is of course ably supported by other child actors, one of whom plays the snotty rich boy to hilarious result and a huge girl with a tiny girlish voice. I find the focus on the children were very welcomed. The adults did just as well although very few scenes.

Now the star is of course the alien dog, CJ7. I can't find the plush toy version, disappointingly and I hope it will be released soon because that alien is just so cute. Yes it looks a little bit like Chicken Little but more pet-ish. No dialogue but very expressive and there was even a spoof scene of King Of Comedy by that cute alien dog. The technology may not be the greatest but for a film from Asia, I find CJ7 very well designed and of course very lifelike.

To those who feels this movie is catered for children, well that may be true. But there were moments of intense drama and frankly I think this movie is also catered for adults who once had that kind of childhood. This movie shows positive values, that no matter how poor, integrity is first and foremost and I think that makes this movie beyond the understanding of a child but it is for an adult to appreciate and to explain to the child the significance of what the father told the son repeatedly.

It is not Stephen Chow's best film, that is King Of Comedy nor is it as fancy as Kung Fu Hustle which in itself is an excellent movie. But it is better than most of the competition out there because it is cute, it is fun, it is funny and more importantly it is personal. It is like a small window to Stephen Chow's soul and I thoroughly enjoyed it. My conclusion is whatever Stephen Chow offers, I will accept. My compliments to Mr Chow too for being an excellent casting director. He has yet to make a bad casting call thus far and my respect too for his ability to step aside to let the lesser known to shine. He was never one to grab the limelight and eventhough in this movie his role is significantly smaller than his all other movies combine, he is still a star with screen presence. And that I admire him more because being such a huge star he could still step aside and let a little girl, a little alien dog and a bunch of children and adults alike to dominate the screen instead of himself so as to allow the story to flow smoothly. That what makes him a great director.

A must watch for all fans of a good movie worthy of the price of a ticket.

Verdict
Go now! Go! And get me that CJ7 plush toy NOW!

Trivia
Interestingly Xu Jiao is actually a girl playing a boy. I was wondering why, no boys can play boys? Well I am convinced. She is a very cute boy, handsome as well. She cried when she was told she had to cut her long hair but she still do it because even as a 9 year old she knew opportunity like this is rare to come by. Stephen Chow famous for his hot temper on the set actually mellowed because he was dealing with children. He was also famous for not liking children since his debut work was as a children show's host and he was rather rude to them. But he ages I suppose he mellowed down although he is still not a father. He likes Xu Jiao so much she is now his god daughter! You must admire him; he knows talent when he sees one.
And by the way I read in the net that the rich boy and the bully henchboy of the rich boy are both girls!! And the big girl with the tiny voice is actually a boy!! What a gender bender film!! But they were all excellent.

I saw the TMO, the scenes with the kids were filmed in Mandarin whilst his scenes alone or with HK actors were filmed in Cantonese. So I am sure there is a Mandarin and a Cantonese version. In the Cantonese version, the girl's voice was dubbed but excellently dubbed whilst in Mandarin version, Stephen's voice was dubbed, but poorly dubbed. So I definitely recommend Cantonese version because only some lines can be delievered in Stephen's own voice.

Most Favourite Line from The Movie
"We children don't need to let the adults know everything". It was a very witty line poorly reproduced here. But most favourite was towards the end when something not very good happened to CJ7, the boy asked the father what to do and the father exclaimed "Hah? Ran out of battery??". Very funny.

SPOILERS ALERT. The ending is...
Please left click your mouse, drag it from ** to ** to read the contents below.
** Huh? was my first reaction. I really didn't get the ending but seeing the possibility of so many variants of CJ7 in plush toys just got me really excited. Anyway what's the ending? CJ7's soul went back to his mothership and he survived there although he left a doll like shell? Huh? But I was very moved by CJ7's sacrifice to revive the father who was killed at the construction site because even an alien knows a child can't live without his parent. He can't be an orphan because he would be all alone. That scene where Dicky cried and cried to sleep when he heard of his father's death was so sad I think almost everyone in the cinema was very quiet and some were quietly sobbing. Anyway that thing about the ending for the alien is the only bad spot of this movie. Someone care to explain their theories? **




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02 February 2006

Fearless [Mov][Chi]

Written by Funn Lim
 

" Believe all the accolades you have heard and read for this movie. It is that good."


