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03 December 2009

LAST ONE STANDING [TVB]

Written by Funn Lim



"Suddenly the same smile, same face that I felt so genuinely likeable as Ah Wong is now so sinister and cruel and even devoid of warmth as Ah Yin"






SPOILERS ... SPOILERS ... SPOILERS


Title Deciphered
Indeed, it is truly Last One STANDING. Watch the ending to know why I emphasise on STANDING or just read my spoilers filled comments.

No. of Episodes
22

I was reading Wikipedia and it says in HK it was 21 episodes, overseas was 22. Did HK combine the last 2 episodes into 1 episode or did TVB deliberately do that just to torture the overseas fans since this series is definitely 12 episodes too long?

Released In
2008

Cast-Character
Roger Kwok - Tong Lap-Yin
Kevin Cheng - Cheung Sing-Hei
Yoyo Mung - Lee Pui-Ka (Carmen)
Elaine Yiu - Tong Hoi-Man (Mandy)
Macy Chan - Mo Oi-Lam (Kelly)
Law Lok Lam - Tsang Tsu-Leung
Kiki Sheung - Lau Git-Yee
Yvonne Ho - Cheung Jung-See
Ellesmere Choi - Yeung Kin-Yip
Lai Suen -Tong Lee So-Ngoh
Chun Wong - Tong Hok-Yan
Rosanne Lui - Tong Cheung Lai-Fun
Eileen Yeow - Lei Pui-Shan (Sandy)
Evergreen Mak - Poon Chi-Kan
Fiona Yuen - Fiona
Eddie Li - Alex
Sherming Yiu - So Lai-Fa


Summary
Thanks to Wikipedia

Former Hong Kong Correctional Services personnel Cheung Sing-Hei (Kevin Cheng) was sent to prison for murdering his stepfather, and the witness of the case was his cousin and best friend Tong Lap-Yin (Roger Kwok), who is adopted. Ten years later, Hei was released from prison, 3 years earlier than his sentence states because of his good conduct in jail. At that time, Yin already has a well-established career and a happy family, and Hei left with nothing at all. However, Hei was actually innocent, and he was angry at Yin for being the witness.

Hei later meets up with reporter Carmen (Yoyo Mung), who was his volunteer guidance counselor when he was in jail but left later because of schooling. He discovers that Carmen is actually Yin's fiance, and becomes more angry at Yin as he also likes her. Later, evident clues points out that Yin was actually the one who murdered Hei's stepfather, and he becomes more determined to solve the mystery, as he wanted his name cleared and his corrections job back. He decides to act content with his current life and accepts the job at Yin's insurance company, hoping to obtain evidence that could be used in court.

Not long after, Yin scammed the insurance company for a large multi-million dollar deal. Other members of his family also got setup so Yin could collect the inheritance fortune the father had left behind when he died. After years of trust towards Yin, people started to see that he is an ambitious and emotionless man that will do anything to reach his goal. This made others start to believe in Hei and they try to help him but in the end it still came down to a battle between Hei and Yin.

Comments
This is one series that reminds me of a BBC produced drama mini series, The Forstye Saga. In The Forsyte Saga where the actings were mostly great, there is a reason to hate every single character or the actors themselves. It is a series that I find it hard to like anyone in it. Last One Standing is HK's version of The Forsyte Saga. For various reasons, I hate every single character in this series. It's like either the character is not redeemable or the actor is just plain awful. Now, the premise isn't bad. In fact it would make a good 2 hour movie or a 10 episodes series but at 22 episodes, I felt like I was being dragged along an unwilling ride, just so to know what is the ending for one particular character. I wish I could just fast forward and watch the last 2 episodes and even that is a bit too long.

Trouble is from the start we all know Roger Kwok's Yin is something wrong. And Kevin Cheng's Hei is justifiably angry and wants to know the truth. So the characters are set out from episode 1. As the series went along we see Yin's true colours but I was already expecting that. There are some really violent scenes that sets this series apart from other series we see of this nature which also highlights Yin's true nature but that also highlights the trouble with Hei's character. The acting also were trouble. Big trouble for this series. But before I venture to comment more on the plot, the character and the acting, I have one major question that I find myself unable to answer at the time of writing this review;

What must a villain do to have everyone or someone or anyone abandon him for good? What must a villain do to have equal amount of justice meted out on them, not by prison sentence but for the pain inflicted as in emotional pain? WHAT MUST A VILLAIN DO TO HAVE EVERYONE REALISE SOMETIMES LEAVING HIM IS MORE REASONABLE THAN STAYING WITH HIM?

Like in my Episodic Thoughts in Moonlight Resonance, I thought the level of forgiveness in that series is ridiculous. I shall correct myself. The level of forgiveness in Last One Standing has reached a critically ridiculous state. Why I said so is because as I watched the last episode, I find myself shocked by

1. Yin got at most only 5 years of imprisonment for his huge catalogue of crime which includes murder (at least twice), framing someone (at least twice), attempted murder (at least 3 times), false imprinsonment, kidnapping, hurting, assault, cheating, breach of trust, conspiracy to commit several crimes, stalking, fraud (will and also company funds) and hurting someone with various objects from rocks to knives to sticks to whatever he could grab. And ALL THESE max 5 years. Where is the justice?

2. the worst of all, everybody and I mean absolutely everybody either forgives him or for the sake of someone else forgives him, including

- the adoptive mother whom he threw onto the floor (and considering he also kinda caused the woman's I think mother in law or mother's death), cheated her of money, refused to send her for treatment

- the adoptive sister whom he strangles to the point she almost died, twice at least and beaten several times and humiliated plenty of times

- ex fiancee whom he kidnapped, assaulted, attempted to rape, beat, imprisoned, stalked

- the adopted auntie whom he stabbed but she deserved that, personal opinion here

- childhood friend no. 1 whom he attempted to blame for some fraud, attempted to murder

- cousin whom he framed for a murder cousin did not commit, tried to throw him off the building, tried to kill him several times, beaten him to a pulp and considering he also stabbed this cousin's own mother and framed his brother in law for the same crime that cousin went to jail for.

That is pretty much everybody of any concern. The adopted mother being the worst culprit. Of course Yin I think did not harm the adoptive father (frankly I missed that part but I do think his love for his adopted father was somewhat genuine). This is a huge catalogue of wrongs but and I said it with a huge question mark of BUT in the last episode the mother was genuinely worried for his wellbeing ("He is your brother..."), his sister looked kinda concerned ("He will be alright mother, he will pull through..."), the cousin visited him ("You will be out soon, take good care of yourself" and even the ex fiancee looked genuinely still in love with him ("I am glad to hear you will be out soon") and the best friend who was almost killed seemed rather concerned about him ("Brother Yin, I promise I will visit you in prison!").

So my question that I can't answer is what does Yin have to do to have a realistic ending? Maybe the realistic ending is this? Is this why in real life parents could forgive their children who murdered or caused the death of their grandchildren? Is this why one parent could forgive the child for killing the other parent? Isn't this the most unreasonable realistic ending then, that despite everything, despite every harm, every heartache, every pain inflicted on everyone who once believed he was good and was genuinely fooled by his "kindness" and his act of the good guy, they could still trust in him still? Because the impression I got in the end was they believed he was a good guy turned bad and so is capable of being good again. But the series plainly shows Yin as a child was a bully and as he grew up he had this delusion (not even illusion) that a happy family is one that caters to his every whim. He seems genuinely upset when his sister and mother moved out, he justified his treatment to his family to Carmen by screaming "But don't you even care how much I LOVE YOU? How much I SACRIFICE FOR YOU?" and Carmen was right to shout back "It doesn't matter! How could you treat your family that way? I am scared of you and what you might do to me if you could do that to the family you said you love!!". Yin genuinely thinks everything he did was not wrong. He is incapable of moral right or moral wrong, to him he is right. Period. This is a very scary sort of guy. Is he evil? In context I don't think so. Evil connotes an ability to do harm without any barriers, without any care in the world, without any sense of guilt or conscience eating away. Yin isn't that sort of evil. He seems genuinely concerned about his adoptive father. He seems father concerned about his adoptive mother, despite anything. As long as his sister listens to him, he will cater to her needs, but within his rules. It means people must play by his rules and no other. He seems genuinely in love with Carmen, willing to pay a large amount of money to her sister. He volunteers for things, to do good stuff even if he stared angrily at their backs, curses them when no one could hear him or drag himself into doing it but the point is in the end he did do what he had to do to keep up with the image of the ultimate good guy. So he is not evil, but he is pretentious and so convinced with his own lie and in his own delusions that in the end he is to me insane.

