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22 December 2009

BURNING FLAME III [TVB]

Written by Bridget Au


"...but I think I finally figured out the problem with him (Kevin Cheng). He (Kevin Cheng) has a problem connecting with the audience…er, or at least with me."


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SPOILERS ... SPOILERS ... SPOILERS



Chinese Title
“Leet For Hung Sum III” (roughly translates to flaming heroic heart)

Year
2009

No. of episodes
32

Cast
Myolie Wu as Ying
Kevin Cheng as Rex
Wong Hei as Sing
Bosco Wong as Encore
Aimee Chan as Easy
Supporting Cast
Rebecca Chan
Elaine Yiu
Chow Chung
Sam Chan
Matthew Ko
Steven Wong as Lam

Foreword
I never learn, do I? While not a complete miss, BF III is still one huge letdown. You’ll have to look pretty hard to find something you like in here.

Review
Let’s start with the good, since that list is much shorter.

1. The friendship between Sing and Rex. A well-written story though it wasn’t as well-portrayed (see below).

2. Bosco Wong: Finally. A performance from him that I enjoyed. It’s not brilliant acting by any means, but at least he has improved somewhat in the dramatic moments while of course still being funny as usual. He has little chemistry with Wong Hei who plays his mentor, though he has enough with Aimee Chan who plays his love interest. The major problem with him is that he’s too thin to convince as a fireman.

3. Rebecca Chan: Her mother-son chemistry with Bosco was fantastic as was her performance. I always looked forward to her scenes in here.

4. The camaraderie between the firefighters. One thing that TVB is consistently good at is writing scenes of brotherhood and friendly banter.

And then comes the bad.

1. Myolie Wu: I can’t believe I’m saying this, but her performance in BF III was riddled with unnatural acting, which is bizarre because I was once a fan of hers. Is it possible to un-improve?! It didn’t help that that she has no chemistry with either Kevin Cheng or Wong Hei in here. I wish I could say I can write this performance off as a minor discretion but Myolie has yet to deliver since her wonderful performances in Net Deception and Golden Faith… which was many, many moons ago. To be honest, I found her Ying annoying from beginning to end.

2. Wong Hei: A gifted actor and poster child for the Burning Flame trilogy, but golly, it was beyond uncomfortable watching him as the lovesick, suicidal Sing. I commend the casting folks for casting against-type, and Wong Hei acts well in this series (especially in the earlier parts as the temperamental Sing), but his performance just made me squirm. Sometimes you just can’t convince as certain characters.

3. Bosco’s wardrobe.

4. No friendship chemistry between Kevin and Wong, which makes their storyline more than a little forced.

5. The romantic storyline between Ying and Rex. I was bored to tears with both Myolie and Kevin … and am still in disbelief that the writers left Sing in a coma for 15 episodes to put me through their torturous (for me) relationship.

6. Who on God’s green Earth named Aimee Chan’s character?! See below.

7. The actor who played Kevin’s boss. He nailed the arrogance but his acting was awful.

8. Elaine Yiu. Can’t she stop playing the spoiled little sister roles? I’m so irritated with her.

9. The length. Mainly because there are too many things wrong with this series.

And then the rest.

1. Kevin Cheng: Probably the best-looking actor of TVB’s current generation. He has lots of charisma and looks good with many female stars, but I think I finally figured out the problem with him. He has a problem connecting with the audience…er, or at least with me. He can act, but he has yet to make me cry, or laugh, or feel anything except “hmm, that was ok”… and yet I’ve seen almost every single one of his series. To Kevin, I’m just indifferent. If there’s one thing that is consistently missing in his performances, it’s passion. When I watch him, I simply don’t care. BF III is another example of his forgettable textbook acting (look sad when you’re supposed to be sad, look happy when you’re supposed to be happy, etc.) … and despite getting lots of promotion and opportunities, Kevin has remained stagnant and has yet to deliver a compelling performance.

2. Aimee Chan: Her first series and she’s surprisingly tolerable. Does she have potential? I have no friggin’ clue. I do, however, know that you shouldn’t name a girl Easy.

3. You know a series isn’t great when you’re fast-forwarding through the scenes with the leads to focus on the ke-le-fes instead. The actresses who played Easy’s friends were hilarious. Sam Chan is funny as Bad Luck Ming, as are some of the other actors who play the firefighters.

4. Steven Wong overacts less in this series as hothead Lam, but there is no way he’s leading man material.

To Watch or Not To Watch, That is the Question
Time is precious, dear friends. Save it and skip this.

Rating
2 out of 5

Through the Grapevine
Guess who’s dating in real life? Bosco and Myolie. It was actually a BF III producer who spilled the beans. Now let’s all say a collective “I told you so!”







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15 December 2009

THE STORM WARRIORS [HK][Chi]

Written by Funn Lim



"This present movie is too in awe with the technology aspect that it sacrificed the characters and the story. The story became muddled, confusing and irrelevant."








SPOILERS ... SPOILERS ... SPOILERS


Cantonese title
Fung Wan II, meaning Storm Riders 2 but like Wikipedia said, to avoid copyright problems, the directors rename it to Storm Warriors.

Released in
2009

Based on
Comic series by Ma Wing Shing

Language
Cantonese

Origin
Hong Kong

This Is
the sequel to Storm Riders

Cast-Character
Taken from IMDB.com

Aaron Kwok ... Cloud/Bou King Wan
Ekin Cheng ... Wind/Lit Fung
Kenny Ho ... Nameless/Mou Ming
Nicholas Tse ... Heart/Juet Sum (I would translate that as Hearless)
Charlene Choi ... Tai Yee Mung/Second Dream
Simon Yam ... Juet Mou San/Lord Godless
Suet Lam ... Piggy King
Patrick Tam ... Emperor
Yan Tang ... Chor Chor
Tak-bun Wong ... Lord Wicked/Che San (I would translate that as Lord Evil)
Anson Leung ... Earth
Byron Pang ... Sky

Plot
For the entire plot plus the pivotal role of Ma Wing Shing in the recasting of Ekin and Aaron in respective roles, do read Wikipedia. Exciting stuff but spoilers alert. The directors do not deserve the author I tell you.

Comments
I have summarised my feelings in my ramblings in News & Updates which I shall not repost here and although that was basically my feelings, I feel since I am not known for brevity, I must elaborate on how I felt.

First of all I do not think this is a bad movie. I rarely watch HK movies in the cinema, a treatment now exclusively for Stephen Chow movies so when Storm Warriors came out, like many others I went in to watch, despite the rather negative reviews. I was ready for the criticisms as posed in local papers' reviews and knew what to expect. Of course knowing and watching is 2 different things.

Again, this is to me not a bad movie. It is just a movie that could have been so much better. For one, the story itself is intriguing, but the screenplay was insipid. The technology is amazing, and like the comic book which I have sporadically seen years before (my brother was a big fan of such comics), the kung fu and the styles and all looked like they just walked out of the comic book, in full colour. The costumes are great, making the actors look like the characters. Some casting I would say is brilliant but many has much to be desired. So with all almost positive sort of things to say, why can't I just admit this is maybe a good movie?

Because as a viewer and somewhat a reviewer deep in my heart, even if I am not proficient in the comic series (from what I read, the story does differ greatly), I realise this movie was badly executed. There are many brilliant ideas, even if borrowed ideas or you may even say stolen ideas or perhaps the comic series may have been the originator of such ideas, whatever it may have been, the execution was poor.

Consider for one the rich material that is the comic series. Ma Wing Shing is renowned for bringing comic series into a new height where storyline plays an equal if not more important function than the stylistic drawings which were excellent if I must add. Somehow when transporting that story into the movie, the screenwriter(s) chose to strip the entire story and gave us the basic. So we have 2 plotlines; one of Lord Godless and his equally if not more conniving son, Juet Sum launching a series of deadly attacks on the world of Martial arts (mou lam) to conquer China and break the so called backbone of China (you know, the dragon's pulse or however you translate that). And the other plotline is how Fung and Wan had to resort to multiple ways to beat Lord Godless, in the process the milder heroic Fung had to demonise himself to increase his kung fu power whilst Wan, usually the more moody one in the process of stopping Fung who could no longer control himself had to decide between killing Fung or not killing Fung. If this was Wan as in the original movie, no doubt he would have killed Fung in an instance. But Wan is a changed man, still as quiet but not as stubborn or hard. I find the story of Lord Godless very interesting and whilst the movie started with Lord Godless, however about midway Lord Godless dies and for the rest of the movie we have endless and scriptless fighting between Fung and Wan just to illustrate the sacrifice of one and the other and I suspect to let the 2 leading ladies have something useful to do.

And that is the main problem with this movie.

When the story shifted to just Fung and Wan and I do really mean just them 2 for over half and hour, the entire movie's pace slackened. Although the Kung Fu became even more elaborate, somehow the entire story fell flat. I appreciate the hard work put by the 2 leading actors in the fighting scenes, and they do look credible but to just focus on fighting and throwing out the story and only to bring it back for the last 5 minutes or so just tells me the directors only seem interested in the glamour and none the substance. I want substance. Many times in the movie I just wished there was more dialogue. I just wish Wan would ask the mysterious fighter "Who the hell are you?!" or scream at Fung and say "Fung, see me! I am Wan!!" instead of leaving that to the last 10 minutes or so. Yes, there is enough intense fighting scenes to satisfy that boy in you who loved the martial arts aspect but I am sure fans of the comic series would have wished that some substance from the series would reflect on the movie screenplay itself.

