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23 December 2009

WHY TWILIGHT IS A NOMINEE FOR THE DEATH OF GOOD LITERATURE

Written by Funn Lim


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Note
There are 4 books in the Twilight series: Twilight, New Moon, Eclipse and Breaking Dawn. Any surprise what these books are about? The following is my opinion on the first book, Twilight. Fans of Twilight best avoid this opinion.

SPOILERS ... SPOILERS ... SPOILERS


I admit, I have never heard about this book or the author until I stumbled across the Twilight movie promos after reading how Warner Bros chickened out of releasing the Harry Potter movie at the same time as Twilight movie and that was like weeks before the movie will be broadcast. I bought all 4 books, each more expensive than the other, where for Twilight I bought the movie tie in version. My advice is wait until the movie tie in version, if not, you will have to pay RM10-00 more for the 4th book. I know the basic story; it is a love story between a vampire guy and a human girl. That in itself could stretch to 4 books kinda stirred my interest. And I was happy I had new materials to read. Kinokuniya at KLCC is my favourite bookshop.

Anyway, read it in 3 days, mostly speed read which is not good news for me. The book is appealing understandably for the young ones because it is written in simple language. How many ways can you say I love you? In this book, 1 way; simply I LOVE YOU. So how complicated can that be? The names of the heroes and heroines even reminded me of the Judith McNaught type of romance books, with a twist. The girl is Isabella Swan or Bella and the guy who is a vampire who looks eternally 17 but is actually about 100 years old is Edward Cullen or well.. Edward. Both very sturdy not very often used name, especially Edward. No Eddie, no Ed but Edward. Very aristocratic. Other character names like Rosalie, Emmet, Jasper, Carlisle, Annie, Laurent, James, Victoria, etc ... very old timer names that explains old how the vampires are. Modern names like Jessica, Mark, etc. There's one Jacob Black, a simple enough name to stick in one's mind. Nothing complicated.

The story begins with Bella moving back to a really small town that rains more than shines with her Chief police father when her mother remarried as she felt she was intruding in her mother's life. She is a sullen 17 year old who hates attention and would rather keep to herself. At school where she is mostly alone, she was first struck by the curiosity of a group of 5 pale people who sit together but never eat and she was struck in awe by one of them, Edward's pale magnificence and also the way Edward looked at her; that is with pure hatred. Later into the story we will discover why he looked at her so; he is a vampire who kills animals only so basically a vegetarian vampire forever thirsty for some human blood. Problem with Bella is her blood is like fine wine to him. He thirsts for her blood, he wants to bite her but yet because he who can usually read other people's mind couldn't read hers, he was intrigued and slowly fell for her. Bella already lost her mind to love from the beginning.

The entire premise of the story is forbidden love in a sense; Bella will grow old, so her fear is she would die before him. She wants him to make her a vampire. Edward's fear is her losing her soul so he was reluctant. Very reluctant. Moreover there is a danger in this relationship; Bella is like a prey, a very delicious prey to Edward and at any time if he ever loses control he might just bite her. The story explains that to become a vampire, a person must be bitten (not to death) by a vampire and the venom in the vampire's teeth will travel and change the physical aspects of a human being and in 3 days a human is now a vampire, an immortal. Problem is it also includes 3 days of extreme pain as the venom travels through the bloodstream. Then there is the ethical issue of killing people to feed.

I didn't quite get Edward's reluctance to change Bella. The truth is there is no major consequence to the change. The whole myth about how sunlight can burn the vampire is apparently just a myth. So the vampires can walk around in the afternoon. The only catch is if under direct sunlight, a vampire will glow like crystals so obviously no human can do that. So for me there is no stigma to change and the whole soul thing with Edward seems rather forced. We don't know much about Edward's past, except he was dying from the influenza or something like that until his adopted vampire father, a young handsome blond Carlisle, a doctor immune to blood after years of practice changed him for companionship. He didn't blame the doctor but he struggles with the killings and the soul thing. When I said struggles, it wasn't very well written. The struggle was feeble. The entire soul argument didn't make sense. A vampire who believes in soul? Was he religious? Did Edward believe in the existence of a higher power? Because I didn't get that impression.

The rest of the book deals with Bella catching the deadly interest of another vampire named James who wanted to bite her and how Edward and gang raced to save her. And also her friendship with a young Jacob Black who himself shall have a big role in the next book.

In between we have many many passages of Bella and Edward, quiet moments where they talk about each other, increasingly becoming more passionate in words but not in actions because he can't kiss her too passionately for fear of accidental biting. So the book is pretty chaste, no sex, not even French kiss.

What it does have is an overdose of repetitive description. By the 2nd chapter and thereafter every other paragraph, I know Edward is mindbogglingly awesomely mega super duper Greek god hard chest, full lips, great hair total gorgeousness. Every vampire she met has the same awesome beauty and grace. Edward smells great too, talks sweet, walks gracefully and is basically just like the most ideal royal prince ever, except he is a bloodsucker who will not age and will not die. Tragic eh? And by the 2nd chapter I also know Bella is accident prone. She just tumbles, stumbles and falls like a total klutz. Except that if someone can be as clumsy as her, her eyesight must have some problem OR she must have some balance problem because no one can be THAT clumsy. She is also quite anti-social in my opinion since she hates parties, gatherings, proms, birthdays, etc. Why Edward loves her is because she is intriguing, he can't read her like an open book and because her blood is irresistible to him as much as her companionship. She is supposed to be plain or so she thinks. The problem with all these is the repetition. Bella always hyperventilate when she kisses Edward. I know he is a supreme gorgeousness but to repeat every time she hyperventilates is really a chore to read. To repeatedly read how gorgeous he is is also quite a chore. It's like at the end of that chapter I could have sworn she repeats herself every other paragraph. I kinda felt frustrated by the lack of good description. Not much is said about appearances except for the very basic. However there are some strange descriptions like Edward's chest is granite hard and cold and yet the same paragraph, Bella says as she lies on his chest that his chest is soft. The way he picked her up is as if she is a child. All those bed talks, literally are about how I feel, how you feel, how we feel. It is quite obvious a woman wrote this book because to me women authors place more emphasis on feelings when it comes to love story. The entire book is more about feelings and each discovering each other's feelings.