But look at another angle just for a moment. He claims he loves his family and yet he did not hesitate to kill them. He accused Hei for not being man enough to kill his despicable stepfather and so Yin was doing Hei a favour which may be true but again the act of murder may be a favour done but the reason was purely selfish as he wanted to cover a fraud and also because he was really pissed of. He said he loves his girlfriend but when she tried to leave he did not hesitate to beat her legs, put a device around her neck that will send electricity thus eletrocuting her if she shouted for help, etc. That is not love. That is possessive love. He may think he is in love with her and maybe he is right but in the end he is someone who is in love with the idea of love, his idea of a family, his idea of a career. Meaning he is truly and utterly selfish, successfully convincing himself he is a good guy and in the last episode utterly convincing himself that Hei and Carmen are together and so vowed revenge. The final shot was a sinister Yin, smiling sinisterly, plotting on how he will fool them all again to exact revenge. And guess what? If there is a sequal, I am very sure they will all be fooled again because let's face it, some people being such idiots are willing to be fooled despite the obvious signs saying DO NOT TRUST THIS MAN EVER!

And that is the basis of this series; how a man can fool those around him and how another man used the same methods to fool him. In the end it boiled down to punches by the way.

But throughout I thought at first Hei looks genuinely angry, is justifiably angry. He was convinced Yin did the crime but why? We will find out just a few episodes in. The rest is how Hei infiltrated into Yin's trust and tried to get the information he needed to convict Yin, one way or another. Funny thing, I don't think Yin ever trusted him.

So to me Hei is a very foolish man. At one point I was thinking "Aiyah give up lar" because it was such a laboured effort to see him get angry, then pretend to smile etc. How he executed his plans was rather despicable. He seduced Yin's accountant then dumped her then got back with her only to dump her again. He fooled his stepfather's mistress and her son even if he was genuinely sorry he in a way caused his stepfather's death. He blackmailed his brother in law to help him and let his own sister live with the guilt thinking her own husband murdered her stepfather and caused her beloved brother to suffer 10 years in jail and funny thing, in the end his brother in law became his best friend. He in a way was as manipulative as Yin, except Yin was more successful at that. And the reason driving Hei's determination?

I thought perhaps Hei wanted the truth, he wanted to redeem his own reputation. But the reason is simpler than that; when he found out Carmen agreed to marry Yin, he was so desperate he himself got fooled by another potential witness to Yin's fraudulent business. He was so desperate he hurt the fragile heart of someone else. In the end he did everything for Carmen. At the end Carmen refused to be with him, because I believe she was so hurt by Yin's betrayal and in some ways she was still in love with Yin, hence the reason why she visited him in prison. 3 years later he was still pining and waiting for Carmen but Carmen I believe stopped considering him. Everything he did, he did it for Carmen. I find that part ridiculous and kinda killed the credibility of this series. As the series went on, it seems to be Hei who suffered 10 years of injustice was less angry than Yin who had everything justifiably taken away from him. Hei who looked brutal when he first came out of prison should have enough emotional fire power to be angrier than Yin and match him in punching, kicking, etc but Yin seems more brutal. Yin in fact could punch the daylights out of Hei and that is because Yin is genuinely a very brutal and cruel person whilst Hei is nice but 10 years of prison and Hei did not sharpen his own brutality. Of course it might mean that's what sets Hei apart from Yin; that Hei is human and humane whilst Yin is all actor and cruel. But it would make for some better storytelling if Hei is as angry as Yin like he was in the beginning instead of fizzling out in the end and became this duh harmless sort of guy.

With that being said I understand why everybody else seems to be under the control of Yin. His sister, Man had to endure many things for the sake of her mother, thus growing more mature as the series went along and perhaps the person I pity the most. His mother is one I could not pity because he very plainly is that terrible and cruel, right before her eyes and yet she forgave him again and again. Carmen proved to be someone of some integrity and spunkiness, something Hei could't be when she fought back, kicked the hell out of Yin, punched him and was forthright in leaving him. But the ending where she visited him in prison was really one of the reason why this series anihilated itself in the good storytelling department. I never liked Hei's mother but the last scene where she begged for her son's forgiveness was touching and in a way redeemed her. She was truly and indeed fooled by Yin and her own despicable husband. The accountant was rightly angry with Hei for using her but to stand by the side of a man who just kidnapped your best friend and treated her so badly was rather ridiculous. It was justified by the reason that love makes you do crazy things and perhaps it is to show the pararell between her and Yin, how alike when both are hurt I suppose but I find that 1 episode of this aspect not enough at all to justify it as a good twist or a good storytelling. Kan the dumb big guy was in the end surprisingly the one who stood up to Yin by helping Hei despite threats to his life and so it was with Yip, the brother in law, however reluctant he was in the beginning. Hei's sister, See may have been cowardly not to back up her brother's story of how her stepfather was sexually molesting her but I did find her concern and love for her only big brother genuine and at times rather touching if not for one aspect which I will elaborate below.

But like I said there is a reason to hate everybody.

Yin is hated for obvious reasons but sometimes when he was so delusional, playing with his favourite toy house and his idea of a happy family, I kinda pity him. However I love Roger Kwok's performance. I believe this is his first true villanous role? I could never look at Roger's sweet smile the same ever again. He may be smiling, but the eyes ain't sparkling and it felt so fake. Suddenly the same smile, same face that I felt so genuinely likeable as Ah Wong is now so sinister and cruel and even devoid of warmth as Ah Yin. Truth is I was bored with his Ah Wong sort of roles. I wanted him challenged and in here his performance was stunning and I love the way he went all out. He didn't hold anything back. He didn't quite bother with public's perception of himself because if not he couldn't have give one of his best performance ever. And he was so violent in some scenes. Genuinely truly frightening moments involved a deranged Roger, dragging Kevin on a rooftop to throw him off the building, pushing someone off the building, beating Yoyo on the leg, dropping Lui San from where he was carrying her onto the floor (in fact everyone looked surprised and frightened and Lui San looked like in pain! I hope she was properly padded because that looked like it could really hurt and it was a scary moment of total vindictiveness on the part of Roger's Yin, and perhaps the best scene), squeezing the breath out of Elaine Yiu and more acts of insanity. There were some truly terrifying moments, all involving Roger that had me shouting like the last episode how Roger fell over the building and hanging onto life (very dramatic, very well done stunt and for a moment I thought I hope that's the stuntman because Roger is too good an actor to be put through such scary stunts), Roger pulled all that with great style as in acting style. There is nothing nice or genuine about Yin and Roger was so utterly convincing that I find his Yin genuinely scary. Roger is probably the only reason why this series didn't suck as much as it should and why one could endure 22 episodes of a story so flimsy that can be finished in 10. Which is why I was very very shocked to read in Wikipedia he wasn't even nominated. Why Kevin was nominated was beyond me!