And the entire concept of the movie is strange.

It started great. I mean the first 10 minutes of the movie will capture your imagination, will satisfy that fanboy in you, will make you wish if only an entire movie is made of the most interesting character that is Nameless and he appears less than I shall say 20 to 25 minutes or so. He also has the coolest fighting scene with his if I translate it correctly, 10 Thousand Sword Stance which has to be seen to be believed. I feel that 10 minutes set the pace for the movie. But then after the singing credit (awful song by the way but nice introduction), the movie just fell flat! And it became worse when Nameless disappears from the screen. Such a charismatic character played brilliantly by a charismatic actor disappears and justifiably so since he is just a guest star but yet I felt both Ekin and Aaron combined can't beat that charisma of this one actor and of one character.

This I feel is due in part to the lack of script. I am convinced Nameless has more lines than both Fung and Wan combined. Juet Sum would have the next most lines with Che Wong (as in Lord Wicked although I would translate it as Lord Evil) coming close at third. Even Patrick Tam's emperor has more lines than Wan! The entire movie is like one long music video with intense fight scenes, like a long martial arts contest. And yet at times it is so quiet that it is so unsettling. Why the lack of script?

And when there is a lack of script even at times when there are no fighting, then the actors better be really bloody good at expressing emotions without script. Problem is we all know Ekin is an iconic actor but not a fine actor. Aaron can be good and can be bad, in this movie his acting is rather like the script, sparse and not exactly good. So to fill in the gaps, we have the actors posing. Lucky for fangirls, half naked posing. Yes Aaron Kwok looks great for his age, Ekin although aged a little looks surprisingly good baring his not that flabby chest and he still looks heroic. But must we have them staring out into the sky with wind blowing on their beautiful hair and posing for that precious 10 seconds when that could be utilised to tell a story?

Even Lord Godless had so few to say. He seems to stare a lot. Again Simon Yam is not the best actor around but he is competent when he has to be. He is quite scary as Lord Godless, his ruthlessness and his steely eyes which is at most time expressionless and man, he looks great for his age. He is also very convincing in fighting scenes as in pose and move hands a lot. BUT his story arc is so underdeveloped and he is so underutilised I felt he is practically wasted in this movie. Or maybe I should reword that. He has lots of scenes but somehow his story is not properly told. It's like lots of wasted moments and I wonder what was lost and then I realised too many scenes of him and other characters looking at the other actor, looking at the sky, looking somewhere. Precious seconds wasted. It is not a tightly told story. And with that being said, Nic Tse as Juet Sum is totally wasted. Juet Sum is potentially more ruthless than his father and you can see the dissatisfaction and discord between son and father where son is ambitious and wants to be Emperor himself whilst father is of the philosophy that a kingdom can't be shared even if with his son. And yet totally wasted character who disappears almost at the end without any indication of where he is, except maybe there would be a sequal for the Juet Sum story.

Then there were the other characters. I find Che Wong very interesting because he has such an evil name but he is actually a good guy who chopped off his own hands after he was possessed by his demonic stance and killed innocent people. You see in the mou lam world, people learn kung fu to better themselves, sometimes resorting to wrong methods and often they're filled with remorse. And often these highly skilled fighters refuse to help the country to defend against foreign invasion and they are very very eccentric, like Che Wong, unlike Nameless who is very involved in the world of mou lam. And Che Wong has such a shocking appearance that I was like can't he brush his hair? Oh yeah, no hands but hey he can "throw pebbles". But I find the casting disappointing which I shall elaborate later. Anyway I find Che Wong's character perhaps the most developed quite simply because so much screentime on him.

And then there was the 2 leading ladies. One can act better than the other, but both no less annoying and so cancel out one another.

Please tell me the point of Chor Chor and Second Dream's presence? To show some love? To make us empathise with Fung and Wan? Hey I do empathise with them without annoying Chor Chor and Second Dream. In fact I was so confused. How did Wan met Chor Chor? What is the exact relationship? Because from the get go, we see Wan willingly captured by Lord Godless because Chor Chor was captured. That was what the intro said at the very beginning. Then there was Fung and Second Dream. One 10 seconds scene explained they knew each other via pen pals, never met and then met and they're already in love. Second Dream has self esteem issues as she has a scar on the I think top right of her face. She is the daughter of someone respected and is the beloved somewhat goddaughter of Che Wong. So when she suddenly appeared, it took me some time to realise she went to see Che Wong for Fung. Of course there is the issue of sacrifice and all but the point it this movie started assuming we can just presume there were relationships. But the story then became so disjointed. I thought instead of the movie starting with Nameless and his great escape and all, start with the singing and the comic sketching. And instead of sketching the characters, why not sketch what we are assumed to know? You know like Spiderman 2 I think where we are brought up to speed of Spiderman 1's plot with the intro scene in less than 3 minutes or so. It would give the director some artistic license, the graphic artistes some challenge in presenting what we should know in minutes and also benefit the fans or non-fans who has no idea how the hell Chor Chor or Second Dream feature in the story or more importantly, how the greatest fighter like Nameless and some great fighters shown in the first 10 minutes could be tricked into drinking poison and captured by Lord Godless. I was thinking how? WHO BETRAYED THEM? And who in the end saved them by giving them the antecdote?

It was as if the directors were so in awe of the technology and what they could do with it that they had simply forgotten there is one element more important than those CGI stuff; the story. Of course I can buy the idea where the sword instead of slashing someone when flung can release more swords out of thin air. This is after all a martial arts comic series. What I can't understand is how Nameless could be tricked? A bit of explanation would ease the plot a little and make it make more sense and maybe make Chor Chor and Second Dream less cardboard and more full fleshed out. And maybe throw away the emphasis on Fung becoming demon as the main plot and just concentrate on Lord Godless because I just have this feeling after a while Lord Godless serves Fung's demon story and not the other way around and that is just so boring in the end.

And the directors are much too concern with slow motion sequences, from the fighting to when Second Dream was falling and saved by Fung. The expression of Charlene Choi's face is rather comical. And I must mention that whole Dragon's Pulse in the Dragon Tomb can be more subtlely presented. Instead seriously we have the skeleton presumably the ancestor of the Emperor there and the pulse is the spine of that skeleton. When the skeleton was broken into 2 I see no consequence so what's the big deal? Maybe the sequel will explain that.

But no denying the movie is beautiful to look at even if a bit barren sometimes.

The tone of sepia and also red to connote blood and blue/green gives it a feel like it walked out of a painting. But it is obvious where te director got the inspiration. Some scenes look awfully familiar, the ones where Juet Sum launched an attack on the mou lam, that is to me 300 the movie. It is in fact 300, except less stylistic. 300 was a beautifully made movie. Then there was the black thing crawling onto Fung when he was becoming a demon as he was in the demon pond. Doesn't that look awfully familiar? Like Spiderman 3 where one of the villains got the same treatment? Even when Lord Godless was marching towards the hidden treasures of the Empire (he doesn't seem to be in such hurry I tell you!) standing on top of a huge how shall I call it? Iron cart in the shape of a lion or something? Kinda reminded me of 300 when the enemy's king was marching towards our heroes, except the villain in 300 was decked out in gold whilst Lord Godless was in heavy colourless armour. Maybe the makers of 300 were inspired by the Tin Ha series perhaps? Who knows.

But one scene which is direct rip off from another movie which had me shaking my head was the end fighting scene between Fung and Wan where they stood looking at one another, in their mind fighting in the rain or some huge drops of sweats from the looks of it, for many many many minutes. THAT is a direct rip off from Zhang Yimou's Hero. Took me quite a while to realise Aaron and Ekin are 2 singers/actors fighting whilst in Hero, it was Jet Li and Donnie Yen fighting, both martial arts champion in their own right. No need for me to say which fight was better. And the thing is Hero was infinitely better filmed in that exact same scene and the entire concept in Hero, why they fought in mind and not physically was an intriguing concept excellently executed. And beautiful too. Back to Storm Warriors, if I am not reminded of Hero, that scene was pretty good too even if way too long. But notice carefully, poor Aaron and Ekin can't lift their legs any higher! But is that necessary? Perhaps it was Zhang Yimou who was inspired by the Tin Ha series? I doubt that. Although in that same scene, Storm Warriors had more special effects whilst in Hero, it was really man to man fight filmed in one long sequence.

But like I said, it is not necessarily a bad movie.

The performance(s) however is like the difference between day and night.

As mentioned above, Ekin Cheng despite looking a bit older and isn't a great actor to begin with still has that heroic iconic look. He serves his character well and I thought he did look convincing as the demon since he is pretty expressionless. You can see he worked very hard for those intense scenes so I appreciate that.

Aaron Kwok is moody, moody, moody all throughout the film, with very very very little to say. That man never ages and he looks great but like Ekin, he is pretty stiff in his performance. But he has more role than Ekin actually. His Wan has very important role to play at the end and fear not, I believe his end is a positive thing, meaning even if there won't be a 3rd part in movie, in comic world, Wan's ending can't be that depressing. I feel he serves his purpose well.