It doesn't mean it is a badly written book. But to say it rivals JK Rowling's expressive and expansive words is ridiculous. Stephenie Meyers' way of describing feelings is question upon questions and then to end it all with I will die for you, I rather die than live, I love you. Pretty standard and unimaginative and cringe worthy words as well as unromantic.

The better passages were mostly the action parts, how Bella confronted the sadistic James and escaped, barely. Now sadistic is the word used, often we also read how Edward said he could read the minds of those 4 men following Bella at some dark alley and he could read what they wanted to do, enough for him to want to hunt and kill them. And James torturing Bella. Exciting stuff but in the end inadequately written mainly probably because the author could not bring herself to describe them? In that part Anne Rice was more poetic and forthright and I see familiar elements between these 2 authors, especially in the 2nd book where she was describing the ancient vampires, which reminded me of the ancient ones in Interview With The Vampire. But I do enjoyed these passages and especially those that concentrates on Edward, the more fascinating character than every other in the book.

I don't get the friendship between Jacob and Bella and I feel it was too sudden. This book makes assumptions; Bella just likes Jacob. Edward just falls for her. No rhyme, no reason. But I have a theory about Edward and Bella. Bella sees Edward as total perfection and I suppose a vampire has this mesmerizing aura that makes people see perfection, beauty, etc when in actual fact maybe they aren't? I mean how then to explain all vampires are gorgeous. So when Bella becomes one she too is total perfection.

The one scene that was off putting is the scene where the Cullens decided to play baseball in the thunderstorm and Bella was there to watch and then they knew 3 dangerous vampires were in the vicinity and Bella was in danger. The entire baseball scene was supposed to be family gathering, fun time but I just don't feel the closeness between the Cullens. Even the baseball scene felt forced; I couldn't read even between the lines the affection between the Cullens or even Cullens and Bella except for example they just like her. They like her for the sake of liking her and that to me is not very well written.

In the end, I feel this book feels more like some teen vampire story than a proper adult mainstream book that the cover suggests. It feels and it is a first time published story, not as terrible as The Rule Of Four but not in the same breath, or even in the same parameter as Harry Potter & The Philosopher's Stone. What this book lacks is descriptive moments that plays out a scene, more choices and varied words other than I love yous and a better storyline. Bella seems to have a boring life. If Edward wasn't a vampire, his life would be totally boring too. They go to school, come back from school, sometimes chased by vampires but other than that the entire story is set in a rainy bleak foggy boring non happening town. The movie will suffer from the colour wouldn't it? Always bleak and bland. No one in this town seems to know how to use an umbrella since they always walk in the rain. No one has died of pneumonia yet and no one questioned how a 30 year old doctor could have a 17 year old adopted son.

And the best (or worst) of all? When Bella was told by Jacob about the legend that the Cullens were vampires, she believed it. No questions asked. She just believed it. Gullible? And when she asked Edward, not like are you a vampire but you know beating around the bush, he didn't deny and just launched into his vampire-hood. She wasn't shocked that mythical being is real. She didn't ask the all important question how he became one but rather why he hated her so. Only later she asked how he become one and the details are vague at best.

Put it this way; this book would probably make a better movie than it is as a book. The plot is there, it is pretty intriguing and Robert Pattison may not look awesomely gorgeous but he does have awesomely gorgeous hair with a very animalistic look to his face as in raw and passionate. The actress as Bella whose name I forgotten is pretty but not over awesomely gorgeous but both looked rather dead serious. Which made me realise what this book seriously lacks; humour, wit and more importantly, playful banter between these 2 main characters. They do banter, but in cringe worthy way. He teased her, she teased him but not in the way that is well written.

Overall I enjoyed the book but I am surprised at the accolades given to what I feel is a mediocre book. But then if a crap like The Rule Of Four can garner favourable reviews, anything is possible.

End Notes
My opinion is in no way comparable to the excellently written opinion by someone who put all my thoughts into great funny sentences complete with a parody that had me rolling on the floor laughing hysterically. Not even the author of this book could hope to write that well. Do have a read of the article "I want to beat Edward Cullen with a stick" by Otahyoni at http://otahyoni.livejournal.com/130432.html





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22 December 2009

WISH TO SEE YOU AGAIN [TV][Taiwan]

Written by Bridget Au


"Kingone Wang - The best actor and ugliest of the 3 guys although the competition isn’t exactly stiff for the former element"


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SPOILERS ... SPOILERS ... SPOILERS



Chinese Title
“Zhe Li Fa Xian Ai” (directly translates to this is where we discovered love)

Released In
2008

No. of episodes
16

Theme song
“Zai Zhe Li Deng Ni” - JVKV
(loosely translated as Right Here Waiting For You - Funn Lim)

Cast
Vic Zhou as Xu Le
Michelle Chen as Pan Neng Xian / Nancy
Kingone Wang as Xiao Ma
Ken Zhu as Ah Hao
Terri Wang as Lu Yi
Ji Qin as Pan Neng Zhen
Supporting Cast
Eric Tsang as Long Ge
Vaness Wu as Leo
Huang He as teenager Xu Le
Yan Sheng Yu as teenager Ah Hao
Zhao Hu Hao as teenager Xiao Ma

Foreword
This series reminds me (again), that if you go in with zero expectations, you may just be pleasantly surprised. And that only Ľ of JVKV can actually act.

Review
Michelle Chen
I recognized her as soon as she appeared. She was the only reason I finished watching Why Why Love, where she played Nan, Rainie Yang’s character’s best friend. In WWL she was tomboyish and outspoken, and here she takes a 180 and plays the mandatory sweet-faced sweetheart. She has one of those contagious smiles that work for the character but she is missing a bit of leading lady charm…maybe she needs to stick with secondary characters. She has chemistry with Vic, though, which was a surprise. Overall a decent performance. Her best moments were actually not with Vic, but with her sister and family.