And now Kevin Cheng. I consider him the handsomest man in TVB, probably in HK. I never quite think of him as a bad actor since I find him ok, nothing more and nothing less. But after this series, I really pity him, because he had to stand next to Roger who gave a masterclass performance and Kevin looked like a little boy trying to act. I wouldn't say Kevin is a miscast since when he is not smiling he does look mournful, almost pissed looking all the time. In fact the first few episodes he did look very angry and the unshaven look suited his character well. And I wouldn't say Roger got the better role because Hei is an interesting role too; he is not your typically nice guy. He was despicable, he was angry, he did many things that people thought that he is the bad guy whilst Roger's Yin, being more calculative successfully fooled the world. And when Hei wanted to fool Roger to investigate him, I truly because that was the real Hei before he went into prison; a nice positive thinking sort of guy. So Hei is an interesting character too, but at Kevin Cheng's hands, he became from a tiger to a cub. From angry to what the hell why isn't he even angrier now sort of guy. He became bland and everytime the series focussed on him and his obssession with Carmen, it was cringe worthy and boring. I don't know which is worse. So as an actor whose ability to play this role is limited to his general ability to play any roles especially such a heavy duty multi layered role that he successfully squashed into a predictable boring single layered sort of character, I would admit now that he is truly a miscast. I dislike Hei for his methods but I genuinely despise Kevin Cheng for bulldozing this character. His worst moment was when Yoyo was clinging onto the side of the cliff, crying for help and his eyes was... his eyes as he screamed "CARMEN!!" who is the woman he loves and desires... his eyes were... how shall I put it? Empty? Devoid of concern? Pure bad acting? His truly good moments were in the same scene, clinging onto the cliff, trying to save Yoyo as he lowered himself down, that moment he showed genuine fear. Same goes for rooftop scenes. You can't hide fear of heights or fear of dangerous stunts. His annoying moments were when he was accusing Roger of wrongdoings or trying to make a point angrily, his neck would stick in and out quickly as he delivered his lines, like a turtle's head coming out of its shell really fast several times. I was thinking Kevin, what are you doing? The first few episodes as he screamed "YOU FRAMED ME!!!!!" so many times at the top of his voice was hurting my ears. I was thinking how can he go from that to being a spy in Roger's company? Ahhhh that is because Roger's Yin thinks he is the smartest when he thought he tamed the unruly Hei and so even Yin was fooled by Yin himself! As the series went on, I got more and more annoyed with Kevin Cheng's performance right up until I read in Wikipedia how he was nominated instead of Roger (maybe Wikipedia did not update the nomination listed there?) that I became absolutely irritated with Kevin Cheng. It is this series that convinces me Kevin Cheng who is not a bad actor generally is truly a very inadequate actor. As I saw in an interview for the awards promo where he was saying "I told myself Kevin, you must work harder and prove yourself!" that I wholeheartedly agree with his self realisation that perhaps he is not a very good actor at all. Humility is the first step to improvement so I hope he has improved since then or maybe just avoid such an emotionally taxing role. So who can play this role? I thought Wong Hei as his best would have rivalled Roger in the acting department. Wong Hei has a tendency of being in the slump, being rather fake and all and that affects his performance. But when he was good, he was really good. So he is not a looker. Truth is after 22 episodes of Kevin Cheng's awful performance who went from ok to truly and woefully inadequate, I'd rather a less handsome guy who can deliver the goods than a more handsome guy who can't.

And now we come to Yoyo Mung. I like her character, the strong willed and with a stronger sense of justice that is Carmen. I love how she kicked and punched Yin. How she could or at least tried to protect herself which shows how strong she is even if she is a woman. She tried to escape and she investigates when she thought Yin wasn't being honest. Character wise, Carmen is a very good character and very likeable. What I don't like was Yoyo Mung herself. She is better here than she was in previous series where she didn't seem to pay any attention at all but even in here she was woefully inadequate. Her character is well written but the actress didn't play her well or to her full potential. I hated the way she was running away from Roger and I mean running for her life and she was running so slow I could walk faster than she ran. Her genuinely good acting moment was when she was hanging onto the side of the cliff. Her worst acting was when in one of the best scene ever Roger tore up the cheque she gave him with total and utter disgust and he threw the cheque right at her face (Woah!!!! Very realistic moment!!!) and her face registered total blankness. Shouldn't she look surprised? Shocked? Disgusted? It was as if she was anticipating that. Unlike the scene where Roger threw Lui San to the floor which I am sure they were anticipating that too but there was some real concern because that was a dangerous stunt. That throwing of cheque onto her face scene was so badly acted by her that in the end the impact was lost. And Roger should have really hit her leg hard because her pain was unconvincing. When I saw Yoyo's face turning up in the first scene her character appeared, I was severely disappointed with the casting because I don't know what happened to Yoyo, but she seems rather bad these days. It's like she is not giving her all, like she is holding back and the viewers with eyes to see surely could see a better actress could have done the role of Carmen more justice.

Elaine Yiu's character Man is one very strong willed girl who suffered a lot for her mother. The women in this series are all rather strong and are survivors. Normally I would say I like her performance. Most reviews have been very favourable to her, saying she was very good. When Roger was choking her, I thought she looked genuinely scared. In the entire series I thought she was rather good too up until one singular scene that made me realise either she didn't show the initiative or maybe she just didn't realise it; whilst her mother, that is Lui San was about to throw herself off the building, she came running in and registered the appropriate emotion that is shock. So far so good. She ran to Lui San, grab her mom, and cried, begging her mom to think of her and not to kill herself. So far so good. But look, something is amiss. I remember I said this in some review I can't remember which where I said in TVB world, the characters just can't leave their jackets and their bags, they must wear and carry them at all times, no matter what. When your mom is trying to kill herself and you're shocked to see that, surely whatever you're holding onto, you will immediately and automatically drop them and run to grab your mom? Elaine unfortunately was still carrying her rather large bag on her shoulder, from running to grabbing to sitting on the floor crying with her mom, that bag like as if sewn onto her shoulder. That is so unrealistic and I just couldn't concentrate on the crying and all when that big bag was there, on her shoulders. I remember Elaine. She was in Safe Guards right? She was that awful actress in there. I think she was then in A Journey Called Life right where she showed great improvement actually. I can't say who can play this role better because I have this feeling no actress in TVB would ever drop their bags onto the floor in that scene. Somehow the bag is as important as the mother.


Macy Chan's Kelly is such a contradiction. I don't like this character since I didn't see its purpose and when I saw the purpose of Kelly, I couldn't shake off the fact that Macy Chan is such an uneventful actress. I find myself paying more attention at the fact that she is so tiny next to Kevin than at her performance. Because if I did, I am sure I would have been even more critical than I am now. Her worst scene was almost last scene where she ran out of the hospital when she overheard Hei saying he was disappointed that Kelly betrayed him and he ran after her, saying sorry, and she slapped him (right action actually, I would have punched him) and next scene just mere seconds later she was chatting with him like some good friend, saying in a very light hearted way that she is leaving HK, she is starting a new life, etc. I was thinking didn't she just slapped him seconds ago? Isn't she angry or still angry? I thought that scene would have made more impact if she had delivered her lines in a bitter way, as if saying "I AM leavin HK (as in I am running away from you despicable bastard!), I AM starting a new life (as in so that I can show you I can live without you eventhough you hurt me deeply)" in a I WILL SHOW YOU sort of way but instead it was like a casual chat. So why slap him then? What's the impact? There is no continuity. I thought it would be better for her to leave bitterly and have Hei feeling slightly guilty than this "Hey I am leaving HK, hey you know I am starting a new life, hey I realise I can't be like this and well you know be like Boss, I don't wanna be like him you know" sort of way. Awful performance and a snoozefest as well because she is boring.

Lai Suen's grandma probably is the catalyst in the spiralling out of control Yin. I mean if maybe she had shown him more love and kindness Yin would have turned out all right? Anyway a great performance from this veteran. No comment needed.

Evergreen Mak plays the dumb guy to the hilt. I am rather bored with that. TVB, he is a good actor. GIVE HIM A BETTER MORE DIGNIFIED ROLE PLEASE!!!! He and Wayne Lai are very good actors, Wayne being the greater on of course but Evergreen Mak deserves some love from TVB. I find his character very annoying.

Kiki Sheung was very convincing in a role that I really hated. What a stupid mother. But the scene where she was stabbed was so frightening. A great performance.

Yvonne Ho as Ah See is fun to watch but for a very different reason. Her performance was awful. I wasn't even convinced she was trying to act. She was just there, pretending. Why it was fun to watch and I look forward to her scenes with Kevin is because everytime her Ah See hugs the brother that is Kevin's Hei, notice how genuinely and heartfelt she hugged him, even more intimately than when she hugged her on screen husband! Notice the way her cheeks brushed on his shoulder, how her hands hanged onto his shoulers and if I may dare say, brush his chest a bit, how she took every opportunity to hug him by hugging him so close, no ruler can ever measure the distance between their bodies? I am convinced Yvonne Ho was attracted to Kevin Cheng. I mean if I got the chance I too will hug him that way but since Ah See is his sister, that is rather not right. I also notice she sits closer to him than her own on screen husbandor mother. She just doesn't only hug, she lingers and clings onto him. Love those scenes, but for wrong reasons of course! Poor Kevin, he looked suffocated!

Ellesmere Choi was effective in his character that I didn't like at first. In the end I quite like his Yip whose role was getting lesser and lesser. In the end when Ah See should hug her husband for not being the killer and being so brave to assist her brother and I mean hug really tightly, I don't recall there was such a reaction. Poor Ellesmere, wife doesn't even want to hug him!