Kenny Ho shocked me. I haven't seen him for years, always remembering him as Chung Wa Ying Hung, not Ekin. Kenny Ho's only weakness is his kinda like pinch the nose sort of voice but he delivered his lines with authority and a certain sense of foreboding. But it was his looks. This man never ever ages! He looked very good, and heroic too. Like Ekin, he has a naturally iconic good guy heroic sort of look and to me he is perfectly cast as Nameless. Love the costume, love the hair, love his performance. He is convincing and he looks great also. I also find it rather funny that when Nameless said he had only 10% of power left, he could still beat the rest of the lot. Oh how I wish a movie is made of him having 100% power!! If there is a reason why this movie rocks, I will make it plainly clear; Kenny Ho. That's it.

Simon Yam is competent even if underused and then discarded like he was nothing. I felt his Lord Godless was interesting although at times he does look expressionless. Like I said, he is not a great actor but again serves his purpose well. Anyway I didn't even know Lord Godless is supposed to be Japanese until I saw the intro.

You may not like Nicholas Tse's performance as Juet Sum but I feel that is due more to the script rather than Nicholas Tse. I tell you he has perfected the "I wanna slap this face" look. That arrogance, that cruelty, that hidden evil, that dissatisfaction, you can see it all in his precious minutes of performance. Clearly his performance lives up to the name Juet Sum. What a pity his character was not properly developed.

Wong Tak Bun as Che Wong is a miscast. First of, yes he has the body, the height and even the depressing looks but to me he can stand there and yet not have an iota of heroicness, like Chinese say, "Yat Toi Jung See" or Master of Masters sort of look. I always thought he was boring. I was quite shocked he was given such a prominent role. In fact I thought I saw Joe Ma in the starting scene, one of the masters who sacrificed themselves to save Nameless and gang.

The best actor however goes to Patrick Tam. He is the emperor, not even robed and looked messy and yet there is a certain kingliness to him, an authority. That scene where Juet Sum held his family ransom, killing the wife and threatened to kill the son unless the secret of the treasure is revealed, that desperation in his eyes, his pain, all in that 5 minutes performance or less beat the rest of the cast in this movie. Give this man a Best Supporting Actor award! And check out that scene with Aaron's Wan, how he was reluctant to beg but had to go down on his knees but stopped by Wan. That pride! And also that scene where his men (soldiers) turned their backs against Lord Godless and how he understood the difficulties faced by then. In fact I just described the entire appearance by Patrick Tam! Other than Nameless as an iconic character and coolest performance, in retrospect Patrick Tam gave this movie the acting chops.

The same can't be said of the rest of the main players.

Tang Yan as Chor Chor. I was reading another review posted at SPCNET and this is apparently the character played originally by Shu Qi. No wonder the hair looks quite the same. Again if we are reminded of that in the first 10 minutes song sequence, there wouldn't be much confusion! Anyway between the 2 as in Charlene Choi or even Shu Qi, I find her performance tolerable even if her dubbed voice is annoying. However since I do not know where her character suddenly comes from, I find her Chor Chor annoying even if her ending shocking. As for the love connection, there isn't any. Just to give Aaron some excuse to give more than one dimensional performance as Wan.

Charlene Choi as I have mentioned many times before is god awful. Make that universally god awful. I must admit she looked pretty since she seems caked in 10 layers of powder thus making her look very pretty with flawless complexion which I am sure she has. Her costume, hair, make up all perfect. BUT her performance is not. First of her voice is annoying. The way she delivered her lines with concern sounded fake. I was hoping she would be the one running in between Fung and Wan as they fought but apparently her Second Dream is not that giving a person. And her name is silly but that is the author's fault. I was irritated that she showed no expression when poor Chor Chor met with such an ending. In fact she showed no expression throughout. Her casting is probably to attract her fanbase because quite frankly I can see no other reason. I did ask in my original post whether when she looked at herself on the screen magnified ten fold whether she asked herself did she do a good job and whether she realised she was god awful? I also mentioned she was also a waste of oxygen in the movie and I stand by that. Why this movie sucks is because of her although she is not the only reason but she is one of the bigger reason. Can someone just tell Miss Choi either she buck up, go take speech lesson and learn to move her face since she can't be that old to have been injected with botox which freezes her face to the point she can't express concern, happiness, fear, pain, etc? Please?

Everybody else pretty standard, no one stood out even if there were a few more annoying ones.

Verdict
In retrospect, Storm Riders was a better movie where technology and CGI serves the story and not the other way around. This present movie is too in awe with the technology aspect that it sacrificed the characters and the story. The story became muddled, confusing and irrelevant. Performance wise, a few notable ones I have named above but generally the performances were less than satisfactory, some caused by the actors themselves but some by the lack of a steady consistent good script. I think in the end when you stopped being in awe of the beautiful aspect of the movie you will realise just maybe it is a bad movie in that sense. You may say the directors did a credible job bringing the vision to life but to me the story is more important and that the directors failed miserably. If you need any reason to watch this movie, which I doubt you do since you will run to the cinema for it, watch it for Kenny Ho's Nameless. I don't think there has been any character than leave such an impact in a movie by doing so little. Well actually he did a lot but you know what I mean. Like I said the 1st 10 minutes itself is worth half the price of the admission ticket but in the end the rest of the sporadically exciting but mostly dull movie cancel the other half of that worthiness.

Best Scene
Kenny Ho looks fantastic! May I repeat brilliant casting!

 

Interesting Prop
The fans. I mean the hair blowing all the time, so beautifully thanks to the fans. I have a feeling many may have been replaced because burnt out for overuse! And hair extensions as well.

Interesting Artwork
You can't fault the artwork which I suspect the author may had something to do with it! Gorgeous renderings of the characters, teaser posters, etc. Check out the official website for more. Love the official site! Must check out the comic artwork section!!

The teaser posters and official posters



The Artwork of the characters







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03 December 2009

A JOURNEY CALLED LIFE [TVB]

Written by Bridget Au


"I take great joy in watching an actor excel in a character that is so different from their real-life image. Linda really threw away her innate gentleness and femininity to portray this role."




SPOILERS ... SPOILERS ... SPOILERS


Chinese Title
"Kam Sek Leung Yuen"

Released In
2008

No. of episodes
20

Theme song
Steven Ma and Linda Chung

Cast
Steven Ma as On
Linda Chung as Ka Ka
Kent Chan as Fatty Boss
Fala Chen as Sum (sister to Steven)
Helena Wong as Moon (sister to Steven)
Raymond Cho as “Bad Boy”
Steven Wong as Hing
Mary Hon as Steven’s mother
Ngo Ka Kin as stepbrother to Ka Ka
Elaine Yiu as Hana

Foreword
Aptly named, emotionally involving, and socially relevant, A Journey Called Life (JLC) is one of those rare series that creeps up on you when you least expect it. Forget the “Heart of Greeds” and “Gems of Life”, this is possibly one of my favourite TVB series of all time, and we all know how short that list is.

Review
Not many Asian series have dared to look at the dark side of society and the consequences of single-parent / dysfunctional families (I’m not talking about the corporate / rich-family drama that has plagued TVB for years). Of the ones that have, most morph into a sitcom at one point of another (The Family Man), or more often than not, into an after-school “kids, this is bad” special (My Family). Some others lose sight of what they were trying to communicate in the first place (La Femme Desperado). Only a select few have really succeeded without being overly preachy or just downright cheesy. One example is Taiwan’s Mars, which caught me completely off guard and sent me bawling at the end of it.

JLC, however, differs from Mars in that it manages to teach life lessons without seeming like it is, presents ugly realities, but still manages to be uplifting when all is said and done.

The series, however, is not without its flaws. It could have easily done away with the cheesy marathon storyline. In a way it is too ambitious in the scope of issues it tackles (teen pregnancy, abortion, STIs, drugs, single-parent families, and gambling problems, just to name a few), but at the same time, often these things are interrelated in real life. Some of the ways it resolves the problems are also too good to be true, as in Moon’s case when she gets pregnant. I would have preferred to watch her struggle through single-parent motherhood or at the very least show the difficulty of teen motherhood even if she can stay in school and is married to a decent guy. These flaws are generally outweighed by the realistic way the other problems are dealt with, such as Kaka’s difficulty getting pregnant because of the abortion she had in the past, and Hana’s and Sum’s deaths.

This series proves that TVB still has the touch when it comes to good scriptwriting. Ironically, it’s the general HK public/audience that feeds the relentless production of the Moonlight Resonances of the world (drama drama drama with little continuity and character development) because they simply do not care about lack of plot continuity and character development.

But I digress. This is one good series.

Characters & Performances
Steven Ma / On
Created in the mold of characters such as Hard Fate’s Ka Wing (Kevin Cheng) and Vigilante Force‘s Fong Nga Chai (Bowie Lam), On is one of those characters that risks being boring but on closer inspection, the story is really centred around him. He is the motivation behind Kaka’s transformation, the pillar of strength in his family, and his relationship with his mentor/father figure is at the core of the story. In many ways he seems perfect but he’s not; he’s uneducated, in a field that is considered taboo, and comes off as totally boring. But really he is not. Sometimes he is ruled by his emotions, like when his unborn child dies because of Sum, he angrily dismisses her and cuts ties off with her. The reason he is interesting as a character is because he is truly a good man to the core.