Vic Zhou
I was introduced to F4 (now JVKV) like all others, through the series that pioneered the Taiwanese idol drama genre, Meteor Garden. Vic is a part of JVKV and also had a lead role in MG. He was ugly, shaggy-haired, skinny, and a terrible actor back then. To be fair to him, so were the other F4 boys. I estimate that 90% of the Asian female population disagrees with me and may just get shot 30 seconds after I submit this review. I didn’t pay attention to him much (at all) until 2006’s Mars, which I decided to watch on a whim. He was still ugly, even more shaggy-haired, just as skinny but his acting had improved. A lot. And so I thought, fine, you can’t have it all. And if I have to pick between the ability to act and good looks, I will choose the former.

In WTSYA, he is appropriately eclectic and guarded. I like his early portrayal of oddball Xu Le although the cartoonish words flying around the screen were super cheesy. The weakest part of his performance was when Xu Le re-connects with his mother. Some of his best moments, though, are those with Michelle Chen. One scene that is engraved in my mind is when he is doing the photo shoot with Leo and Nancy walks in, he starts grinning and can’t stop.

Ken Zhu
Part of the ľ of JVKV that cannot act if his life depended on it. You know those scenes that are supposed to be moving and the audience just laughs because the actor is so terrible!? Ken ruined many potentially touching scenes with his awful acting, mainly the scene where Xu Le is in the hospital. I was laughing while watching him try to squeeze out some tears. Danson Tang would have been perfect for this role. He’s got the somewhat arrogant look with a very human edge to it as well.

I will, however, say that one of the stronger elements of Ken’s performance was the romantic tension between him, Lu Yi and Xiao Ma. He has a lot of chemistry with Terri Kwan (who, oddly enough, was the rumoured girlfriend of Jerry Yan, a fellow JVKV boy) and his general awkwardness in front of the camera works in his favour for portraying their situation.

Kingone Wang
The best actor and ugliest of the 3 guys although the competition isn’t exactly stiff for the former element. His performance was the strongest among the leads, though images of Xiao Ma from Mo Fan Bang Bang Tang kept confusing me while I was watching this (this is what happens when you watch too much Taiwanese TV). Kingone is consistently good throughout this series, showing eagerness towards Lu Yi and a smart-aleck attitude towards his friends.

Vaness Wu
If Ken Zhu underacts, then Vanessa overacts. However, his character here arguably requires it, so Vaness’ maniacal laughs and eye-rolling actually make his performance a really funny one, oddly enough. The overacting obviously doesn’t work in the emotional scenes, but this was unexpectedly the funniest performance of the series.

Others
Fans from Hong Kong will instantly recognize Eric Tsang as Lu Ge. His Mandarin is terrible but he’s a competent actor and makes the most of his limited screen time here. Terri Kwan is ladylike as Lu Yi, while Ji Qin delivers the best performance in the series with her sympathetic, plain Jane portrayal of Nancy’s sister.

The “One Thing”
There is one thing about this series that sets it apart from other Taiwanese idol dramas, and that is the friendship story between the three guys. This part actually manages to connect from an emotional standpoint, and overall the plot was well-written and even well-portrayed. The three younger actors who played the characters in the flashback scenes were good and there was enough friendship chemistry between the three leads to make the story convincing.

To Watch or Not to watch, That is the Question
Go in with zero, and I really mean zero, expectations except the fact that you will get the usual Taiwanese idol drama formula and you may be pleasantly surprised. Otherwise, you better be a JVKV fan before you watch this.

Rating
3 out of 5





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BURNING FLAME III [TVB]

Written by Bridget Au


"...but I think I finally figured out the problem with him (Kevin Cheng). He (Kevin Cheng) has a problem connecting with the audience…er, or at least with me."


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SPOILERS ... SPOILERS ... SPOILERS



Chinese Title
“Leet For Hung Sum III” (roughly translates to flaming heroic heart)

Year
2009

No. of episodes
32

Cast
Myolie Wu as Ying
Kevin Cheng as Rex
Wong Hei as Sing
Bosco Wong as Encore
Aimee Chan as Easy
Supporting Cast
Rebecca Chan
Elaine Yiu
Chow Chung
Sam Chan
Matthew Ko
Steven Wong as Lam

Foreword
I never learn, do I? While not a complete miss, BF III is still one huge letdown. You’ll have to look pretty hard to find something you like in here.

Review
Let’s start with the good, since that list is much shorter.

1. The friendship between Sing and Rex. A well-written story though it wasn’t as well-portrayed (see below).

2. Bosco Wong: Finally. A performance from him that I enjoyed. It’s not brilliant acting by any means, but at least he has improved somewhat in the dramatic moments while of course still being funny as usual. He has little chemistry with Wong Hei who plays his mentor, though he has enough with Aimee Chan who plays his love interest. The major problem with him is that he’s too thin to convince as a fireman.

3. Rebecca Chan: Her mother-son chemistry with Bosco was fantastic as was her performance. I always looked forward to her scenes in here.

4. The camaraderie between the firefighters. One thing that TVB is consistently good at is writing scenes of brotherhood and friendly banter.

And then comes the bad.

1. Myolie Wu: I can’t believe I’m saying this, but her performance in BF III was riddled with unnatural acting, which is bizarre because I was once a fan of hers. Is it possible to un-improve?! It didn’t help that that she has no chemistry with either Kevin Cheng or Wong Hei in here. I wish I could say I can write this performance off as a minor discretion but Myolie has yet to deliver since her wonderful performances in Net Deception and Golden Faith… which was many, many moons ago. To be honest, I found her Ying annoying from beginning to end.

2. Wong Hei: A gifted actor and poster child for the Burning Flame trilogy, but golly, it was beyond uncomfortable watching him as the lovesick, suicidal Sing. I commend the casting folks for casting against-type, and Wong Hei acts well in this series (especially in the earlier parts as the temperamental Sing), but his performance just made me squirm. Sometimes you just can’t convince as certain characters.

3. Bosco’s wardrobe.

4. No friendship chemistry between Kevin and Wong, which makes their storyline more than a little forced.

5. The romantic storyline between Ying and Rex. I was bored to tears with both Myolie and Kevin … and am still in disbelief that the writers left Sing in a coma for 15 episodes to put me through their torturous (for me) relationship.