Verdict
Sporting some very genuinely violent, bloody scenes with blood splattered onto the camera itself and some terrifying stunts always involving high rise building, there are some really good moments in this series. Fans of Roger Kwok or fans of good acting would appreciate Roger's effortless and very convincing performance although some may be disappointed with the generally bad performances, especially from the other lead Kevin Cheng. In fact as this series went along, it clearly became Roger's show and Kevin was the sideline actor that in the end he is just one of those guys standing there. The story may seem compelling at first but stretching a 10 episodes sort of story to 22 will of course mean the story will suffer from repetition (like how many times must I see the stepfather die and all those flashback scenes) and a huge element of predictability. In most parts without Roger in it, the series became bland and boring. Some parts even with Roger in it, it was in the danger of becoming bland and boring. The problem is the story is predictable and too longwinded. But the ending was the worst. However the poster(s) and the intro with instrumental music (no one singing and thank god for that) was excellent. This series tries to be different, tries to be stylistic, adopted several filming techniques that I don't suppose I often seen in TVB series before, it felt cinematic sometimes, the stunts incredibly real and the violence justified thus heightening the sense of urgency but the length of this series, at some point TVB's usual boring way of presenting a series takes over and some awful performances really pulled down this series and what could have been a very good mini series or telemovie and if with good casting became a longwinded TV series that I cheered when it ended. Roger is the only real reason to watch this series so I recommend it to fans of Roger Kwok and those who appreciates the art of acting. Just let Master Roger show you the way.

Interesting Emphasis
Why I said STANDING in capital letters? Because Yin became paralysed waist down but the ending seems to indicate he may be able to learn to walk again as with hatred he struggled but was able to sit upright.






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01 December 2009

MAJO SAIBAN [TV][Jap]

Written by Funn Lim




"So there you have it; to my total disbelief, Japan who comes out with original songs, melody and stories is capable of producing a 100% crappy series"





Free Image Hosting at www.ImageShack.us




SPOILERS ... SPOILERS ... SPOILERS


Released in
2009

No. of Episodes
10

Cast-Character
Surname first, first name last

Ikuta Toma as Yoshioka Toru
Kato Ai as Watabe Izumi
Higa Manami as Motomiya Kaori
Suzuki Ryohei as Kurokawa Ryuichi
Kutsuna Shiori as Kashiwagi Haruka
Suenaga Haruka as Okudera Rika
Nakamura Yasuhi as Tatokoro Hideo
Yamaya Hatsuo as Izutsu Hajime
Hirakata Genki as Soma Suguru
Nakamura Kaori as Nedzu Yoshiko
Matsumoto Jun as Utsumi Nobue
Watanabe Kohei as Shindo Ryosuke
Shishido Miwako as Osawa Yoko
Ishida Yuriko as Kashiwagi Kyoko
Takizawa Saori as Mizushima Makiko

Plot
Taken from Dramawiki

Toru is a young part-timer who has no interest in social issues. He gets called in as a juror in the trial of a woman labeled as a "witch", charged with a murder over an enormous inheritance. Though it appears that she is definitely guilty, one by one the jurors begin casting their votes for "not guilty." From the shadows, there is a mysterious organization buying control of the jury. At the same time, strange events start happening around Toru. When another juror is threatened, Toru is determined to save her. However, Toru's girlfriend, a newspaper reporter, seems suspicious of their relationship. And so, Toru begins his lonely fight for the truth.

Trivia
Also taken from Dramawiki

This is the first drama to tackle the issue of Japan's new "saiban-in" (lay judge) system. The series started about a month before the actual jury system went into effect.

The importance of this trivia is because I really have no idea what's the system and how it works. Basically there are 9 judges in a trial, 3 of whom are legally trained and career judges and 6 of whom are so called lay judges, meaning picked from the pool of names that I suppose are the electorates rolls. Additional 2 lay judges are picked who will not participate nor voice opinion in the discussions and eventual verdict and are back ups, in case any of the 6 lay judges may be dismissed, sick, etc that these backups can take over. The verdict is reached by majority, meaning at least 5 as against 4. All 9 judges will discuss and come to a decision. I thought the 6 are jury as they sit by the side of the court and the 3 judges I suppose in the middle, which is a typical court setting. But when come to discussion time, the 3 judges will offer advice but not influence the 6 who will come to an independent decision, votes taken and pooled with the 3 professional judges. So basically you can say the 6 are jury but since the 3 judges' votes also taken into account rather than just presiding over the matter, in effect there are 9 judges, the majority vote wins. This is the new system in Japan and I can say this; damn confusing and in the end what trial normally takes years to complete in Japan will be stretched even more. The system has flaws; who are we to say the professional judges won't influence the lay judges? And in this series one of the lay saiban (as in lay judge) is a law student. Wouldn't that defeat the very purpose of a lay judge? Not to be legally trained? And since majority wins, I suspect in normal trial the professional judges will be very forceful and if you have 2 divided judge, there goes the votes! This series isn't about these flaws but it does in its way highlight some flaws that exists in normal jury system.

Comments
I admit the reason I came to know of this series is because of Keshin, the themesong by Fukuyama Masaharu. With the excellent song attached to the series, I downloaded the series, all 10 episodes of it from Tomalicious Fansubs, the subtitles excellent beyond belief. The problem is the series sucks big time. I find myself having to labour past 3 episodes, in fact I was tempted to abandon the series from the 1st episode onwards. I didn't watch the remainder of about 7 episodes until some time later, bit by bit but it was a very laboured sort of watching. I don't need to explain why except I present to you the ratings figure taken from Dramawiki:-

Viewership rating: 7.3 (Kanto)

That is pretty low as compared to Galileo that has an average rating of 21. Again I also admit I thought this series would be good firstly, due to the themesong, secondly because of the intriguing and one of the best TV series' poster I have ever seen and most importantly, I was swayed by my deep and favourable impression left by Galileo, that I thought all recent Japanese series would be as stylish, as clever and as entertaing. Again I admit I was dead wrong.

The story is simple. Young Toru is an unemployed designer. He designs T-Shirts. He has a reporter girlfriend. One day his name was picked as one of the lay saiban and he really wanted the job, because steady income for a period of time. Moreover it is a pretty free and relaxed job and the case in point involves a high profile murder case of a very old and very rich man, supposedly murdered by his younger, beautiful wife whom everybody labelled as a witch due to her unfortunate ability to attract tragedy in her life. All believes she is guilty, except for the woman's teenaged daughter (not born from that marriage but an earlier marriage where the husband also dies mysteriously) and eventually Toru's girlfriend. Toru was picked and he befriended 7 other lay judges (2 of whom are backups). We see very little of the professional judges by the way. From day one strange things was happening. All lay judges believes the witch to be guilty. All lay judges came from diverse background; a teacher, a law student, a housewife, an auntie, a GRO, an old man and a mousy Office Lady (OL) and of course Toru, the designer. And slowly each of them seems to change their verdict from guilty to not guilty as Toru himself was given an offer he couldn't refuse. Toru began to realise someone is influencing the votes and he formed an unlikely alliance with the young housewife, Izumi who has a young daughter and a husband away for work. Their closeness caused a deep and serious jealousy in Toru's girlfriend, Kaori who didn't believe Toru who believed the witch as seriously guilty. In the end even Izumi betrays Toru and Torus is forced to fight against the unseen forces, spies and his conscience to find the truth of the matter; did the witch killed the old husband?

10 episodes sounds reasonable for such a mystery. Problem is 10 episodes is way too long for this longwinded and awfully directed and badly paced series.

For one, episode 1 was a headache to watch. Sometimes style is good, as seen in Galileo, with the right balance of music, humour, wit and creative camera angles. The problem with this series is it is too concerned with being stylish that it just forgot there is only so much style when viewers expect a bit of substance as well. From the start, the music is way way way too loud. Every action is accompanied by a ching or ping or gong sounds, every surprised moment with some bright colours or freeze frames or spinning camera or some flashing lights. It goes on every few minutes or so that after 15 minutes of that continues sound, light, spinning camera and freeze frames that the series just gets on with telling the story. But it goes on and on episode after episode. The relief would come for just a few short minutes and then again the whole effects fly right to your face and my patience was running thin. All I wanted was to watch to the story, know the lot, immerse myself in the characters but what I got is a loud and flashy show that overwhelms the story to the point the story become secondary to all those loud and flashy effects. For all 10 episodes, lesser as it went along.