I’ve always thought that audiences have been indifferent to Steven (myself included). We neither hate him nor love him. He can do both ancient and modern series, is a decent actor, isn’t bad-looking, and looks good with a lot of of his female co-stars but he just is majorly missing that “it”, the “it” you can’t learn, the “it” you can’t teach, otherwise known as charisma. Based on his repertoire, I’m pretty sure TVB has figured this out too. I like him enough but I won’t watch a series just for him, let’s put it at that. This role is probably Steven’s most challenging to date. He is in a character that starts off as simple and goes through major emotional roller-coasters. Steven was well-cast in this role. He’s got the “honest good man” look nailed, emotes surprisingly well in the dramatic scenes and shows his acting chops in the hospital scenes with Linda. The one flaw in his performance was later when he is supposed to look depressed, he didn’t look depressed enough. Overall, though, a very good performance and my favourite of Steven’s to date.

Kent Cheng
One of the very few actors who is able to walk the fine line between comedy and drama at the right moments (the others being Bobby Au-Yeung and to a certain extent Nick Cheung). His chemistry with the entire cast is phenomenal and indicative of an actor of his calibre. I suspect the little mannerisms and expressions of Fatty (“are you having an aneurysm?” “so bad”, etc.) are additions by the actor himself and not part of the original script. This really added to the character. His relationship with On is fun to watch and very compelling, as is his interaction with Linda. Strongest performance of the series.

Linda Chung / Kaka
Many have said that Linda’s performance in Heart of Greed was her breakthrough role, and I originally agreed until watching her in JLC. While on the surface Ka Ka is similar to Elise from The Gem of Life, one major difference is that Elise makes absolutely no sense as a character. Though I am a Linda fan, I did not like her performance at all as Elise. I thought it was too over-the-top. How ironic that she is heaps better in JLC, which she filmed 2 years before Gem.

Kaka is much more well-written and for once TVB developed a character from end to end. Her anguish at the death of Hana and her baby, her temper, her disappointment at her father, her rage towards her step-mother are all real and make sense. I also like that though she goes through her transformation from bad-to-good girl, she still retains her edginess when necessary (i.e. telling Sum’s boyfriend off). This is one of many realistic elements of this series. One of the less realistic elements is how she fell in love with On.

That aside, I think Linda had a great time playing this character and it really shows. I take great joy in watching an actor excel in a character that is so different from their real-life image. Linda really threw away her innate gentleness and femininity to portray this role. She is fantastic in the earlier episodes where we see Kaka’s less-than-rosy past and shows some serious acting chops in the latter emotional scenes. She has many great moments in this series and as a whole really breathed life into this character. I think she really deserved her Best Actress nomination that year. I was also surprised that she has incredible chemistry with Steven Ma: they look compatible despite their real-life age difference and their interaction is rather romantic. Despite the fact that I’m a Rayda shipper, I really enjoyed watching this couple. An excellent performance overall and Linda’s best to date.

Fala Chen
Some may think Sum’s death at the end was just for shock value, but I see it more as poetic justice. It is indeed her fault that Kaka lost her baby. For once I am happy that TVB took the unconventional route in terms of Sum’s fate, as I was expecting her just to go to jail for drunk driving.

Fala…I can’t figure her out. What’s with her accent? It’s like a hybrid of American Chinese and Mainland Chinese. Her accent is beyond distracting, which is why the only performance I’ve only liked from her is Moonlight Resononance where she portrayed a mute. Accent aside, I think she did fine in this role. Her best moments in JLC were teaching her younger sister about the “wiser” ways of life and when she asks for On’s forgiveness after being beaten by her boyfriend. Her worst was the crying scenes. I think she should stick with these roles because I see her as a Flora Chan in the making; she would excel in those unapologetically bitchy, super independent characters but please do not ever give her anything that requires innocence until she fixes her accent and way of speaking.

Everyone else
Elaine Yiu delivered one of her better performances in a character that reminds me of the Young & Dangerous movies. My only complaint is that Hana died too early. Her death would have made more of an impact had it happened after Kaka’s complete transformation, if not just to show that not everyone is lucky enough to get second chances in life. Stephen Wong should remain in the 3rd line; his acting is consistently mediocre and JLC is no exception. Helena Wong was pretty shaky overall with some moments well-acted. The performances by the veterans are stellar. Mary Hon is dependably excellent, and the actress who plays Fatty Boss’ wife is funny as hell. Halina Tam provides some comic relief and the actress who plays Kaka’s stepmother was very good as well. Best performance from the veterans comes from the actor who plays Kaka’s father. He really looked like a burdened man caught between the two key women in his life. The weakest link is Raymond Cho, who does fine in comedy but is terribly inadequate in drama. Some of the ke-le-fes, however, do deliver, such as the actor who plays Linda Chung’s nasty step-brother.

Memorable Scenes
1. Any between Fatty Boss and On, and Fatty Boss and Kaka.

2. When Kaka and On find out their unborn baby died in the operation room. Linda’s performance was nothing short of brilliant. The disbelief as she looked at On pleadingly, the tears, and the emotionally wrenching performance of her having to deliver their still-born baby naturally was incredible. I was sobbing in that scene along with them.

3. Sum’s argument with her mother when she finds out she’s been working at her company as a janitor. An excellent performance from Mary Hon and Sum deserved every word.

4. When On helps Kaka carve the words in Hana’s tombstone. I thought this was an intelligent, well-written scene. It made Hana’s death real and forced Kaka to accept her death.

To Watch or Not to Watch, That is the Question
Highly recommended as one of the surprises of 2008.

Rating
4.5/5






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LAST ONE STANDING [TVB]

Written by Funn Lim



"Suddenly the same smile, same face that I felt so genuinely likeable as Ah Wong is now so sinister and cruel and even devoid of warmth as Ah Yin"






SPOILERS ... SPOILERS ... SPOILERS


Title Deciphered
Indeed, it is truly Last One STANDING. Watch the ending to know why I emphasise on STANDING or just read my spoilers filled comments.

No. of Episodes
22

I was reading Wikipedia and it says in HK it was 21 episodes, overseas was 22. Did HK combine the last 2 episodes into 1 episode or did TVB deliberately do that just to torture the overseas fans since this series is definitely 12 episodes too long?

Released In
2008

Cast-Character
Roger Kwok - Tong Lap-Yin
Kevin Cheng - Cheung Sing-Hei
Yoyo Mung - Lee Pui-Ka (Carmen)
Elaine Yiu - Tong Hoi-Man (Mandy)
Macy Chan - Mo Oi-Lam (Kelly)
Law Lok Lam - Tsang Tsu-Leung
Kiki Sheung - Lau Git-Yee
Yvonne Ho - Cheung Jung-See
Ellesmere Choi - Yeung Kin-Yip
Lai Suen -Tong Lee So-Ngoh
Chun Wong - Tong Hok-Yan
Rosanne Lui - Tong Cheung Lai-Fun
Eileen Yeow - Lei Pui-Shan (Sandy)
Evergreen Mak - Poon Chi-Kan
Fiona Yuen - Fiona
Eddie Li - Alex
Sherming Yiu - So Lai-Fa


Summary
Thanks to Wikipedia

Former Hong Kong Correctional Services personnel Cheung Sing-Hei (Kevin Cheng) was sent to prison for murdering his stepfather, and the witness of the case was his cousin and best friend Tong Lap-Yin (Roger Kwok), who is adopted. Ten years later, Hei was released from prison, 3 years earlier than his sentence states because of his good conduct in jail. At that time, Yin already has a well-established career and a happy family, and Hei left with nothing at all. However, Hei was actually innocent, and he was angry at Yin for being the witness.

Hei later meets up with reporter Carmen (Yoyo Mung), who was his volunteer guidance counselor when he was in jail but left later because of schooling. He discovers that Carmen is actually Yin's fiance, and becomes more angry at Yin as he also likes her. Later, evident clues points out that Yin was actually the one who murdered Hei's stepfather, and he becomes more determined to solve the mystery, as he wanted his name cleared and his corrections job back. He decides to act content with his current life and accepts the job at Yin's insurance company, hoping to obtain evidence that could be used in court.

Not long after, Yin scammed the insurance company for a large multi-million dollar deal. Other members of his family also got setup so Yin could collect the inheritance fortune the father had left behind when he died. After years of trust towards Yin, people started to see that he is an ambitious and emotionless man that will do anything to reach his goal. This made others start to believe in Hei and they try to help him but in the end it still came down to a battle between Hei and Yin.

Comments
This is one series that reminds me of a BBC produced drama mini series, The Forstye Saga. In The Forsyte Saga where the actings were mostly great, there is a reason to hate every single character or the actors themselves. It is a series that I find it hard to like anyone in it. Last One Standing is HK's version of The Forsyte Saga. For various reasons, I hate every single character in this series. It's like either the character is not redeemable or the actor is just plain awful. Now, the premise isn't bad. In fact it would make a good 2 hour movie or a 10 episodes series but at 22 episodes, I felt like I was being dragged along an unwilling ride, just so to know what is the ending for one particular character. I wish I could just fast forward and watch the last 2 episodes and even that is a bit too long.