6. Who on God’s green Earth named Aimee Chan’s character?! See below.

7. The actor who played Kevin’s boss. He nailed the arrogance but his acting was awful.

8. Elaine Yiu. Can’t she stop playing the spoiled little sister roles? I’m so irritated with her.

9. The length. Mainly because there are too many things wrong with this series.

And then the rest.

1. Kevin Cheng: Probably the best-looking actor of TVB’s current generation. He has lots of charisma and looks good with many female stars, but I think I finally figured out the problem with him. He has a problem connecting with the audience…er, or at least with me. He can act, but he has yet to make me cry, or laugh, or feel anything except “hmm, that was ok”… and yet I’ve seen almost every single one of his series. To Kevin, I’m just indifferent. If there’s one thing that is consistently missing in his performances, it’s passion. When I watch him, I simply don’t care. BF III is another example of his forgettable textbook acting (look sad when you’re supposed to be sad, look happy when you’re supposed to be happy, etc.) … and despite getting lots of promotion and opportunities, Kevin has remained stagnant and has yet to deliver a compelling performance.

2. Aimee Chan: Her first series and she’s surprisingly tolerable. Does she have potential? I have no friggin’ clue. I do, however, know that you shouldn’t name a girl Easy.

3. You know a series isn’t great when you’re fast-forwarding through the scenes with the leads to focus on the ke-le-fes instead. The actresses who played Easy’s friends were hilarious. Sam Chan is funny as Bad Luck Ming, as are some of the other actors who play the firefighters.

4. Steven Wong overacts less in this series as hothead Lam, but there is no way he’s leading man material.

To Watch or Not To Watch, That is the Question
Time is precious, dear friends. Save it and skip this.

Rating
2 out of 5

Through the Grapevine
Guess who’s dating in real life? Bosco and Myolie. It was actually a BF III producer who spilled the beans. Now let’s all say a collective “I told you so!”







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15 December 2009

THE STORM WARRIORS [HK][Chi]

Written by Funn Lim



"This present movie is too in awe with the technology aspect that it sacrificed the characters and the story. The story became muddled, confusing and irrelevant."








SPOILERS ... SPOILERS ... SPOILERS


Cantonese title
Fung Wan II, meaning Storm Riders 2 but like Wikipedia said, to avoid copyright problems, the directors rename it to Storm Warriors.

Released in
2009

Based on
Comic series by Ma Wing Shing

Language
Cantonese

Origin
Hong Kong

This Is
the sequel to Storm Riders

Cast-Character
Taken from IMDB.com

Aaron Kwok ... Cloud/Bou King Wan
Ekin Cheng ... Wind/Lit Fung
Kenny Ho ... Nameless/Mou Ming
Nicholas Tse ... Heart/Juet Sum (I would translate that as Hearless)
Charlene Choi ... Tai Yee Mung/Second Dream
Simon Yam ... Juet Mou San/Lord Godless
Suet Lam ... Piggy King
Patrick Tam ... Emperor
Yan Tang ... Chor Chor
Tak-bun Wong ... Lord Wicked/Che San (I would translate that as Lord Evil)
Anson Leung ... Earth
Byron Pang ... Sky

Plot
For the entire plot plus the pivotal role of Ma Wing Shing in the recasting of Ekin and Aaron in respective roles, do read Wikipedia. Exciting stuff but spoilers alert. The directors do not deserve the author I tell you.

Comments
I have summarised my feelings in my ramblings in News & Updates which I shall not repost here and although that was basically my feelings, I feel since I am not known for brevity, I must elaborate on how I felt.

First of all I do not think this is a bad movie. I rarely watch HK movies in the cinema, a treatment now exclusively for Stephen Chow movies so when Storm Warriors came out, like many others I went in to watch, despite the rather negative reviews. I was ready for the criticisms as posed in local papers' reviews and knew what to expect. Of course knowing and watching is 2 different things.

Again, this is to me not a bad movie. It is just a movie that could have been so much better. For one, the story itself is intriguing, but the screenplay was insipid. The technology is amazing, and like the comic book which I have sporadically seen years before (my brother was a big fan of such comics), the kung fu and the styles and all looked like they just walked out of the comic book, in full colour. The costumes are great, making the actors look like the characters. Some casting I would say is brilliant but many has much to be desired. So with all almost positive sort of things to say, why can't I just admit this is maybe a good movie?

Because as a viewer and somewhat a reviewer deep in my heart, even if I am not proficient in the comic series (from what I read, the story does differ greatly), I realise this movie was badly executed. There are many brilliant ideas, even if borrowed ideas or you may even say stolen ideas or perhaps the comic series may have been the originator of such ideas, whatever it may have been, the execution was poor.

Consider for one the rich material that is the comic series. Ma Wing Shing is renowned for bringing comic series into a new height where storyline plays an equal if not more important function than the stylistic drawings which were excellent if I must add. Somehow when transporting that story into the movie, the screenwriter(s) chose to strip the entire story and gave us the basic. So we have 2 plotlines; one of Lord Godless and his equally if not more conniving son, Juet Sum launching a series of deadly attacks on the world of Martial arts (mou lam) to conquer China and break the so called backbone of China (you know, the dragon's pulse or however you translate that). And the other plotline is how Fung and Wan had to resort to multiple ways to beat Lord Godless, in the process the milder heroic Fung had to demonise himself to increase his kung fu power whilst Wan, usually the more moody one in the process of stopping Fung who could no longer control himself had to decide between killing Fung or not killing Fung. If this was Wan as in the original movie, no doubt he would have killed Fung in an instance. But Wan is a changed man, still as quiet but not as stubborn or hard. I find the story of Lord Godless very interesting and whilst the movie started with Lord Godless, however about midway Lord Godless dies and for the rest of the movie we have endless and scriptless fighting between Fung and Wan just to illustrate the sacrifice of one and the other and I suspect to let the 2 leading ladies have something useful to do.

And that is the main problem with this movie.