And whilst the story is intriguing, since I expected a real witch so to speak with some paranormal stuff thrown in, the witch in the title actually refers to the extreme evil in someone and their ability to fool the world. Yes, I just gave away the ending but well, I save you the dreaded epilepsy and what nots so I am sure you will be happy that I have away the ending this soon. The witch in question is a metaphor, not for real and I was severely disappointed. How the juries were influenced were rather interesting, sinister but eventually so badly executed, it was like extremely over the top. Take for example the gay teacher; pictures of him kissing a man plastered all over a brightly lit but in a deserted long tunner, like hundreds and hundreds of those pictures. Isn't that too dramatic? Then the kidnapping of Izumi's daughter, and more of such. All very dramatic, very flashy and lacking in subtlety. Usually that's not Japanese dorama style. I know they do go over the top, over emotional and all but in continous fashion hours after hours is indeed a strange new concept and I hated it. The way the discussion after the trial like "Oh guilty" or "Oh not guilty" as easily as that was amateur writing of a complex procedure. Interesting the 3 professional judges played very little role in the discussion. I expect them to influence the saibans! Of course the unseen forces need not bribe the professional judges since they need only 5 saibans to say Not Guilty. Sometime midway suddenly they all freaked Toru out by saying Guilty! I mean what is this? Child's plaything?

We get to see the witch herself, always looking morose, not smiling, dead serious, eyes downcast even at the end. Boring. She has no personality and you will be forgiven to wonder what's the fuss about when the story isn't even interested to show us her humanity or her evil or have us question whether she did it or didn't because all these drowned out by that stupid flashy loud effects. The murder scene, first speculated then the actual one really had no difference and always slow mo and always very dark. After like the 3rd repeat, I didn't quite care to watch what was shown since it was the same.

The characters neither garner our sympathy or our hatred. Well maybe hatred not towards the characters but the inadequate writing and performances. Of all the performances, only the actor Ikuta Toma who plays Toru resembles what I call a commendable acting. He looks fantastic, great hair but I sat with total disbelief that as a saiban the dress code is casual? Is Japan that relaxed in dress code coming from a society that bows as an apology instead of saying just the word sorry? But his acting was this series' saving grace. I like the character Toru who seems lazy and not even ambitious at first. I would expect him to be the first to fall even if everybody has one dirty little secret in their skeleton closet for the unseen forces to play around. But instead, he rose to the occasion and vowed to beat that unseen forces so it was him against everybody else. But for 10 episodes you see how he struggle, how he was influenced and not influenced, trying to convince everybody in the interest of justice to ignore their fears and greed... gets very tiring. I just skipped episodes and scenes.

The rest are just pretty standard stiff breathy performances. Maybe I was so influenced and impressed with Shibasaki Kou in Galileo that I expected all Japanese actresses to be like her; no breathy whisper. Funny thing I read that Kou was accused of being stiff! Seriously? In this series, the girlfriend speaks with a breathy whisper which I find suffocating and annoying. Always wide eyed and never anything else. Crazy maybe but not convincingly insane. The housewife, Izumi was worse. Breathy whisper, always a pause between sentences, hair by her side and her head always slidely bowed and always so sulky looking, I look at her and I feel constipated. I couldn't stand these 2 and after 3 episodes I have had enough of this style acting. I watched Gokusen and guess what? Shibasaki Kou and those performances in Galileo is really an exception to the general rule. Luckily I don't see the dreaded apron... well actually I did see but all those flashy interchanging scenes really distracted me, for once a good thing.

But none more worse than the unseen forces himself, from episode 1 we see a silver tipped hair guy with dark glasses in a dark basement or container or some dark room. How dramatic, how unnecessary. Wearing loud rocker pants that even rockers would throw away. He is the unseen forces, assisted by a leather clad female assistant as he slowly threatens each saibans to change their votes. We don't know who he is, except he is a professional guy when it comes to fixing jury and such. Problem is the actor is such an over the top overacting type of actor. And plus all those sound effects to every little thing he does (like fixing a label on a jury's picture, even that got flashy effects) and him smiling quite unconvincingly in his own "Look at me I am sinister!" way (that Roger Kwok got it down perfect in The Last One Standing), simply irritated me. He was beyond awful. And that revelation of who he is at the end was insignificant to me because it was said and done in seconds, again all those flashy sound effects.

The story itself is repetetive. It tries to be clever; it tries to be suspenseful, it tries to be dramatic, it tries to be mysterious but in the end it fell with a huge loud thud. It was not suspenseful because by 5th episode I kinda guess the ending, it wasn't dramatic because it was overly too dramatic that it just isn't dramatic anymore, it isn't even mysterious because we know how the old man died from the beginning. And if it is a critique about the new saiban system, clearly it fails terribly to highlight the obvious potential problem. This series just doesn't really know where to focus on and so focussed on too many thing at the same time that it confuses, confounds and deeply offends me as a viewer; because the story in the first 5 minutes was intriguing but after that it was seriously annoyingly boring.

Which teaches me a lesson; just because Galileo was great doesn't make all Japanese series in recent times great. Strangely it will garner fans intrigued by the storyline and the whole swoosh and woosh effects and sounds. I for one am only ever remotely interested in each episode simply for the ending theme that is Keshin, a song that this series does not deserve.

Verdict
Watch this to know why I feel Shibasaki Kou is probably the most refreshing Japanese actress I have ever seen. I also have had enough with those suspenseful "I am opening the box, opening, opening, going to open, will open, should I open, pull the string, wait don't pull, pull, not pull ..." moments that just had me going "JUST OPEN THAT BLOODY DAMN BOX!!!!!". To be fair, Suspect X and Galileo have their fair share of such moments too. But I just lost my patience with Majo Saiban's version because it was done in slow mo. That is it. I will refuse to watch crap anymore. Do not be fooled by its style; it has too much style that it drowns the story and the story is too predictable and repetetive and long winded that it makes the characters one dimensional and most one dimensional characters probably could have been better if they were better acted but this series, as in the major characters are acted by those actors who either laugh too much or speaks in breathy tones but again an actor is always influenced by the vision and direction of the director and the writer and the problem with this series is, the story at its very core is simply badly written and in the end badly director. So there you have it; to my total disbelief, Japan who comes out with original songs, melody and stories is capable of producing a 100% crappy series.

4 words to save you 10 hours of watching this;

AVOID AT ALL COST

Interesting Links
Watch the series
If you're however having too much time and really want to waste 10 hours of them, at least find a worthy subtitled version to waste your precious time. Get the Tomalicious Fansubs at D-Addicts. Look for the ones prefixed with [TFS]. Excellent English subtitles even if the font is a bit too long, too fast and too small.

Themesong
Keshin by Fukuyama Masaharu. Click here to listen and view the translated lyrics

The Ending Revealed
I am not even gonna hide this since my theory was either her or the daughter and in the end I thought the witch herself having been the killer all along would be appropriate and indeed, yeah she did it. Poor Toru was played around. The ending was hims realising he was tricked. My interest was what comes after. None because the end. She would inherit the dead man's billions. I think the daughter knows because she played along as well. The mysterious unseen forces guy is actually Izumi's husband. She found out in the end when she saw a mystery letter and in it her husband's picture.








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19 November 2009

TWILIGHT [Fiction]

Written by Funn Lim



"Overall I enjoyed the book but I am surprised at the accolades given to what I feel is a mediocre book."





There are 4 books in the Twilight series, Twilight, New Moon, Eclipse and Breaking Dawn. Any surprise what these books are about? The following is my opinion on the first book, Twilight.


SPOILERS ... SPOILERS ... SPOILERS


Author
Stephenie Meyers

Comments
I admit,I have never heard about this book or the author until I stumbled across the Twilight movie promos after reading how Warner Bros chickened out of releasing Harry Potter movie at the same time as Twilight movie and that was like weeks before the movie will be broadcast. I bought all 4 books, each more expensive than the other where for Twilight I bought the movie tie in version. My advise is wait until the movie tie in version, if not you will have to pay RM10-00 more for the 4th book. I know the basic story; it is a love story between a vampire guy and a human girl. That in itself could stretch to 4 books kinda stirred my interest. And I was happy I had new materials to read. Kinokuniya at KLCC is my favourite bookshop.