Trouble is from the start we all know Roger Kwok's Yin is something wrong. And Kevin Cheng's Hei is justifiably angry and wants to know the truth. So the characters are set out from episode 1. As the series went along we see Yin's true colours but I was already expecting that. There are some really violent scenes that sets this series apart from other series we see of this nature which also highlights Yin's true nature but that also highlights the trouble with Hei's character. The acting also were trouble. Big trouble for this series. But before I venture to comment more on the plot, the character and the acting, I have one major question that I find myself unable to answer at the time of writing this review;

What must a villain do to have everyone or someone or anyone abandon him for good? What must a villain do to have equal amount of justice meted out on them, not by prison sentence but for the pain inflicted as in emotional pain? WHAT MUST A VILLAIN DO TO HAVE EVERYONE REALISE SOMETIMES LEAVING HIM IS MORE REASONABLE THAN STAYING WITH HIM?

Like in my Episodic Thoughts in Moonlight Resonance, I thought the level of forgiveness in that series is ridiculous. I shall correct myself. The level of forgiveness in Last One Standing has reached a critically ridiculous state. Why I said so is because as I watched the last episode, I find myself shocked by

1. Yin got at most only 5 years of imprisonment for his huge catalogue of crime which includes murder (at least twice), framing someone (at least twice), attempted murder (at least 3 times), false imprinsonment, kidnapping, hurting, assault, cheating, breach of trust, conspiracy to commit several crimes, stalking, fraud (will and also company funds) and hurting someone with various objects from rocks to knives to sticks to whatever he could grab. And ALL THESE max 5 years. Where is the justice?

2. the worst of all, everybody and I mean absolutely everybody either forgives him or for the sake of someone else forgives him, including

- the adoptive mother whom he threw onto the floor (and considering he also kinda caused the woman's I think mother in law or mother's death), cheated her of money, refused to send her for treatment

- the adoptive sister whom he strangles to the point she almost died, twice at least and beaten several times and humiliated plenty of times

- ex fiancee whom he kidnapped, assaulted, attempted to rape, beat, imprisoned, stalked

- the adopted auntie whom he stabbed but she deserved that, personal opinion here

- childhood friend no. 1 whom he attempted to blame for some fraud, attempted to murder

- cousin whom he framed for a murder cousin did not commit, tried to throw him off the building, tried to kill him several times, beaten him to a pulp and considering he also stabbed this cousin's own mother and framed his brother in law for the same crime that cousin went to jail for.

That is pretty much everybody of any concern. The adopted mother being the worst culprit. Of course Yin I think did not harm the adoptive father (frankly I missed that part but I do think his love for his adopted father was somewhat genuine). This is a huge catalogue of wrongs but and I said it with a huge question mark of BUT in the last episode the mother was genuinely worried for his wellbeing ("He is your brother..."), his sister looked kinda concerned ("He will be alright mother, he will pull through..."), the cousin visited him ("You will be out soon, take good care of yourself" and even the ex fiancee looked genuinely still in love with him ("I am glad to hear you will be out soon") and the best friend who was almost killed seemed rather concerned about him ("Brother Yin, I promise I will visit you in prison!").

So my question that I can't answer is what does Yin have to do to have a realistic ending? Maybe the realistic ending is this? Is this why in real life parents could forgive their children who murdered or caused the death of their grandchildren? Is this why one parent could forgive the child for killing the other parent? Isn't this the most unreasonable realistic ending then, that despite everything, despite every harm, every heartache, every pain inflicted on everyone who once believed he was good and was genuinely fooled by his "kindness" and his act of the good guy, they could still trust in him still? Because the impression I got in the end was they believed he was a good guy turned bad and so is capable of being good again. But the series plainly shows Yin as a child was a bully and as he grew up he had this delusion (not even illusion) that a happy family is one that caters to his every whim. He seems genuinely upset when his sister and mother moved out, he justified his treatment to his family to Carmen by screaming "But don't you even care how much I LOVE YOU? How much I SACRIFICE FOR YOU?" and Carmen was right to shout back "It doesn't matter! How could you treat your family that way? I am scared of you and what you might do to me if you could do that to the family you said you love!!". Yin genuinely thinks everything he did was not wrong. He is incapable of moral right or moral wrong, to him he is right. Period. This is a very scary sort of guy. Is he evil? In context I don't think so. Evil connotes an ability to do harm without any barriers, without any care in the world, without any sense of guilt or conscience eating away. Yin isn't that sort of evil. He seems genuinely concerned about his adoptive father. He seems father concerned about his adoptive mother, despite anything. As long as his sister listens to him, he will cater to her needs, but within his rules. It means people must play by his rules and no other. He seems genuinely in love with Carmen, willing to pay a large amount of money to her sister. He volunteers for things, to do good stuff even if he stared angrily at their backs, curses them when no one could hear him or drag himself into doing it but the point is in the end he did do what he had to do to keep up with the image of the ultimate good guy. So he is not evil, but he is pretentious and so convinced with his own lie and in his own delusions that in the end he is to me insane.

But look at another angle just for a moment. He claims he loves his family and yet he did not hesitate to kill them. He accused Hei for not being man enough to kill his despicable stepfather and so Yin was doing Hei a favour which may be true but again the act of murder may be a favour done but the reason was purely selfish as he wanted to cover a fraud and also because he was really pissed of. He said he loves his girlfriend but when she tried to leave he did not hesitate to beat her legs, put a device around her neck that will send electricity thus eletrocuting her if she shouted for help, etc. That is not love. That is possessive love. He may think he is in love with her and maybe he is right but in the end he is someone who is in love with the idea of love, his idea of a family, his idea of a career. Meaning he is truly and utterly selfish, successfully convincing himself he is a good guy and in the last episode utterly convincing himself that Hei and Carmen are together and so vowed revenge. The final shot was a sinister Yin, smiling sinisterly, plotting on how he will fool them all again to exact revenge. And guess what? If there is a sequal, I am very sure they will all be fooled again because let's face it, some people being such idiots are willing to be fooled despite the obvious signs saying DO NOT TRUST THIS MAN EVER!

And that is the basis of this series; how a man can fool those around him and how another man used the same methods to fool him. In the end it boiled down to punches by the way.

But throughout I thought at first Hei looks genuinely angry, is justifiably angry. He was convinced Yin did the crime but why? We will find out just a few episodes in. The rest is how Hei infiltrated into Yin's trust and tried to get the information he needed to convict Yin, one way or another. Funny thing, I don't think Yin ever trusted him.

So to me Hei is a very foolish man. At one point I was thinking "Aiyah give up lar" because it was such a laboured effort to see him get angry, then pretend to smile etc. How he executed his plans was rather despicable. He seduced Yin's accountant then dumped her then got back with her only to dump her again. He fooled his stepfather's mistress and her son even if he was genuinely sorry he in a way caused his stepfather's death. He blackmailed his brother in law to help him and let his own sister live with the guilt thinking her own husband murdered her stepfather and caused her beloved brother to suffer 10 years in jail and funny thing, in the end his brother in law became his best friend. He in a way was as manipulative as Yin, except Yin was more successful at that. And the reason driving Hei's determination?

I thought perhaps Hei wanted the truth, he wanted to redeem his own reputation. But the reason is simpler than that; when he found out Carmen agreed to marry Yin, he was so desperate he himself got fooled by another potential witness to Yin's fraudulent business. He was so desperate he hurt the fragile heart of someone else. In the end he did everything for Carmen. At the end Carmen refused to be with him, because I believe she was so hurt by Yin's betrayal and in some ways she was still in love with Yin, hence the reason why she visited him in prison. 3 years later he was still pining and waiting for Carmen but Carmen I believe stopped considering him. Everything he did, he did it for Carmen. I find that part ridiculous and kinda killed the credibility of this series. As the series went on, it seems to be Hei who suffered 10 years of injustice was less angry than Yin who had everything justifiably taken away from him. Hei who looked brutal when he first came out of prison should have enough emotional fire power to be angrier than Yin and match him in punching, kicking, etc but Yin seems more brutal. Yin in fact could punch the daylights out of Hei and that is because Yin is genuinely a very brutal and cruel person whilst Hei is nice but 10 years of prison and Hei did not sharpen his own brutality. Of course it might mean that's what sets Hei apart from Yin; that Hei is human and humane whilst Yin is all actor and cruel. But it would make for some better storytelling if Hei is as angry as Yin like he was in the beginning instead of fizzling out in the end and became this duh harmless sort of guy.

With that being said I understand why everybody else seems to be under the control of Yin. His sister, Man had to endure many things for the sake of her mother, thus growing more mature as the series went along and perhaps the person I pity the most. His mother is one I could not pity because he very plainly is that terrible and cruel, right before her eyes and yet she forgave him again and again. Carmen proved to be someone of some integrity and spunkiness, something Hei could't be when she fought back, kicked the hell out of Yin, punched him and was forthright in leaving him. But the ending where she visited him in prison was really one of the reason why this series anihilated itself in the good storytelling department. I never liked Hei's mother but the last scene where she begged for her son's forgiveness was touching and in a way redeemed her. She was truly and indeed fooled by Yin and her own despicable husband. The accountant was rightly angry with Hei for using her but to stand by the side of a man who just kidnapped your best friend and treated her so badly was rather ridiculous. It was justified by the reason that love makes you do crazy things and perhaps it is to show the pararell between her and Yin, how alike when both are hurt I suppose but I find that 1 episode of this aspect not enough at all to justify it as a good twist or a good storytelling. Kan the dumb big guy was in the end surprisingly the one who stood up to Yin by helping Hei despite threats to his life and so it was with Yip, the brother in law, however reluctant he was in the beginning. Hei's sister, See may have been cowardly not to back up her brother's story of how her stepfather was sexually molesting her but I did find her concern and love for her only big brother genuine and at times rather touching if not for one aspect which I will elaborate below.