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Chinese Title
Fok Yuen Kap / Huo Yuanjia

Released In
2006

Language
Mandarin but there is a Cantonese dubbed version.

Directed by
Ronny Yu

Cast
Jon T. Benn .... Businessman
Collin Chou .... Hua Yuan Jia's Father
Anthony De Longis .... Spanish fighter
Masato Harada .... Mr. Mita
Nathan Jones .... Hercules O'Brien
Mike Leeder .... Referee Randall
Jean Claude Leuyer .... Boxer
Jet Li .... Huo Yuan Jia/Fok Yuen Kap
Shido Nakamura .... Anno Tanaka
Bao Qijing .... Hua Yuan Jia's mother
Ian Powers .... Bellboy Dante
Brandon Rhea .... German Fighter
Michelle Yeoh .... Miss Yang (deleted from the movie)
Dong Yong ... Nong Jinsun
Betty Sun ... Yueci

A Note
I mentione wushu which is also martial arts and kung fu. I am sure you know what I mean although I do not draw the line clearly between the terms. I apologise if I used the wrong term.

The Plot
This film tells the story of Chinese Martial Arts Master Huo Yuanjia (1869-1910). Huo Yuanjia was the founder and spiritual guru of the Jin Wu Sports Federation (from IMDB.com)

An almost true (but mostly fictional or rather romanticised) account of the well known and yet very little known (as in biographies) story of the man who created Jin Wu Men (you know, where the famous Bruce Lee movie was based on), Fok Yuen Kap aka Huo Yuanjia. You see his childhood, why he took up Kung Fu (for all the wrong reasons), suffered a major emotional breakdown and came back a stronger person and continuing to promote Kung Fu (this time for all the right reasons) until his untimely and tragic death at the age of 42 (which is real but even more dramatic in real life). It's all about Huo Yuanjia and every single frame is Jet Li and Jet Li alone.

Get the full story with pictures under STORY at the official website.

Comments
I have always loved and respected Jet Li as an artiste in terms of wushu/martial arts. Unlike Jackie Chan who is more of a stunt person than a real wushu person, Jet Li is truly a master at what he does best; that is NOT acting but actually simply doing what he was trained for since young. I have read much about how he was a national champion for 5 straight years before he went into movies and all that stuff but I just wish somebody would actually make a documentary of his life; after all he is really doing Shaolin kung fu! I always thought Shaolin was just a myth but it exists!

I went to watch this movie and the only thing that annoyed me was that I accidentally and unknowingly bought the tickets to the Cantonese version. But it was a lucky mistake because I don't think I would understand the China Chinese, too much R's. Moreover whoever did the dubbing did it brilliantly and I wouldn't have know they were not the actors' real voices. I suspect Jet Li is still using teh Wong Fei Hung voice, and with his voice dubbed with a more manlier and more authoritative voice, it kinda gives Hui Yuanjia a sense of authority, a sense of power and strength. Jet Li's real voice is admittedly on the high pitch side. But this was Nameless, the man so brilliant in Hero it really doesn't matter if he sounds like he's on helium.

If you loved Jet Li in Hero and if you admire every single kung fu frame of his fight with everybody in Hero, especially Donnie Yen, you may be disappointed that in Fearless, Jet Li didn't really have a fighter that deserves the accolades of being his equal. But Jet Li alone, doing his Tai-Chi or whatever is still as engaging as him fighting Donnie Yen in Hero, and this movie proves my point; that a film maker should just film a 3 hours video of Jet Li doing some exercise with every single known weapon to the Chinese wushu world. That would be a blockbuster I tell you.

What is great about this movie is not just the message. More on that later. Not just Jet Li. More on that later. BUT rather the fact that you get to see all types of weapons being used to very beautifully choreographed extent. Kudos to Yuen Woping. Imagine that; even a kung fu expert like Jet Li (and I suspect all opponents in this movie are champions in their own chosen field) needed Yuen Woping. I would say the choreographs by Yuen Woping complemented Jet Li and Jet Li did great justice to Yuen Woping's brilliant choreographed moves. If you want to see how knives are used, turn to a certain scene in this movie. Spears? No problem. Got also. Three sticks (that type where Bruce Lee modifed to two? Don't know what it is called though), got also. Big knives? Yep. Kicking legs? Got also. Just punches and fingers doing the deadly work? It's all in here. Forget about the many wapons used by Michelle Yeoh against Zhang Ziyi in Crouching Tiger Hidden Dragon; Fearless has it all and it is all real. Looking at Jet Li leaping, twisting, kicking, punching, just makes me wept with joy; finally he is returning back to his roots, more real than in Hero but Hero is in itself a masterpiece. No longer those wire stuff as in Wong Fei Hung or Jet Li fighting Jet Li literally like in The One or where he tries to act in dramatic movies. Jet Li is at his best when he is not acting in dramatic roles.