Anyway, read it in 3 days, mostly speedread which is not good news for me. The book is appealing understandably for the young ones because it is written in simple language. How many ways can you say I love you? In this book, 1 way; simply I LOVE YOU. So how complicated can that be? The names of the heroes and heroines even reminded me of the Judith McNaught type of romance books, with a twist. The girl is Isabella Swan or Bella and the guy who is a vampire who looks eternally 17 but is actually about 100 years old is Edward Cullen or well.. Edward. Both very sturdy not very often used name, especially Edward. No Eddie, no Ed but Edward. Very aristrocratic. Other character names like Rosalie, Emmet, Jasper, Carlisle, Annie, Laurent, James, Victoria, etc ... very old timer names that explains old how the vampires are. Modern names like Jessica, Mark, etc. There's one Jacob Black, a simple enough name to stick in one's mind. Nothing complicated.

The story begins with Bella moving back to a really small town that rains more than shines with her Chief police father when her mother remarried as she felt she was intruding in her mother's life. She is a sullen 17 year old who hates attention and would rather keep to herself. At school where she is mostly alone, she was first struck by the curiosity of a group of 5 pale people who sit together but never eat and she was struck in awe by one of them, Edward's pale magnificence and also the way Edward looked at her; that is with pure hatred. Later into the story we will discover why he looked at her so; he is a vampire who kills animals only so basically a vegetarian vampire forever thirsty for some human blood. Problem with Bella is her blood is like fine wine to him. He thirsts for her blood, he wants to bite her but yet because he who can usually read other people's mind couldn't read hers, he was intrigued and slowly fell for her. Bella already lost her mind to love from the beginning.

The entire premise of the story is forbidden love in a sense; Bella will grow old, so her fear is she would die before him. She wants him to make her a vampire. Edward's fear is her losing her soul so he was reluctant. Very reluctant. Moreover there is a danger in this relationship; Bella is like a prey, a very delicious prey to Edward and at anytime if he ever losses control he might just bite her. The story explains to become a vampire, a person must be bitten (not to death) by a vampire and the venom in the vampire's teeth will travel and change the physical aspects of a human being and in 3 days a human is now a vampire, an immortal. Problem is it also includes 3 days of extreme pain as the venom travels through the bloodstream. Then there is the ethical issue of killing people to feed.

I didn't quite get Edward's reluctance to change Bella. The truth is there is no major consequence to the change. The whole myth about how sunlight can burn the vampire is apparently just a myth. So the vampires can walk around in the afternoon. The only catch is if under direct sunlight, a vampire will glow like crystals so obviously no human can do that. So for me there is no stigma to change and the whole soul thing with Edward seems rather forced. We don't know much about Edward's past, except he was dying from the influenza or something like that until his adopted vampire father, a young handsome blond Carlisle, a doctor immuned to blood after years of practice changed him for companionship. He didn't blame the doctor but he struggles with the killings and the soul thing. When I said struggles, it wasn't very well written. The struggle was feeble. The entire soul argument didn't make sense. A vampire who believes in soul? Was he religious? Did Edward believe in the existence of a higher power? Because I didn't get that impression.

The rest of the book deals with Bella catching the deadly interest of another vampire named James who wanted to bite her and how Edward and gang raced to save her. And also her friendship with a young Jacob Black who himself shall have a big role in the next book.

In between we have many many passages of Bella and Edward, quiet moments where they talk about each other, increasingly becoming more passionate in words but not in actions because he can't kiss her too passionately for fear of accidental biting. So the book is pretty chaste, no sex, not even French kiss.

What it does have is an overdose of repetetive description. By the 2nd chapter and thereafter every other paragraph, I know Edward is mindbloggingly awesomely mega super duper greek god hard chest, full lips, great hair total gorgeousness. Every vampire she met has the same awesome beauty and grace. Edward smells great too, talks sweet, walks gracefully and is basically just like the most ideal royal prince ever, except he is a bloodsucker who will not age and will not die. Tragic eh? And by the 2nd chapter I also know Bella is accident prone. She just tumbles, stumbles and falls like a total klutz. Except that if someone can be as clumsy as her, her eyesight must have some problem OR she must have some balance problem because no one can be THAT clumsy. She is also quite anti-social in my opinion since she hates parties, gatherings, proms, birthdays, etc. Why Edward loves her is because she is intriguing, he can't read her like an open book and because her blood is irresistable to him as much as her companionship. She is supposed to be plain or so she thinks. The problem with all these is the repetition. Bella always hyperventilate when she kisses Edward. I know he is a supreme gorgeousness but to repeat everytime she hyperventilates is really a chore to read. To repeatedly read how gorgeous he is is also quite a chore. It's like at the end of that chapter I could have sworn she repeats herself every other paragraph. I kinda felt frustrated by the lack of good description. Not much is said about appearances except for the very basic. However there are some strange descriptions like Edward's chest is granite hard and cold and yet the same paragraph, Bella says as she lies on his chest that his chest is soft. The way he picked her up is as if she is a child. All those bed talks, literally are about how I feel, how you feel, how we feel. It is quite obvious a woman wrote this book because to me women authors place more emphasis on feelings when it comes to love story. The entire book is more about feelings and each discovering each other's feelings.

It doesn't mean it is a badly written book. But to say it rivals JK Rowling's expressive and expansive words is ridiculous. Stephenie Meyers' way of describing feelings is question upon questions and then to end it all with I will die for you, I rather die than live, I love you. Pretty standard and unimaginative and cringe worthy words as well as unromantic.

The better passages were mostly the action parts, how Bella confronted the sadistic James and escaped, barely. Now sadistic is the word used, often we also read how Edward said he could read the minds of those 4 men following Bella at some dark alley and he could read what they wanted to do, enough for him to want to hunt and kill them. And James torturing Bella. Exciting stuff but in the end inadequately written mainly probably because the author could not bring herself to describe them? In that part Anne Rice was more poetic and forthright and I see familiar elements between these 2 authors, especially in the 2nd book where she was describing the ancient vampires, which reminded me of the ancient ones in Interview With The Vampire. But I do enjoyed these passages and especially those that concentrates on Edward, the more fascinating character than every other in the book.

I don't get the friendship between Jacob and Bella and I feel it was too sudden. This book makes assumptions; Bella just like Jacob. Edward just falls for her. No rhyme, no reason. But I have a theory about Edward and Bella. Bella sees Edward as total perfection and I suppose a vampire has this mesmerizing aura that makes people see perfection, beauty, etc when in actual fact maybe they aren't? I mean how then to explain all vampires are gorgeous. So when Bella becomes one she too is total perfection.

The one scene that was off putting is the scene where the Cullens decided to play baseball in the thunderstorm and Bella was there to watch and then they knew 3 dangerous vampires were in the vicinity and Bella was in danger. The entire baseball scene was supposed to be family gathering, fun time but I just don't feel the closeness between the Cullens. Even the baseball scene felt forced; I couldn't read even between the lines the affection between the Cullens or even Cullens and Bella except for example they just like her. They like her for the sake of liking her and that to me is not very well written.

In the end, I feel this book feels more like some teen vampire story than a proper adult mainstream book that the cover suggests. It feels and it is a first time published story, not as terrible as The Rule Of Four but not in the same breath, or even in the same parametre as Harry Potter & The Philosopher's Stone. What this book lacks is desriptive moments that plays out a scene, more choices and varied words other than I love yous and a better storyline. Bella seems to have a boring life. If Edward wasn't a vampire, his life would be totally boring too. They go to school, come back from school, sometimes chased by vampires but other than that the entire story is set in a rainy bleak foggy boring non happening town. The movie will suffer from the colour wouldn't it? Always bleak and bland. No one in this town seems to know how to use an umbrella since they always walk in the rain. No one has died of pneumonia yet and no one questioned how a 30 year old doctor could have a 17 year old adopted son.

And the best (or worst) of all? When Bella was told by Jacob about the legend that the Cullens were vampires, she believed it. No questions asked. She just believed it. Gullible? And when she asked Edward, not like are you a vampire but you know beating around the bush, he didn't deny and just launched into his vampire-hood. She wasn't shocked that mythical being is real. She didn't ask the all important question how he became one but rather why he hated her so. Only later she asked how he become one and the details are vague at best.