But like I said there is a reason to hate everybody.

Yin is hated for obvious reasons but sometimes when he was so delusional, playing with his favourite toy house and his idea of a happy family, I kinda pity him. However I love Roger Kwok's performance. I believe this is his first true villanous role? I could never look at Roger's sweet smile the same ever again. He may be smiling, but the eyes ain't sparkling and it felt so fake. Suddenly the same smile, same face that I felt so genuinely likeable as Ah Wong is now so sinister and cruel and even devoid of warmth as Ah Yin. Truth is I was bored with his Ah Wong sort of roles. I wanted him challenged and in here his performance was stunning and I love the way he went all out. He didn't hold anything back. He didn't quite bother with public's perception of himself because if not he couldn't have give one of his best performance ever. And he was so violent in some scenes. Genuinely truly frightening moments involved a deranged Roger, dragging Kevin on a rooftop to throw him off the building, pushing someone off the building, beating Yoyo on the leg, dropping Lui San from where he was carrying her onto the floor (in fact everyone looked surprised and frightened and Lui San looked like in pain! I hope she was properly padded because that looked like it could really hurt and it was a scary moment of total vindictiveness on the part of Roger's Yin, and perhaps the best scene), squeezing the breath out of Elaine Yiu and more acts of insanity. There were some truly terrifying moments, all involving Roger that had me shouting like the last episode how Roger fell over the building and hanging onto life (very dramatic, very well done stunt and for a moment I thought I hope that's the stuntman because Roger is too good an actor to be put through such scary stunts), Roger pulled all that with great style as in acting style. There is nothing nice or genuine about Yin and Roger was so utterly convincing that I find his Yin genuinely scary. Roger is probably the only reason why this series didn't suck as much as it should and why one could endure 22 episodes of a story so flimsy that can be finished in 10. Which is why I was very very shocked to read in Wikipedia he wasn't even nominated. Why Kevin was nominated was beyond me!

And now Kevin Cheng. I consider him the handsomest man in TVB, probably in HK. I never quite think of him as a bad actor since I find him ok, nothing more and nothing less. But after this series, I really pity him, because he had to stand next to Roger who gave a masterclass performance and Kevin looked like a little boy trying to act. I wouldn't say Kevin is a miscast since when he is not smiling he does look mournful, almost pissed looking all the time. In fact the first few episodes he did look very angry and the unshaven look suited his character well. And I wouldn't say Roger got the better role because Hei is an interesting role too; he is not your typically nice guy. He was despicable, he was angry, he did many things that people thought that he is the bad guy whilst Roger's Yin, being more calculative successfully fooled the world. And when Hei wanted to fool Roger to investigate him, I truly because that was the real Hei before he went into prison; a nice positive thinking sort of guy. So Hei is an interesting character too, but at Kevin Cheng's hands, he became from a tiger to a cub. From angry to what the hell why isn't he even angrier now sort of guy. He became bland and everytime the series focussed on him and his obssession with Carmen, it was cringe worthy and boring. I don't know which is worse. So as an actor whose ability to play this role is limited to his general ability to play any roles especially such a heavy duty multi layered role that he successfully squashed into a predictable boring single layered sort of character, I would admit now that he is truly a miscast. I dislike Hei for his methods but I genuinely despise Kevin Cheng for bulldozing this character. His worst moment was when Yoyo was clinging onto the side of the cliff, crying for help and his eyes was... his eyes as he screamed "CARMEN!!" who is the woman he loves and desires... his eyes were... how shall I put it? Empty? Devoid of concern? Pure bad acting? His truly good moments were in the same scene, clinging onto the cliff, trying to save Yoyo as he lowered himself down, that moment he showed genuine fear. Same goes for rooftop scenes. You can't hide fear of heights or fear of dangerous stunts. His annoying moments were when he was accusing Roger of wrongdoings or trying to make a point angrily, his neck would stick in and out quickly as he delivered his lines, like a turtle's head coming out of its shell really fast several times. I was thinking Kevin, what are you doing? The first few episodes as he screamed "YOU FRAMED ME!!!!!" so many times at the top of his voice was hurting my ears. I was thinking how can he go from that to being a spy in Roger's company? Ahhhh that is because Roger's Yin thinks he is the smartest when he thought he tamed the unruly Hei and so even Yin was fooled by Yin himself! As the series went on, I got more and more annoyed with Kevin Cheng's performance right up until I read in Wikipedia how he was nominated instead of Roger (maybe Wikipedia did not update the nomination listed there?) that I became absolutely irritated with Kevin Cheng. It is this series that convinces me Kevin Cheng who is not a bad actor generally is truly a very inadequate actor. As I saw in an interview for the awards promo where he was saying "I told myself Kevin, you must work harder and prove yourself!" that I wholeheartedly agree with his self realisation that perhaps he is not a very good actor at all. Humility is the first step to improvement so I hope he has improved since then or maybe just avoid such an emotionally taxing role. So who can play this role? I thought Wong Hei as his best would have rivalled Roger in the acting department. Wong Hei has a tendency of being in the slump, being rather fake and all and that affects his performance. But when he was good, he was really good. So he is not a looker. Truth is after 22 episodes of Kevin Cheng's awful performance who went from ok to truly and woefully inadequate, I'd rather a less handsome guy who can deliver the goods than a more handsome guy who can't.

And now we come to Yoyo Mung. I like her character, the strong willed and with a stronger sense of justice that is Carmen. I love how she kicked and punched Yin. How she could or at least tried to protect herself which shows how strong she is even if she is a woman. She tried to escape and she investigates when she thought Yin wasn't being honest. Character wise, Carmen is a very good character and very likeable. What I don't like was Yoyo Mung herself. She is better here than she was in previous series where she didn't seem to pay any attention at all but even in here she was woefully inadequate. Her character is well written but the actress didn't play her well or to her full potential. I hated the way she was running away from Roger and I mean running for her life and she was running so slow I could walk faster than she ran. Her genuinely good acting moment was when she was hanging onto the side of the cliff. Her worst acting was when in one of the best scene ever Roger tore up the cheque she gave him with total and utter disgust and he threw the cheque right at her face (Woah!!!! Very realistic moment!!!) and her face registered total blankness. Shouldn't she look surprised? Shocked? Disgusted? It was as if she was anticipating that. Unlike the scene where Roger threw Lui San to the floor which I am sure they were anticipating that too but there was some real concern because that was a dangerous stunt. That throwing of cheque onto her face scene was so badly acted by her that in the end the impact was lost. And Roger should have really hit her leg hard because her pain was unconvincing. When I saw Yoyo's face turning up in the first scene her character appeared, I was severely disappointed with the casting because I don't know what happened to Yoyo, but she seems rather bad these days. It's like she is not giving her all, like she is holding back and the viewers with eyes to see surely could see a better actress could have done the role of Carmen more justice.

Elaine Yiu's character Man is one very strong willed girl who suffered a lot for her mother. The women in this series are all rather strong and are survivors. Normally I would say I like her performance. Most reviews have been very favourable to her, saying she was very good. When Roger was choking her, I thought she looked genuinely scared. In the entire series I thought she was rather good too up until one singular scene that made me realise either she didn't show the initiative or maybe she just didn't realise it; whilst her mother, that is Lui San was about to throw herself off the building, she came running in and registered the appropriate emotion that is shock. So far so good. She ran to Lui San, grab her mom, and cried, begging her mom to think of her and not to kill herself. So far so good. But look, something is amiss. I remember I said this in some review I can't remember which where I said in TVB world, the characters just can't leave their jackets and their bags, they must wear and carry them at all times, no matter what. When your mom is trying to kill herself and you're shocked to see that, surely whatever you're holding onto, you will immediately and automatically drop them and run to grab your mom? Elaine unfortunately was still carrying her rather large bag on her shoulder, from running to grabbing to sitting on the floor crying with her mom, that bag like as if sewn onto her shoulder. That is so unrealistic and I just couldn't concentrate on the crying and all when that big bag was there, on her shoulders. I remember Elaine. She was in Safe Guards right? She was that awful actress in there. I think she was then in A Journey Called Life right where she showed great improvement actually. I can't say who can play this role better because I have this feeling no actress in TVB would ever drop their bags onto the floor in that scene. Somehow the bag is as important as the mother.