When the story shifted to just Fung and Wan and I do really mean just them 2 for over half and hour, the entire movie's pace slackened. Although the Kung Fu became even more elaborate, somehow the entire story fell flat. I appreciate the hard work put by the 2 leading actors in the fighting scenes, and they do look credible but to just focus on fighting and throwing out the story and only to bring it back for the last 5 minutes or so just tells me the directors only seem interested in the glamour and none the substance. I want substance. Many times in the movie I just wished there was more dialogue. I just wish Wan would ask the mysterious fighter "Who the hell are you?!" or scream at Fung and say "Fung, see me! I am Wan!!" instead of leaving that to the last 10 minutes or so. Yes, there is enough intense fighting scenes to satisfy that boy in you who loved the martial arts aspect but I am sure fans of the comic series would have wished that some substance from the series would reflect on the movie screenplay itself.

And the entire concept of the movie is strange.

It started great. I mean the first 10 minutes of the movie will capture your imagination, will satisfy that fanboy in you, will make you wish if only an entire movie is made of the most interesting character that is Nameless and he appears less than I shall say 20 to 25 minutes or so. He also has the coolest fighting scene with his if I translate it correctly, 10 Thousand Sword Stance which has to be seen to be believed. I feel that 10 minutes set the pace for the movie. But then after the singing credit (awful song by the way but nice introduction), the movie just fell flat! And it became worse when Nameless disappears from the screen. Such a charismatic character played brilliantly by a charismatic actor disappears and justifiably so since he is just a guest star but yet I felt both Ekin and Aaron combined can't beat that charisma of this one actor and of one character.

This I feel is due in part to the lack of script. I am convinced Nameless has more lines than both Fung and Wan combined. Juet Sum would have the next most lines with Che Wong (as in Lord Wicked although I would translate it as Lord Evil) coming close at third. Even Patrick Tam's emperor has more lines than Wan! The entire movie is like one long music video with intense fight scenes, like a long martial arts contest. And yet at times it is so quiet that it is so unsettling. Why the lack of script?

And when there is a lack of script even at times when there are no fighting, then the actors better be really bloody good at expressing emotions without script. Problem is we all know Ekin is an iconic actor but not a fine actor. Aaron can be good and can be bad, in this movie his acting is rather like the script, sparse and not exactly good. So to fill in the gaps, we have the actors posing. Lucky for fangirls, half naked posing. Yes Aaron Kwok looks great for his age, Ekin although aged a little looks surprisingly good baring his not that flabby chest and he still looks heroic. But must we have them staring out into the sky with wind blowing on their beautiful hair and posing for that precious 10 seconds when that could be utilised to tell a story?

Even Lord Godless had so few to say. He seems to stare a lot. Again Simon Yam is not the best actor around but he is competent when he has to be. He is quite scary as Lord Godless, his ruthlessness and his steely eyes which is at most time expressionless and man, he looks great for his age. He is also very convincing in fighting scenes as in pose and move hands a lot. BUT his story arc is so underdeveloped and he is so underutilised I felt he is practically wasted in this movie. Or maybe I should reword that. He has lots of scenes but somehow his story is not properly told. It's like lots of wasted moments and I wonder what was lost and then I realised too many scenes of him and other characters looking at the other actor, looking at the sky, looking somewhere. Precious seconds wasted. It is not a tightly told story. And with that being said, Nic Tse as Juet Sum is totally wasted. Juet Sum is potentially more ruthless than his father and you can see the dissatisfaction and discord between son and father where son is ambitious and wants to be Emperor himself whilst father is of the philosophy that a kingdom can't be shared even if with his son. And yet totally wasted character who disappears almost at the end without any indication of where he is, except maybe there would be a sequal for the Juet Sum story.

Then there were the other characters. I find Che Wong very interesting because he has such an evil name but he is actually a good guy who chopped off his own hands after he was possessed by his demonic stance and killed innocent people. You see in the mou lam world, people learn kung fu to better themselves, sometimes resorting to wrong methods and often they're filled with remorse. And often these highly skilled fighters refuse to help the country to defend against foreign invasion and they are very very eccentric, like Che Wong, unlike Nameless who is very involved in the world of mou lam. And Che Wong has such a shocking appearance that I was like can't he brush his hair? Oh yeah, no hands but hey he can "throw pebbles". But I find the casting disappointing which I shall elaborate later. Anyway I find Che Wong's character perhaps the most developed quite simply because so much screentime on him.

And then there was the 2 leading ladies. One can act better than the other, but both no less annoying and so cancel out one another.

Please tell me the point of Chor Chor and Second Dream's presence? To show some love? To make us empathise with Fung and Wan? Hey I do empathise with them without annoying Chor Chor and Second Dream. In fact I was so confused. How did Wan met Chor Chor? What is the exact relationship? Because from the get go, we see Wan willingly captured by Lord Godless because Chor Chor was captured. That was what the intro said at the very beginning. Then there was Fung and Second Dream. One 10 seconds scene explained they knew each other via pen pals, never met and then met and they're already in love. Second Dream has self esteem issues as she has a scar on the I think top right of her face. She is the daughter of someone respected and is the beloved somewhat goddaughter of Che Wong. So when she suddenly appeared, it took me some time to realise she went to see Che Wong for Fung. Of course there is the issue of sacrifice and all but the point it this movie started assuming we can just presume there were relationships. But the story then became so disjointed. I thought instead of the movie starting with Nameless and his great escape and all, start with the singing and the comic sketching. And instead of sketching the characters, why not sketch what we are assumed to know? You know like Spiderman 2 I think where we are brought up to speed of Spiderman 1's plot with the intro scene in less than 3 minutes or so. It would give the director some artistic license, the graphic artistes some challenge in presenting what we should know in minutes and also benefit the fans or non-fans who has no idea how the hell Chor Chor or Second Dream feature in the story or more importantly, how the greatest fighter like Nameless and some great fighters shown in the first 10 minutes could be tricked into drinking poison and captured by Lord Godless. I was thinking how? WHO BETRAYED THEM? And who in the end saved them by giving them the antecdote?

It was as if the directors were so in awe of the technology and what they could do with it that they had simply forgotten there is one element more important than those CGI stuff; the story. Of course I can buy the idea where the sword instead of slashing someone when flung can release more swords out of thin air. This is after all a martial arts comic series. What I can't understand is how Nameless could be tricked? A bit of explanation would ease the plot a little and make it make more sense and maybe make Chor Chor and Second Dream less cardboard and more full fleshed out. And maybe throw away the emphasis on Fung becoming demon as the main plot and just concentrate on Lord Godless because I just have this feeling after a while Lord Godless serves Fung's demon story and not the other way around and that is just so boring in the end.