Put it this way; this book would probably make a better movie than it is as a book. The plot is there, it is pretty intriguing and Robert Pattison may not look awesomely gorgeous but he does have awesomely gorgeous hair with a very animalistic look to his face as in raw and passionate. The actress as Bella whose name I forgotten is pretty but not over awesomely gorgeous but both looked rather dead serious. Which made me realise what this book seriously lacks; humour, wit and more importantly, playful banter between these 2 main characters. They do banter, but in cringe worthy way. He teased her, she teased him but not in the way that is well written.

Overall I enjoyed the book but I am surprised at the accolades given to what I feel is a mediocre book. But then if a crap like The Rule Of Four can garner favourable reviews, anything is possible.






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18 November 2009

ZANKYO [Album][Jap]

Written by Funn Lim


"Assuming Koufukuron does mean Theory Of Happiness, I am not sure what is Masha's "Koufukuron" is but my "Koufukuron" right now is listening to this album."



Free Image Hosting at www.ImageShack.us


Title
Zankyo

Meaning ..
Read it means Echo or Reverberation

Released By
Yukawa sensei himself, Fukuyama Masaharu. A funny typo error, I typed in 1st draft Fukuyama Musuhara. Kinda reminded me of the joke Huruhara-san. Much apologies to Masha-san. And that is not a typo error.

Released In
2009

His ...
10th album. 20 years and only 10 albums. In HK, by the 5th year, the singer would have 10 albums. But of course we are not talking quality.

Language
Japanese through and through (with a dash of English here and there)

Track List
1. Gunjou ~ultramarine~
2. Keshin
3. Ashita no SHOW
4. Nagareboshi
5. Koufukuron
6. 18 ~eighteen~
7. Saiai
8. Sou ~new love new world~
9. phantom
10. survivor
11. Konya, Kimi wo Daite
12. Tabibito
13. Tokyo ni mo Attanda
14. Michishirube
15. 99 (Instrumental) (Bonus Track)



Comments
As this is Masha's first album in a number of years, it is only fitting I write my first review of an album in a number of years. I haven't written one for so long and since I wouldn't buy a record or own one that I do not like, this review is naturally favourable.

I am first to confess I know very little of Japanese entertainment scene for the obvious reason that I can't understand Japanese at all. Well maybe 5 in all but not enough to survive if stranded in Tokyo. I haven't been to Tokyo, no interest to go to Tokyo and my entire knowledge of the singers/actors/entertainers in Japan can be summed up to the endless horror movies, 3 TV stars and a handful of Japanese series. Fukuyama Masaharu happens to be one of the 3 TV stars and so happens to star in some of the handful of series I know and have seen. So therefore it is naturally I did not know he is first and foremost a singer/songwriter. I thought all Japanese stars are actors who are singers who are boy bands. Of course now I realise they're boy bands who are singers who so happen to act to raise their public profile. Some are serious actors but this particular guy, that is Masha himself is a singer/songwriter first and last. Which is shocking to me since I didn't even know he sings. And he even composes his own songs, so that was a double shock. I only knew all these in the last 1 month or so, after getting hooked on Suspect X and then Galileo. Truth is I have mentioned in both reviews, his name has not entered my radar for some time and the last image of him that I remember was from the good old days of Under Same Roof and that was like decades ago. He is now 40, I was a schoolgirl then, now a working adult and in between I did rewatched Under Same Roof and that's that. So you can imagine how long ago it was. And yet when his face popped up and his deep barritone voice uttered the lines, all the good memories came back. I always thought with a voice like that he should have been a singer. Irony is, he is, and he is also a DJ so basically his voice is his tool of trade, his looks a bonus of course. Having seen his childhood pictures, I am glad to say if he had anything done to his face, it is perhaps the barest minimum, unlike most of his contemporaries or younger. Still a youthful looking man at 40, I realise the less I know about him, the more I could enjoy his performances. And yet as a singer, there is always the problem of over exposure. As a singer you offer your body, mind and soul to your fans. As an actor you have to keep some of that for the mysterious factor. That's the differences between an actor and a singer. So how does he balance it? I don't know how in Japan but in my case, it is totally by the simple ignorance on my part as to what he does, who he was, who he is, his background, etc. Having hunted down some wonderfully English translated articles about him at Masha Heart, I begin to form a picture of the man himself, with his rather honest anecdote on his absent irresponsible father (read between the lines and you get to see what sort of a man his father was and I suppose how he steer clear from being one), his admirable mother, his much loved grandmother, his very respected brother, etc etc. The more I read the more clearer the picture I formed but that is not a good thing. Knowing too much is really too much. For example, I stopped at the line when he revealed his choice of undergarments during his hectic concerts (from what I read, his choice was not wearing any!), his likes of swimming nude, etc. I don't want to know all that frankly. If you don't know and must know, from the looks of it he is far too busy to get a girlfriend, more so married. I suppose when you're totally consumed by your passion that is music and spent most of your adult life alone, not getting married but yet having the desire to do so is absolutely normal.

So now to his music.

My knowledge of Japanese music is they're original. Because almost all Chinese songs can be traced back to them. Their fashion is original, because those who wants trendy would look to them. Even TV series, can be traced back to their TV series, books or mangas. So when it comes to Japanese entertainment, you know you get the real deal. The problem is most that I hear can't sing a tune. They look good, mostly with fake tans and cosmetic surgeries to look as anime as possible but always their hair are totally fabulous. Haven't seen a bald Japanese man on TV except for those ancient series which I suppose they call them taiga? Not sure. But they can't carry a tune. Most of the time it's the language. There is something not quite poetic with Japanese language, I find them harsh even when spoken softly but I suppose that is a matter of accent, something I learned that exist after watching Galileo. I am now tuned to the language and how they're spoken. All the boy/girl bands didn't help. They're either so very young (and their career ends even before we graduate from universities) or they're very old (and often singing those yodelling type of songs). To me there was never the middle. But boy, can they write great melodies. Those Alan Tam songs I was told were from Japan, there was a time it was popular to rip popular tunes and if that is true, I am first to admit, the songwriters can write great melodies.

So imagine my surprise when we have a 40 year old guy, in the business for 20 years and still very famous, writing his own songs and singing them not just competently in the albums, but sounds even better in concert (as in singing live). If you told me that a year ago, I wouldn't believe it. 1 year later well, I have matured in my perspective. So this is my review, from my perspective and it may be a bit biased (since I like him) but like a good story however told is still deep down a good story, a good melody however played is still deep down a good melody. Since I do not know what he is singing about, this review is solely based on gut feeling on what he may be singing. You will be surprised, because mostly your gut feeling may be right when you do read the translations by fans.

My first hearing of the entire album is I like it. By the 2nd and 3rd and now in auto-replay on my computer, I love it. There are only a few albums I love, some by Robbie Williams, some by Mika, Jason Mraz and the likes, so you can guess my taste in music. Others I like bits and pieces. Masha's album Zankyo is the type that I like them all. His album has a little to offer to every genre of music, it was as if he may have wanted to offer all of whatever he has got at that creative moment and not confine himself to say rock, pop rock or whatever you call them. There is also some surprisingly unheard of sort of tune that normally I do not associate with a Japanese singer/songwriter/artiste which ended up as my favourite. Some songs sound like they're destined as themesongs for series, some suitable for travelling and one in particular is destined for a long running grand anime series. There are some standalones that you can enjoy without fitting into any specific genre and most of all, all of them has parts you will absolutely love. I say that with confidence because it is very rare for me to listen to an album that has the songwriter so confidently offer such a wide genre of music. If done terribly, the critics may slam it as confusing, artistically everywhere so it is nowhere. Done well, it offers the fans a chance to hear the many sides of the songwriter as he is obviously experimenting for a new direction and yet not taking his loyal listeners for a ride by offering half baked experiments. This album is I believe the culminating success of such experiments and if there is an album that you want that is listenable and yet could hear something new, something different, this is it. Of course if you're a fan or have bought his album since day 1, you may find something awfully and perhaps boringly familiar. But for someone as myself, it is like a breath of fresh air. The only major stumbling block is I have no way in appreciating the lyrics which I was told is Masha's forte; his lyrical prose, poetic, sometime sexual, sometime desperate, sometime hopeful, sometime playful, all lost on me because I do not know Japanese. I can only hope someone might suggest to Masha that perhaps he might consider a full English album. He seems to be able to handle English when singing and I can handle the accent. It could be an international album. The problem is Japan in itself is a big market that others want to break in, and so I suppose he is happy and comfortable when a lifetime of a successful and enriching career can be achieved just in that country itself. But I hope somehow he might consider an international album so to speak, for his fans and a concert out of Japan.