Macy Chan's Kelly is such a contradiction. I don't like this character since I didn't see its purpose and when I saw the purpose of Kelly, I couldn't shake off the fact that Macy Chan is such an uneventful actress. I find myself paying more attention at the fact that she is so tiny next to Kevin than at her performance. Because if I did, I am sure I would have been even more critical than I am now. Her worst scene was almost last scene where she ran out of the hospital when she overheard Hei saying he was disappointed that Kelly betrayed him and he ran after her, saying sorry, and she slapped him (right action actually, I would have punched him) and next scene just mere seconds later she was chatting with him like some good friend, saying in a very light hearted way that she is leaving HK, she is starting a new life, etc. I was thinking didn't she just slapped him seconds ago? Isn't she angry or still angry? I thought that scene would have made more impact if she had delivered her lines in a bitter way, as if saying "I AM leavin HK (as in I am running away from you despicable bastard!), I AM starting a new life (as in so that I can show you I can live without you eventhough you hurt me deeply)" in a I WILL SHOW YOU sort of way but instead it was like a casual chat. So why slap him then? What's the impact? There is no continuity. I thought it would be better for her to leave bitterly and have Hei feeling slightly guilty than this "Hey I am leaving HK, hey you know I am starting a new life, hey I realise I can't be like this and well you know be like Boss, I don't wanna be like him you know" sort of way. Awful performance and a snoozefest as well because she is boring.

Lai Suen's grandma probably is the catalyst in the spiralling out of control Yin. I mean if maybe she had shown him more love and kindness Yin would have turned out all right? Anyway a great performance from this veteran. No comment needed.

Evergreen Mak plays the dumb guy to the hilt. I am rather bored with that. TVB, he is a good actor. GIVE HIM A BETTER MORE DIGNIFIED ROLE PLEASE!!!! He and Wayne Lai are very good actors, Wayne being the greater on of course but Evergreen Mak deserves some love from TVB. I find his character very annoying.

Kiki Sheung was very convincing in a role that I really hated. What a stupid mother. But the scene where she was stabbed was so frightening. A great performance.

Yvonne Ho as Ah See is fun to watch but for a very different reason. Her performance was awful. I wasn't even convinced she was trying to act. She was just there, pretending. Why it was fun to watch and I look forward to her scenes with Kevin is because everytime her Ah See hugs the brother that is Kevin's Hei, notice how genuinely and heartfelt she hugged him, even more intimately than when she hugged her on screen husband! Notice the way her cheeks brushed on his shoulder, how her hands hanged onto his shoulers and if I may dare say, brush his chest a bit, how she took every opportunity to hug him by hugging him so close, no ruler can ever measure the distance between their bodies? I am convinced Yvonne Ho was attracted to Kevin Cheng. I mean if I got the chance I too will hug him that way but since Ah See is his sister, that is rather not right. I also notice she sits closer to him than her own on screen husbandor mother. She just doesn't only hug, she lingers and clings onto him. Love those scenes, but for wrong reasons of course! Poor Kevin, he looked suffocated!

Ellesmere Choi was effective in his character that I didn't like at first. In the end I quite like his Yip whose role was getting lesser and lesser. In the end when Ah See should hug her husband for not being the killer and being so brave to assist her brother and I mean hug really tightly, I don't recall there was such a reaction. Poor Ellesmere, wife doesn't even want to hug him!

Verdict
Sporting some very genuinely violent, bloody scenes with blood splattered onto the camera itself and some terrifying stunts always involving high rise building, there are some really good moments in this series. Fans of Roger Kwok or fans of good acting would appreciate Roger's effortless and very convincing performance although some may be disappointed with the generally bad performances, especially from the other lead Kevin Cheng. In fact as this series went along, it clearly became Roger's show and Kevin was the sideline actor that in the end he is just one of those guys standing there. The story may seem compelling at first but stretching a 10 episodes sort of story to 22 will of course mean the story will suffer from repetition (like how many times must I see the stepfather die and all those flashback scenes) and a huge element of predictability. In most parts without Roger in it, the series became bland and boring. Some parts even with Roger in it, it was in the danger of becoming bland and boring. The problem is the story is predictable and too longwinded. But the ending was the worst. However the poster(s) and the intro with instrumental music (no one singing and thank god for that) was excellent. This series tries to be different, tries to be stylistic, adopted several filming techniques that I don't suppose I often seen in TVB series before, it felt cinematic sometimes, the stunts incredibly real and the violence justified thus heightening the sense of urgency but the length of this series, at some point TVB's usual boring way of presenting a series takes over and some awful performances really pulled down this series and what could have been a very good mini series or telemovie and if with good casting became a longwinded TV series that I cheered when it ended. Roger is the only real reason to watch this series so I recommend it to fans of Roger Kwok and those who appreciates the art of acting. Just let Master Roger show you the way.

Interesting Emphasis
Why I said STANDING in capital letters? Because Yin became paralysed waist down but the ending seems to indicate he may be able to learn to walk again as with hatred he struggled but was able to sit upright.






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01 December 2009

MAJO SAIBAN [TV][Jap]

Written by Funn Lim




"So there you have it; to my total disbelief, Japan who comes out with original songs, melody and stories is capable of producing a 100% crappy series"





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SPOILERS ... SPOILERS ... SPOILERS


Released in
2009

No. of Episodes
10

Cast-Character
Surname first, first name last

Ikuta Toma as Yoshioka Toru
Kato Ai as Watabe Izumi
Higa Manami as Motomiya Kaori
Suzuki Ryohei as Kurokawa Ryuichi
Kutsuna Shiori as Kashiwagi Haruka
Suenaga Haruka as Okudera Rika
Nakamura Yasuhi as Tatokoro Hideo
Yamaya Hatsuo as Izutsu Hajime
Hirakata Genki as Soma Suguru
Nakamura Kaori as Nedzu Yoshiko
Matsumoto Jun as Utsumi Nobue
Watanabe Kohei as Shindo Ryosuke
Shishido Miwako as Osawa Yoko
Ishida Yuriko as Kashiwagi Kyoko
Takizawa Saori as Mizushima Makiko

Plot
Taken from Dramawiki

Toru is a young part-timer who has no interest in social issues. He gets called in as a juror in the trial of a woman labeled as a "witch", charged with a murder over an enormous inheritance. Though it appears that she is definitely guilty, one by one the jurors begin casting their votes for "not guilty." From the shadows, there is a mysterious organization buying control of the jury. At the same time, strange events start happening around Toru. When another juror is threatened, Toru is determined to save her. However, Toru's girlfriend, a newspaper reporter, seems suspicious of their relationship. And so, Toru begins his lonely fight for the truth.

Trivia
Also taken from Dramawiki

This is the first drama to tackle the issue of Japan's new "saiban-in" (lay judge) system. The series started about a month before the actual jury system went into effect.

The importance of this trivia is because I really have no idea what's the system and how it works. Basically there are 9 judges in a trial, 3 of whom are legally trained and career judges and 6 of whom are so called lay judges, meaning picked from the pool of names that I suppose are the electorates rolls. Additional 2 lay judges are picked who will not participate nor voice opinion in the discussions and eventual verdict and are back ups, in case any of the 6 lay judges may be dismissed, sick, etc that these backups can take over. The verdict is reached by majority, meaning at least 5 as against 4. All 9 judges will discuss and come to a decision. I thought the 6 are jury as they sit by the side of the court and the 3 judges I suppose in the middle, which is a typical court setting. But when come to discussion time, the 3 judges will offer advice but not influence the 6 who will come to an independent decision, votes taken and pooled with the 3 professional judges. So basically you can say the 6 are jury but since the 3 judges' votes also taken into account rather than just presiding over the matter, in effect there are 9 judges, the majority vote wins. This is the new system in Japan and I can say this; damn confusing and in the end what trial normally takes years to complete in Japan will be stretched even more. The system has flaws; who are we to say the professional judges won't influence the lay judges? And in this series one of the lay saiban (as in lay judge) is a law student. Wouldn't that defeat the very purpose of a lay judge? Not to be legally trained? And since majority wins, I suspect in normal trial the professional judges will be very forceful and if you have 2 divided judge, there goes the votes! This series isn't about these flaws but it does in its way highlight some flaws that exists in normal jury system.

Comments
I admit the reason I came to know of this series is because of Keshin, the themesong by Fukuyama Masaharu. With the excellent song attached to the series, I downloaded the series, all 10 episodes of it from Tomalicious Fansubs, the subtitles excellent beyond belief. The problem is the series sucks big time. I find myself having to labour past 3 episodes, in fact I was tempted to abandon the series from the 1st episode onwards. I didn't watch the remainder of about 7 episodes until some time later, bit by bit but it was a very laboured sort of watching. I don't need to explain why except I present to you the ratings figure taken from Dramawiki:-

Viewership rating: 7.3 (Kanto)

That is pretty low as compared to Galileo that has an average rating of 21. Again I also admit I thought this series would be good firstly, due to the themesong, secondly because of the intriguing and one of the best TV series' poster I have ever seen and most importantly, I was swayed by my deep and favourable impression left by Galileo, that I thought all recent Japanese series would be as stylish, as clever and as entertaing. Again I admit I was dead wrong.