Take Hero for example. His inner conflicts and his dead pan looks as he considered whether to carry out his plans to assassinate the Emperor was really good. But in Fearless, you can see he gave it his all. First and foremost he is at the exact age that Huo Yuanjia was when he died, and aging a bit gives him a sense of worldliness, like he has seen it all and he is a master. If he were to play Wong Fei Hung now, it would have been better because age brings along wisdom and Jet Li has that now. He has the look of a learned master in this movie and he is convincing as a sifu as much as a man who has been through the worst of times and manages to pull himself up and see the enlightement. Maybe Buddhism helped; maybe the Tsunami incident recently where he risked his life to save his daughter added to that "seen it all" look. Somehow his acting was way better in here.

He was convincing as a very cocky and arrogant young man. His scenes with the cute little girl who played his daughter was just that; effective to show the bond of father and daughter. When they were senselessly murdered by a disgruntled student of a master that Huo Yuanjia killed earlier, it was a very emotional scene. Jet Li luckily didn't go ballistic; he instead acted out that scene in a way that brought out the most in terms of emotions; he quietly sat down holding his daughter's lifeless body, tears brimming in his eyes, realising what he did brought this end.

When he went to the village in his own self imposed exile as a lost man, the little scenes like how he quickly planted the padi at the padi field and yet nobody was every competing with him was funny and yet enlightening in terms of this man's personality; a true kiasu. When he came back a master and fought not for his own glory but for the honour of his people, you can see the change in his character; a more stable man, a stronger man. The change is hard to describe but Jet Li pulled it off. You could see has has aged a lot but yet he was convincing in the entirety of this movie; young and reckless; older and wiser. His death scene was sad and moving. His death serves a purpose. This movie does not even try to talk bad about the Japanese or westerners. In fact it showed them in good light in an honourable way; the only villains are the politicians and the rich businessman. The scene where he saved the American westler O'Brien was not just great kung fu but very moving as well as O'Brien said Thank You in Chinese. As Huo Yuanjia said to a fellow opponent; "I am here to make friends throught Kung Fu" as opposed to making enemies. His heart to heart talk with Japanese master was also a very interesting scene where it ended with mutual respect. The end of the fight was of course Yuanjia dying but that was because of dirty tricks employed by the Japanese businessman and even the Japanese master was so angry that he said to that businessman "You're the shame of our great people". Indeed. Huo Yuanjia may have died, but his death was not senseless. If any it restored the faith and pride of the Chinese people during that turbulent times.

I am sure you know Huo Yuanjia died right? Like in the Bruce Lee movie, we all know he died of poisoning. The question was how. Story has it he was indeed poisoned by the Japanese and died after fighting 10 Japanese kung fu experts. Other stories had it he was betrayed by his own people bought by the Japanese. This movie is in between. He died after drinking the tea brought by fellow Chinese who was bribed by the Japanese and he exerted so much energy during the first half of the fight with the Japanese master, he was already poisoned without a cure. But in the spirit of sportsmanship, he went on to fight to his death and on his death advised his students never to seek revenge because in the end revenge will only bring more suffering but must instead spread the words of comradeship and compassion through exchange of ideas of kung fu styles I suppose. That I suppose is the true message of wushu and this movie. I nearly cried when he died eventhough I know he would die but I didn't expect so soon as I though the movie may end it in a narrative way.

My only peeve about this movie is the cameraman. I prefer the Hero style where one long unending shot for the fighting scenes, as employed by the brilliant Zhang Yimou who certainly understood how to film a good fight scene. This director for Fearless just jerk and turn and all, making it hard to watch and sometimes the brilliant and beautiful moves by the experts in here are lost because of the sometimes inadequate camerawork. But don't let that deter you. From what is left from those scenes, it is still enough to convince me the moves are poetry in motion. Such beautifully executed moves.