And boy can he sing. No doubt about that. He has melody. He sings with feelings, and not some flatline tone. And there is tone. Of course his weakness is baritone but his normal singing voice has such a rich rhythm to it. Fantastic singer that much I must admit.

As for specifically how I feel about each song, let me do a long rundown (hey, my reviews don't come short ok?). Some I could find the full version, some got videos, some fan made video, some sample videos. Like Masha I am too old for girly adulation as in myself giving the adulation but you know sometimes, just let that inner teenager in you out for a breather...

1. Gunjou ~ultramarine~
I didn't like this at first but the more I listen to it the more I like the melody. The start of it is very grand feeling to it. I can imagine a series with this as a themesong. And I particularly love his singing in this.



2. Keshin
Hated the tacky video but the song itself is akin to I suppose you call them hard rock? Didn't like his hair but I must admit he oozes style and the song itself is style. The guitar playing in the beginning, the singing, the end, all would sound fantastic life. Definitely a mood lifter and a little something for those rock chicks/guys put there. The translated lyrics is a bit adult, but well rock is about giving love and being rebellious so why not?



3. Ashita no SHOW
Read that this is dedicated to the friends he left behind? Anyway it does sound like some memory trip sort of song and whilst it is not my favourite, it is an enjoyable tune. Again the melody wins. And again I can imagine a TV series being attached to this.



4. Nagareboshi
A slow number that I didn't quite fancy at first. But the first few lines as he sang, remind so much of one western singer that I can't name right now. The more I listen the more I like. There's something rather nostalgic about the feel of this song. And his singing is impeccable.



5. Koufukuron
In English I read it is called The Theory Of Happiness. Everybody says it is Jason Mraz-ish. But Jason Mraz did not invent that upbeat guitar tune. This is perhaps my favourite song in the album. Not only does it sound happy, hopeful and playful, he sang it with such ease and perhaps even with a smile on his face, it made me smile everytime I hear it. I find this his best singing in the album.I hope this gets released with a video with it because I am confident such a song will and should get the number 1 spot in Japan's billboard charts. I suppose it can even be translated into English and will get a the no. 1 spot in US billboard charts!



6. 18 ~eighteen~
Apparently about him leaving his young love behind as he went to Tokyo. I suppose he must have loved her very much to have I believe 2 songs about his experience with her back then. This is I think where the lyrics is more meaningful than the music. I like it but not loving it.



7. Saiai
The themesong for Suspect X, originally sung by Shibasaki Kou, his co-star in Galileo and Suspect X. She sang it beautifully, with a feminine touch to it and Masha surprisingly sang it with gentleness as well. A beautiful song but frankly best suited for a female voice.



8. Sou ~new love new world~
I like this one. Fast paced but not as frantic as Keshin. Something that you can relaxed to. His singing is not quite up to par with the rest. And the video sucks.



9. phantom
The more I listen the more I love this one. This is the anime grand feel song that I wrote about. The melody as in instrumental music itself sounds rather complicated but grand and his singing sounds rather deeper, not a lighthearted song. It does sound heavy and a very long song, because half of it is just guitar. Everytime I hear this I imagine an anime series. Not Pikachu of course.



10. survivor
Not fast, not slow from my memory. I do not have much memory of this, so I suppose it isn't that memorable in my opinion. One of the weaker ones but even the weaker ones have very catchy tunes.



11. Konya, Kimi wo Daite
His worst singing and worst song perhaps. Seriously whenever he goes falsetto I kinda cringe. This is the only one I didn't like at all.



12. Tabibito
Now this one is one of my firm favourites. The beginning melody/rhythm and the end reminds me of a road trip song, as I am driving a car. It gives me that feeling and the singing is wonderful as well. But again the melody is hands down addictive, especially the first 10 seconds or so.



13. Tokyo ni mo Attanda
Not much memory of this. Slow song.



14. Michishirube
A song dedicated to his grandmother's loving hands from what I read. The melody is fantastic. Slow but steady. Even without knowing the lyrics, the way he sang it made it sound like some going down memory lane type of song, a dedication to someone he loves. It's a bit traditional sounding, obviously trillion of miles apart from Keshin but yet very memorable, very enjoyable, something rather touching. Only after reading the translated lyrics did I understand why I got misty eyed listening to this. The feeling is just right.



15. 99 (Instrumental) (Bonus Track)
Another firm favourite of mind. Probably second favourite. This is the background music you will hear when Yukawa is experimenting in the beginning of Suspect X. I remember watching that scene, not paying much attention to the music but thought the rock-ish song was so suitable for that scene and definitely lifted the mood of that scene to stylish stratosphere. Like what Yukawa was doing was pure style. This is the scene where I said to myself give it to the Japanese to make any scene filled with iconic style. I love the first 10 seconds, love everything in between, love the end. He played the guitar obviously and what a stylishly composed track. Imagine you walk to this music, I think even your walk will become a strut. Why is it called 99 I have no idea. Not many like this from what I read, some called it repetetive which is generally true but then Beatles' I Wanna Hold Your Hand is repetetive too but now it is a classic. Overall a fantastic showcase of Masha as a guitarist. With style. Lots of it.



Overall every single piece of music in here is about 4 and half minutes long, some longer and they all give me a feeling they're longer than the usual songs I often here but no less boring. The melody rarely repeats itself, and from what I read, the lyrics did not repeat itself either. What a pity I do not understand the words but amazingly I understood the mood and the feel of the music. Music is universal and even if you do not know Japanese, the melody, the arrangement, the music, his beautiful voice will surely somehow make it sound as if you are capable of understanding what he is singing about.

And about his singing, I agree his singing is better than his acting but then I am those who feels his acting is smashingly great, a term I used in my Galileo review. However there are some songs that he didn't sound flat, but rather in the danger of singing off key as he went falsetto. But because he is a gifted songwriter, some missteps are ok. Bob Dylan can't carry a tune but he is recognised as a poet-singer. So who cares really when this is someone who can compose such catchy tunes that aren't cheesy but sticks in the memory for all the right reasons?

Verdict
Well put together, well produced, well sung, well written, well composed, well played, well everything... this is an album with a little something for everyone. The cover looks terrible though, that is because I don't like his hair. Some videos thus far are either unimaginative or tacky. But whatever within the control of this man itself, it is simply excellent. It is not a messy sort of album, but a deliberate wide ranging album. I look forward to his next one but right now I am just happy listening to this. Assuming Koufukuron does mean Theory Of Happiness, I am not sure what is Masha's "Koufukuron" is but my "Koufukuron" right now is listening to this album. What a smashingly great album!

Related Reviews
- Galileo
- Suspect X

I actually wrote one for Under Same Roof many many years ago. It would be interesting to read back how I felt about his acting back then! Let me find it and repost it if I can find it.

Interesting Question
He may have been out of limelight for sometime, but not out of memory. Then came Galileo and he became hot property again. Hotter than before. He once took a 3 year sabbatical at the height of his fame, which means this is someone that simply doesn't care about what others think, he must rest and so he must rest to give his best later. I am afraid after next year he may disappear for another 3 years. I hope not! But I wonder, will his "hotness" be affected by the fact that if he marries? I mean the fact that he is unmarried makes him eligible bachelor creates an illusion every woman has a chance. You know what I mean? If he marries will his popularity go down? Unless he marries a popular actress and well loved one. I suppose it depends what sort of a fan you are right? For me, he is 40. Not an old age, in Japan maybe but everywhere else this is the great age to be for a man. Career wise stable, aim wise settled. I would like to see him married with kids. Someone as beautiful as he is must have kids. Pure and simple.


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08 October 2009

MOONLIGHT RESONANCE [TVB][E]

Written by Funn Lim




SPOILERS ... SPOILERS ... SPOILERS


Click the link below to go to the Episodic Thoughts of this series. There is no full review available for this series written by me but there is one by Bridget Au here.


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