The story is simple. Young Toru is an unemployed designer. He designs T-Shirts. He has a reporter girlfriend. One day his name was picked as one of the lay saiban and he really wanted the job, because steady income for a period of time. Moreover it is a pretty free and relaxed job and the case in point involves a high profile murder case of a very old and very rich man, supposedly murdered by his younger, beautiful wife whom everybody labelled as a witch due to her unfortunate ability to attract tragedy in her life. All believes she is guilty, except for the woman's teenaged daughter (not born from that marriage but an earlier marriage where the husband also dies mysteriously) and eventually Toru's girlfriend. Toru was picked and he befriended 7 other lay judges (2 of whom are backups). We see very little of the professional judges by the way. From day one strange things was happening. All lay judges believes the witch to be guilty. All lay judges came from diverse background; a teacher, a law student, a housewife, an auntie, a GRO, an old man and a mousy Office Lady (OL) and of course Toru, the designer. And slowly each of them seems to change their verdict from guilty to not guilty as Toru himself was given an offer he couldn't refuse. Toru began to realise someone is influencing the votes and he formed an unlikely alliance with the young housewife, Izumi who has a young daughter and a husband away for work. Their closeness caused a deep and serious jealousy in Toru's girlfriend, Kaori who didn't believe Toru who believed the witch as seriously guilty. In the end even Izumi betrays Toru and Torus is forced to fight against the unseen forces, spies and his conscience to find the truth of the matter; did the witch killed the old husband?

10 episodes sounds reasonable for such a mystery. Problem is 10 episodes is way too long for this longwinded and awfully directed and badly paced series.

For one, episode 1 was a headache to watch. Sometimes style is good, as seen in Galileo, with the right balance of music, humour, wit and creative camera angles. The problem with this series is it is too concerned with being stylish that it just forgot there is only so much style when viewers expect a bit of substance as well. From the start, the music is way way way too loud. Every action is accompanied by a ching or ping or gong sounds, every surprised moment with some bright colours or freeze frames or spinning camera or some flashing lights. It goes on every few minutes or so that after 15 minutes of that continues sound, light, spinning camera and freeze frames that the series just gets on with telling the story. But it goes on and on episode after episode. The relief would come for just a few short minutes and then again the whole effects fly right to your face and my patience was running thin. All I wanted was to watch to the story, know the lot, immerse myself in the characters but what I got is a loud and flashy show that overwhelms the story to the point the story become secondary to all those loud and flashy effects. For all 10 episodes, lesser as it went along.

And whilst the story is intriguing, since I expected a real witch so to speak with some paranormal stuff thrown in, the witch in the title actually refers to the extreme evil in someone and their ability to fool the world. Yes, I just gave away the ending but well, I save you the dreaded epilepsy and what nots so I am sure you will be happy that I have away the ending this soon. The witch in question is a metaphor, not for real and I was severely disappointed. How the juries were influenced were rather interesting, sinister but eventually so badly executed, it was like extremely over the top. Take for example the gay teacher; pictures of him kissing a man plastered all over a brightly lit but in a deserted long tunner, like hundreds and hundreds of those pictures. Isn't that too dramatic? Then the kidnapping of Izumi's daughter, and more of such. All very dramatic, very flashy and lacking in subtlety. Usually that's not Japanese dorama style. I know they do go over the top, over emotional and all but in continous fashion hours after hours is indeed a strange new concept and I hated it. The way the discussion after the trial like "Oh guilty" or "Oh not guilty" as easily as that was amateur writing of a complex procedure. Interesting the 3 professional judges played very little role in the discussion. I expect them to influence the saibans! Of course the unseen forces need not bribe the professional judges since they need only 5 saibans to say Not Guilty. Sometime midway suddenly they all freaked Toru out by saying Guilty! I mean what is this? Child's plaything?

We get to see the witch herself, always looking morose, not smiling, dead serious, eyes downcast even at the end. Boring. She has no personality and you will be forgiven to wonder what's the fuss about when the story isn't even interested to show us her humanity or her evil or have us question whether she did it or didn't because all these drowned out by that stupid flashy loud effects. The murder scene, first speculated then the actual one really had no difference and always slow mo and always very dark. After like the 3rd repeat, I didn't quite care to watch what was shown since it was the same.

The characters neither garner our sympathy or our hatred. Well maybe hatred not towards the characters but the inadequate writing and performances. Of all the performances, only the actor Ikuta Toma who plays Toru resembles what I call a commendable acting. He looks fantastic, great hair but I sat with total disbelief that as a saiban the dress code is casual? Is Japan that relaxed in dress code coming from a society that bows as an apology instead of saying just the word sorry? But his acting was this series' saving grace. I like the character Toru who seems lazy and not even ambitious at first. I would expect him to be the first to fall even if everybody has one dirty little secret in their skeleton closet for the unseen forces to play around. But instead, he rose to the occasion and vowed to beat that unseen forces so it was him against everybody else. But for 10 episodes you see how he struggle, how he was influenced and not influenced, trying to convince everybody in the interest of justice to ignore their fears and greed... gets very tiring. I just skipped episodes and scenes.

The rest are just pretty standard stiff breathy performances. Maybe I was so influenced and impressed with Shibasaki Kou in Galileo that I expected all Japanese actresses to be like her; no breathy whisper. Funny thing I read that Kou was accused of being stiff! Seriously? In this series, the girlfriend speaks with a breathy whisper which I find suffocating and annoying. Always wide eyed and never anything else. Crazy maybe but not convincingly insane. The housewife, Izumi was worse. Breathy whisper, always a pause between sentences, hair by her side and her head always slidely bowed and always so sulky looking, I look at her and I feel constipated. I couldn't stand these 2 and after 3 episodes I have had enough of this style acting. I watched Gokusen and guess what? Shibasaki Kou and those performances in Galileo is really an exception to the general rule. Luckily I don't see the dreaded apron... well actually I did see but all those flashy interchanging scenes really distracted me, for once a good thing.

But none more worse than the unseen forces himself, from episode 1 we see a silver tipped hair guy with dark glasses in a dark basement or container or some dark room. How dramatic, how unnecessary. Wearing loud rocker pants that even rockers would throw away. He is the unseen forces, assisted by a leather clad female assistant as he slowly threatens each saibans to change their votes. We don't know who he is, except he is a professional guy when it comes to fixing jury and such. Problem is the actor is such an over the top overacting type of actor. And plus all those sound effects to every little thing he does (like fixing a label on a jury's picture, even that got flashy effects) and him smiling quite unconvincingly in his own "Look at me I am sinister!" way (that Roger Kwok got it down perfect in The Last One Standing), simply irritated me. He was beyond awful. And that revelation of who he is at the end was insignificant to me because it was said and done in seconds, again all those flashy sound effects.

The story itself is repetetive. It tries to be clever; it tries to be suspenseful, it tries to be dramatic, it tries to be mysterious but in the end it fell with a huge loud thud. It was not suspenseful because by 5th episode I kinda guess the ending, it wasn't dramatic because it was overly too dramatic that it just isn't dramatic anymore, it isn't even mysterious because we know how the old man died from the beginning. And if it is a critique about the new saiban system, clearly it fails terribly to highlight the obvious potential problem. This series just doesn't really know where to focus on and so focussed on too many thing at the same time that it confuses, confounds and deeply offends me as a viewer; because the story in the first 5 minutes was intriguing but after that it was seriously annoyingly boring.

Which teaches me a lesson; just because Galileo was great doesn't make all Japanese series in recent times great. Strangely it will garner fans intrigued by the storyline and the whole swoosh and woosh effects and sounds. I for one am only ever remotely interested in each episode simply for the ending theme that is Keshin, a song that this series does not deserve.

Verdict
Watch this to know why I feel Shibasaki Kou is probably the most refreshing Japanese actress I have ever seen. I also have had enough with those suspenseful "I am opening the box, opening, opening, going to open, will open, should I open, pull the string, wait don't pull, pull, not pull ..." moments that just had me going "JUST OPEN THAT BLOODY DAMN BOX!!!!!". To be fair, Suspect X and Galileo have their fair share of such moments too. But I just lost my patience with Majo Saiban's version because it was done in slow mo. That is it. I will refuse to watch crap anymore. Do not be fooled by its style; it has too much style that it drowns the story and the story is too predictable and repetetive and long winded that it makes the characters one dimensional and most one dimensional characters probably could have been better if they were better acted but this series, as in the major characters are acted by those actors who either laugh too much or speaks in breathy tones but again an actor is always influenced by the vision and direction of the director and the writer and the problem with this series is, the story at its very core is simply badly written and in the end badly director. So there you have it; to my total disbelief, Japan who comes out with original songs, melody and stories is capable of producing a 100% crappy series.

4 words to save you 10 hours of watching this;

AVOID AT ALL COST

Interesting Links
Watch the series
If you're however having too much time and really want to waste 10 hours of them, at least find a worthy subtitled version to waste your precious time. Get the Tomalicious Fansubs at D-Addicts. Look for the ones prefixed with [TFS]. Excellent English subtitles even if the font is a bit too long, too fast and too small.

Themesong
Keshin by Fukuyama Masaharu. Click here to listen and view the translated lyrics

The Ending Revealed
I am not even gonna hide this since my theory was either her or the daughter and in the end I thought the witch herself having been the killer all along would be appropriate and indeed, yeah she did it. Poor Toru was played around. The ending was hims realising he was tricked. My interest was what comes after. None because the end. She would inherit the dead man's billions. I think the daughter knows because she played along as well. The mysterious unseen forces guy is actually Izumi's husband. She found out in the end when she saw a mystery letter and in it her husband's picture.








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