And the directors are much too concern with slow motion sequences, from the fighting to when Second Dream was falling and saved by Fung. The expression of Charlene Choi's face is rather comical. And I must mention that whole Dragon's Pulse in the Dragon Tomb can be more subtlely presented. Instead seriously we have the skeleton presumably the ancestor of the Emperor there and the pulse is the spine of that skeleton. When the skeleton was broken into 2 I see no consequence so what's the big deal? Maybe the sequel will explain that.

But no denying the movie is beautiful to look at even if a bit barren sometimes.

The tone of sepia and also red to connote blood and blue/green gives it a feel like it walked out of a painting. But it is obvious where te director got the inspiration. Some scenes look awfully familiar, the ones where Juet Sum launched an attack on the mou lam, that is to me 300 the movie. It is in fact 300, except less stylistic. 300 was a beautifully made movie. Then there was the black thing crawling onto Fung when he was becoming a demon as he was in the demon pond. Doesn't that look awfully familiar? Like Spiderman 3 where one of the villains got the same treatment? Even when Lord Godless was marching towards the hidden treasures of the Empire (he doesn't seem to be in such hurry I tell you!) standing on top of a huge how shall I call it? Iron cart in the shape of a lion or something? Kinda reminded me of 300 when the enemy's king was marching towards our heroes, except the villain in 300 was decked out in gold whilst Lord Godless was in heavy colourless armour. Maybe the makers of 300 were inspired by the Tin Ha series perhaps? Who knows.

But one scene which is direct rip off from another movie which had me shaking my head was the end fighting scene between Fung and Wan where they stood looking at one another, in their mind fighting in the rain or some huge drops of sweats from the looks of it, for many many many minutes. THAT is a direct rip off from Zhang Yimou's Hero. Took me quite a while to realise Aaron and Ekin are 2 singers/actors fighting whilst in Hero, it was Jet Li and Donnie Yen fighting, both martial arts champion in their own right. No need for me to say which fight was better. And the thing is Hero was infinitely better filmed in that exact same scene and the entire concept in Hero, why they fought in mind and not physically was an intriguing concept excellently executed. And beautiful too. Back to Storm Warriors, if I am not reminded of Hero, that scene was pretty good too even if way too long. But notice carefully, poor Aaron and Ekin can't lift their legs any higher! But is that necessary? Perhaps it was Zhang Yimou who was inspired by the Tin Ha series? I doubt that. Although in that same scene, Storm Warriors had more special effects whilst in Hero, it was really man to man fight filmed in one long sequence.

But like I said, it is not necessarily a bad movie.

The performance(s) however is like the difference between day and night.

As mentioned above, Ekin Cheng despite looking a bit older and isn't a great actor to begin with still has that heroic iconic look. He serves his character well and I thought he did look convincing as the demon since he is pretty expressionless. You can see he worked very hard for those intense scenes so I appreciate that.

Aaron Kwok is moody, moody, moody all throughout the film, with very very very little to say. That man never ages and he looks great but like Ekin, he is pretty stiff in his performance. But he has more role than Ekin actually. His Wan has very important role to play at the end and fear not, I believe his end is a positive thing, meaning even if there won't be a 3rd part in movie, in comic world, Wan's ending can't be that depressing. I feel he serves his purpose well.

Kenny Ho shocked me. I haven't seen him for years, always remembering him as Chung Wa Ying Hung, not Ekin. Kenny Ho's only weakness is his kinda like pinch the nose sort of voice but he delivered his lines with authority and a certain sense of foreboding. But it was his looks. This man never ever ages! He looked very good, and heroic too. Like Ekin, he has a naturally iconic good guy heroic sort of look and to me he is perfectly cast as Nameless. Love the costume, love the hair, love his performance. He is convincing and he looks great also. I also find it rather funny that when Nameless said he had only 10% of power left, he could still beat the rest of the lot. Oh how I wish a movie is made of him having 100% power!! If there is a reason why this movie rocks, I will make it plainly clear; Kenny Ho. That's it.

Simon Yam is competent even if underused and then discarded like he was nothing. I felt his Lord Godless was interesting although at times he does look expressionless. Like I said, he is not a great actor but again serves his purpose well. Anyway I didn't even know Lord Godless is supposed to be Japanese until I saw the intro.

You may not like Nicholas Tse's performance as Juet Sum but I feel that is due more to the script rather than Nicholas Tse. I tell you he has perfected the "I wanna slap this face" look. That arrogance, that cruelty, that hidden evil, that dissatisfaction, you can see it all in his precious minutes of performance. Clearly his performance lives up to the name Juet Sum. What a pity his character was not properly developed.

Wong Tak Bun as Che Wong is a miscast. First of, yes he has the body, the height and even the depressing looks but to me he can stand there and yet not have an iota of heroicness, like Chinese say, "Yat Toi Jung See" or Master of Masters sort of look. I always thought he was boring. I was quite shocked he was given such a prominent role. In fact I thought I saw Joe Ma in the starting scene, one of the masters who sacrificed themselves to save Nameless and gang.

The best actor however goes to Patrick Tam. He is the emperor, not even robed and looked messy and yet there is a certain kingliness to him, an authority. That scene where Juet Sum held his family ransom, killing the wife and threatened to kill the son unless the secret of the treasure is revealed, that desperation in his eyes, his pain, all in that 5 minutes performance or less beat the rest of the cast in this movie. Give this man a Best Supporting Actor award! And check out that scene with Aaron's Wan, how he was reluctant to beg but had to go down on his knees but stopped by Wan. That pride! And also that scene where his men (soldiers) turned their backs against Lord Godless and how he understood the difficulties faced by then. In fact I just described the entire appearance by Patrick Tam! Other than Nameless as an iconic character and coolest performance, in retrospect Patrick Tam gave this movie the acting chops.

The same can't be said of the rest of the main players.