Acting wise, Jet Li has finally emerged as a convincing dramatic actor. He is so much better now. His co-star Dong Yung who acts as Nong Jinsun was also very good, providing support and advice to the sometimes unreasonable and irrational Huo Yuanjia. If you must know, everybody was good in their respective role but Jet Li is the man who held this movie together.

It is a pity though that many minutes had to be trimmed from the final product because the original movie was deemed too short. Therefore we did not get to see Michelle Yeoh who was not involved in any fighting scene but was the character who narrated this movie to the people in modern times as this movie went flashback mode. BUT truthfully speaking I didn't feel the loss. I thought the movie began very well and ended just right. But great pity that a pivotal fight scene was snipped off, that featured some medal winning Thai boxer. But I understood why this snip; Thai boxers back then is totally irrelevant to the plot. But I hope to see these deleted scenes in the DVD. Other scenes which explain why Huo Yuanjia was afraid of heights was also snipped off. A great pity. I really don't mind the longer version but to make profit I guess unless you're Peter Jackson, no one would give thjat much time for you to tell a story properly. A great pity. Hopefully the DVD will include all these missing scenes and hopefully more, like TMO and such.

Jet Li says this will be his last wushu based movie. He is quitting simply because this type of genre exhausted him physically and especially mentally. I was like thinking how could that be until I saw this movie and indeed, it feels tiring not just to execute those moves but the idea and the philosophy behind every single moves executed. This being his swan song to wushu movies is an appropriate one and yet a sad one. This is where viewers are beginning to grasp Jet Li's magnificent ability in executing such moves with such poise and grace and then he's retiring; I hope perhaps Zhang Yimou and the likes may be able to persuade him otherwise. Granted, he is older now so perhaps less energy I guess.

The storyline is by no means perfect but it is the lessons, the philosophy and those kung fu chops without the wires (I suspect wires are used only to ensure the safety of the actors) with good performances generally makes this movie truly an unforgettable experience. China should have submitted this into the Oscars. In fact it should have been released earlier to make it into the Oscars. I am sure perhaps Jet Li may win a Golden Horse award for this one.

Believe all the accolades you have heard and read for this movie. It is that good. If you don't catch it in the cinema, a great pity. You could have been enriched with something, something meaningful and exciting. But a word of advise; just make sure you check whether the version you're watching is the Cantonese or the Mandarin version. But take my word for it; Cantonese version was brilliantly dubbed.

Verdict
A must see and do not miss this one.

Interesting Introduction
Not sure about other countries but in Malaysia the movie will begin with, believe it or not Jay Chou's MV for this movie! A great marketing ploy that will make the girls happy and the guys (and some girls like I) eagerly anticipate the movie with some intro clips as seen in the MV. The song however wasn't very good and as usual can never hear a word what he's singing. His diction was really not very clear at all.

By the way cool fact; the guy who plays Huo Yuanjia's father was Seraph in Matrix trilogy, a role I believe which was originally offered to Jet Li!

Interesting Pictures & More Info
More pictures & info at monkeypeaches.com, Jet Li's official website and please do not miss this one, the excellent official website (cool effects).

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Interesting Fact
Found this picture of the real Huo Yuanjia though not sure really real or not ...


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Foreign audiences might recall having seen Bruce Lee play Huo's apprentice in the 1972 production of Jing Wu Men.

Huo hailed from the Tianjin countryside. He founded the Jing Wu Men Marital Arts School. He died on September 14, 1910 at the age of 42, just after he defeated 10 Japanese judokas. Rumor has it that Huo was poisoned in a conspiracy by the Japanese, a tale that was confirmed by Huo Zizheng, his great-grandson, in an interview with International Herald Leader on January 23.

The only piece of written documentation on Huo is Biography of Modern Heroes, a novel by Ping Jiang Bu Xiao Sheng written in 1923. Later stories, TV and movie scripts were all based on that novel.

The Chin Woo Athletic Association in Shanghai is the only proof of Huo's existence and story. The organization, which now covers many continents with branches in many parts of China, Malaysia, Hong Kong, England, Australia, the United States and Russia and organizes major kungfu and sports events, is nearly 100 years old. It remains faithful to the practice and instruction of my jhong boxing.


(Taken from china.org.cn)


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