Tang Yan as Chor Chor. I was reading another review posted at SPCNET and this is apparently the character played originally by Shu Qi. No wonder the hair looks quite the same. Again if we are reminded of that in the first 10 minutes song sequence, there wouldn't be much confusion! Anyway between the 2 as in Charlene Choi or even Shu Qi, I find her performance tolerable even if her dubbed voice is annoying. However since I do not know where her character suddenly comes from, I find her Chor Chor annoying even if her ending shocking. As for the love connection, there isn't any. Just to give Aaron some excuse to give more than one dimensional performance as Wan.

Charlene Choi as I have mentioned many times before is god awful. Make that universally god awful. I must admit she looked pretty since she seems caked in 10 layers of powder thus making her look very pretty with flawless complexion which I am sure she has. Her costume, hair, make up all perfect. BUT her performance is not. First of her voice is annoying. The way she delivered her lines with concern sounded fake. I was hoping she would be the one running in between Fung and Wan as they fought but apparently her Second Dream is not that giving a person. And her name is silly but that is the author's fault. I was irritated that she showed no expression when poor Chor Chor met with such an ending. In fact she showed no expression throughout. Her casting is probably to attract her fanbase because quite frankly I can see no other reason. I did ask in my original post whether when she looked at herself on the screen magnified ten fold whether she asked herself did she do a good job and whether she realised she was god awful? I also mentioned she was also a waste of oxygen in the movie and I stand by that. Why this movie sucks is because of her although she is not the only reason but she is one of the bigger reason. Can someone just tell Miss Choi either she buck up, go take speech lesson and learn to move her face since she can't be that old to have been injected with botox which freezes her face to the point she can't express concern, happiness, fear, pain, etc? Please?

Everybody else pretty standard, no one stood out even if there were a few more annoying ones.

Verdict
In retrospect, Storm Riders was a better movie where technology and CGI serves the story and not the other way around. This present movie is too in awe with the technology aspect that it sacrificed the characters and the story. The story became muddled, confusing and irrelevant. Performance wise, a few notable ones I have named above but generally the performances were less than satisfactory, some caused by the actors themselves but some by the lack of a steady consistent good script. I think in the end when you stopped being in awe of the beautiful aspect of the movie you will realise just maybe it is a bad movie in that sense. You may say the directors did a credible job bringing the vision to life but to me the story is more important and that the directors failed miserably. If you need any reason to watch this movie, which I doubt you do since you will run to the cinema for it, watch it for Kenny Ho's Nameless. I don't think there has been any character than leave such an impact in a movie by doing so little. Well actually he did a lot but you know what I mean. Like I said the 1st 10 minutes itself is worth half the price of the admission ticket but in the end the rest of the sporadically exciting but mostly dull movie cancel the other half of that worthiness.

Best Scene
Kenny Ho looks fantastic! May I repeat brilliant casting!

 

Interesting Prop
The fans. I mean the hair blowing all the time, so beautifully thanks to the fans. I have a feeling many may have been replaced because burnt out for overuse! And hair extensions as well.

Interesting Artwork
You can't fault the artwork which I suspect the author may had something to do with it! Gorgeous renderings of the characters, teaser posters, etc. Check out the official website for more. Love the official site! Must check out the comic artwork section!!

The teaser posters and official posters



The Artwork of the characters







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03 December 2009

A JOURNEY CALLED LIFE [TVB]

Written by Bridget Au


"I take great joy in watching an actor excel in a character that is so different from their real-life image. Linda really threw away her innate gentleness and femininity to portray this role."




SPOILERS ... SPOILERS ... SPOILERS


Chinese Title
"Kam Sek Leung Yuen"

Released In
2008

No. of episodes
20

Theme song
Steven Ma and Linda Chung

Cast
Steven Ma as On
Linda Chung as Ka Ka
Kent Chan as Fatty Boss
Fala Chen as Sum (sister to Steven)
Helena Wong as Moon (sister to Steven)
Raymond Cho as “Bad Boy”
Steven Wong as Hing
Mary Hon as Steven’s mother
Ngo Ka Kin as stepbrother to Ka Ka
Elaine Yiu as Hana

Foreword
Aptly named, emotionally involving, and socially relevant, A Journey Called Life (JLC) is one of those rare series that creeps up on you when you least expect it. Forget the “Heart of Greeds” and “Gems of Life”, this is possibly one of my favourite TVB series of all time, and we all know how short that list is.

Review
Not many Asian series have dared to look at the dark side of society and the consequences of single-parent / dysfunctional families (I’m not talking about the corporate / rich-family drama that has plagued TVB for years). Of the ones that have, most morph into a sitcom at one point of another (The Family Man), or more often than not, into an after-school “kids, this is bad” special (My Family). Some others lose sight of what they were trying to communicate in the first place (La Femme Desperado). Only a select few have really succeeded without being overly preachy or just downright cheesy. One example is Taiwan’s Mars, which caught me completely off guard and sent me bawling at the end of it.

JLC, however, differs from Mars in that it manages to teach life lessons without seeming like it is, presents ugly realities, but still manages to be uplifting when all is said and done.

The series, however, is not without its flaws. It could have easily done away with the cheesy marathon storyline. In a way it is too ambitious in the scope of issues it tackles (teen pregnancy, abortion, STIs, drugs, single-parent families, and gambling problems, just to name a few), but at the same time, often these things are interrelated in real life. Some of the ways it resolves the problems are also too good to be true, as in Moon’s case when she gets pregnant. I would have preferred to watch her struggle through single-parent motherhood or at the very least show the difficulty of teen motherhood even if she can stay in school and is married to a decent guy. These flaws are generally outweighed by the realistic way the other problems are dealt with, such as Kaka’s difficulty getting pregnant because of the abortion she had in the past, and Hana’s and Sum’s deaths.

This series proves that TVB still has the touch when it comes to good scriptwriting. Ironically, it’s the general HK public/audience that feeds the relentless production of the Moonlight Resonances of the world (drama drama drama with little continuity and character development) because they simply do not care about lack of plot continuity and character development.

But I digress. This is one good series.

Characters & Performances
Steven Ma / On
Created in the mold of characters such as Hard Fate’s Ka Wing (Kevin Cheng) and Vigilante Force‘s Fong Nga Chai (Bowie Lam), On is one of those characters that risks being boring but on closer inspection, the story is really centred around him. He is the motivation behind Kaka’s transformation, the pillar of strength in his family, and his relationship with his mentor/father figure is at the core of the story. In many ways he seems perfect but he’s not; he’s uneducated, in a field that is considered taboo, and comes off as totally boring. But really he is not. Sometimes he is ruled by his emotions, like when his unborn child dies because of Sum, he angrily dismisses her and cuts ties off with her. The reason he is interesting as a character is because he is truly a good man to the core.

I’ve always thought that audiences have been indifferent to Steven (myself included). We neither hate him nor love him. He can do both ancient and modern series, is a decent actor, isn’t bad-looking, and looks good with a lot of of his female co-stars but he just is majorly missing that “it”, the “it” you can’t learn, the “it” you can’t teach, otherwise known as charisma. Based on his repertoire, I’m pretty sure TVB has figured this out too. I like him enough but I won’t watch a series just for him, let’s put it at that. This role is probably Steven’s most challenging to date. He is in a character that starts off as simple and goes through major emotional roller-coasters. Steven was well-cast in this role. He’s got the “honest good man” look nailed, emotes surprisingly well in the dramatic scenes and shows his acting chops in the hospital scenes with Linda. The one flaw in his performance was later when he is supposed to look depressed, he didn’t look depressed enough. Overall, though, a very good performance and my favourite of Steven’s to date.

Kent Cheng
One of the very few actors who is able to walk the fine line between comedy and drama at the right moments (the others being Bobby Au-Yeung and to a certain extent Nick Cheung). His chemistry with the entire cast is phenomenal and indicative of an actor of his calibre. I suspect the little mannerisms and expressions of Fatty (“are you having an aneurysm?” “so bad”, etc.) are additions by the actor himself and not part of the original script. This really added to the character. His relationship with On is fun to watch and very compelling, as is his interaction with Linda. Strongest performance of the series.

Linda Chung / Kaka
Many have said that Linda’s performance in Heart of Greed was her breakthrough role, and I originally agreed until watching her in JLC. While on the surface Ka Ka is similar to Elise from The Gem of Life, one major difference is that Elise makes absolutely no sense as a character. Though I am a Linda fan, I did not like her performance at all as Elise. I thought it was too over-the-top. How ironic that she is heaps better in JLC, which she filmed 2 years before Gem.

Kaka is much more well-written and for once TVB developed a character from end to end. Her anguish at the death of Hana and her baby, her temper, her disappointment at her father, her rage towards her step-mother are all real and make sense. I also like that though she goes through her transformation from bad-to-good girl, she still retains her edginess when necessary (i.e. telling Sum’s boyfriend off). This is one of many realistic elements of this series. One of the less realistic elements is how she fell in love with On.

That aside, I think Linda had a great time playing this character and it really shows. I take great joy in watching an actor excel in a character that is so different from their real-life image. Linda really threw away her innate gentleness and femininity to portray this role. She is fantastic in the earlier episodes where we see Kaka’s less-than-rosy past and shows some serious acting chops in the latter emotional scenes. She has many great moments in this series and as a whole really breathed life into this character. I think she really deserved her Best Actress nomination that year. I was also surprised that she has incredible chemistry with Steven Ma: they look compatible despite their real-life age difference and their interaction is rather romantic. Despite the fact that I’m a Rayda shipper, I really enjoyed watching this couple. An excellent performance overall and Linda’s best to date.

Fala Chen
Some may think Sum’s death at the end was just for shock value, but I see it more as poetic justice. It is indeed her fault that Kaka lost her baby. For once I am happy that TVB took the unconventional route in terms of Sum’s fate, as I was expecting her just to go to jail for drunk driving.

Fala…I can’t figure her out. What’s with her accent? It’s like a hybrid of American Chinese and Mainland Chinese. Her accent is beyond distracting, which is why the only performance I’ve only liked from her is Moonlight Resononance where she portrayed a mute. Accent aside, I think she did fine in this role. Her best moments in JLC were teaching her younger sister about the “wiser” ways of life and when she asks for On’s forgiveness after being beaten by her boyfriend. Her worst was the crying scenes. I think she should stick with these roles because I see her as a Flora Chan in the making; she would excel in those unapologetically bitchy, super independent characters but please do not ever give her anything that requires innocence until she fixes her accent and way of speaking.

Everyone else
Elaine Yiu delivered one of her better performances in a character that reminds me of the Young & Dangerous movies. My only complaint is that Hana died too early. Her death would have made more of an impact had it happened after Kaka’s complete transformation, if not just to show that not everyone is lucky enough to get second chances in life. Stephen Wong should remain in the 3rd line; his acting is consistently mediocre and JLC is no exception. Helena Wong was pretty shaky overall with some moments well-acted. The performances by the veterans are stellar. Mary Hon is dependably excellent, and the actress who plays Fatty Boss’ wife is funny as hell. Halina Tam provides some comic relief and the actress who plays Kaka’s stepmother was very good as well. Best performance from the veterans comes from the actor who plays Kaka’s father. He really looked like a burdened man caught between the two key women in his life. The weakest link is Raymond Cho, who does fine in comedy but is terribly inadequate in drama. Some of the ke-le-fes, however, do deliver, such as the actor who plays Linda Chung’s nasty step-brother.

Memorable Scenes
1. Any between Fatty Boss and On, and Fatty Boss and Kaka.

2. When Kaka and On find out their unborn baby died in the operation room. Linda’s performance was nothing short of brilliant. The disbelief as she looked at On pleadingly, the tears, and the emotionally wrenching performance of her having to deliver their still-born baby naturally was incredible. I was sobbing in that scene along with them.

3. Sum’s argument with her mother when she finds out she’s been working at her company as a janitor. An excellent performance from Mary Hon and Sum deserved every word.

4. When On helps Kaka carve the words in Hana’s tombstone. I thought this was an intelligent, well-written scene. It made Hana’s death real and forced Kaka to accept her death.

To Watch or Not to Watch, That is the Question
Highly recommended as one of the surprises of 2008.

Rating
4.5/5






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