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25 February 2006

Howl's Moving Castle [Ani][Jap]

Written by Funn Lim
 

"A must buy for any Hayao Miyazaki fan. What a treat! What an amazing treat!"







SPOILERS! SPOILERS! SPOILERS!






AKA
Hauru no ugoku shiro

Released In
2004

Languages
You name it, there is probably a version with it. I do know for a fact there is the Japanese, English, Cantonese, Mandarin, French version. My favourite is English version because no need to read subtitles but for some voices the Japanese version is better. Mandarin version I do not like but Cantonese is great because it is cute. Reminds me of Spirited Away whether the Cantonese version is my favourite. As for subtitles, there's Chinese, English, Malay and I think that's about it. I personally hated the English subtitles because if you watch the Japanese version, when the song is played, the subtitles will show the lyrics of the songs BUT the characters are still talking and whatever they said are lost in translation drowned by the translated lyrics.

Funn, can I possibly get the DVD with all the above languages in it?
Why yes, of course. Go to Berjaya Times Square, Kuala Lumpur. You can find it there.

Directed by
Hayao Miyazaki

Writing credits
Hayao Miyazaki (screenplay)
Diana Wynne Jones (novel)

I have been trying to find the novel at MPH and Kinokuniya and guess what? YES! SOLD OUT!

Cast-Character
Chieko Baisho .... Sofî (voice)
Takuya Kimura .... Hauru (voice)
Akihiro Miwa .... Arechi no Majo (voice)
Tatsuya Gashuin .... Karushifâ (voice)
Ryunosuke Kamiki .... Marukuru (voice)
Mitsunori Isaki .... Koshô (voice)
Yo Oizumi .... Kakashi no Kabu (voice)
Akio Ôtsuka .... Kokuô (voice)
Daijiro Harada .... Hin (voice)
Haruko Kato .... Sariman (voice)
Jane Alan .... Honey (voice: English version) (as Mari Devon)
Carlos Alazraqui .... Additional Voices (voice: English version)
Newell Alexander .... Additional Voices (voice: English version)
Rosemary Alexander .... Additional Voices (voice: English version)
Lauren Bacall .... Witch of the Waste (voice: English version)
Christian Bale .... Howl (voice: English version)
Julia Barnett .... Additional Voices (voice: English version)
Susan Blakeslee .... Additional Voices (voice: English version)
Leslie Carrara .... Additional Voices (voice: English version)
Mitch Carter .... Additional Voices (voice: English version)
David Cowgill .... Additional Voices (voice: English version)
Billy Crystal .... Calcifer (voice: English version)
Blythe Danner .... Madam Suliman (voice: English version)
Holly Dorff .... Additional Voices (voice: English version)
Moosie Drier .... Additional Voices (voice: English version)
Ike Eisenmann .... Additional Voices (voice: English version)
Crispin Freeman .... Prince Turnip (voice: English version)
Will Friedle .... Additional Voices (voice: English version)
Sofie Gråbøl .... Sofie (voice)
Bridget Hoffman .... Additional Voices (voice: English version)
Richard Steven Horvitz .... Additional Voices (voice: English version)
Sherry Hursey .... Additional Voices (voice: English version)
Josh Hutcherson .... Markl (voice: English version)
Hope Levy .... Additional Voices (voice: English version)
Christina MacGregor .... Additional Voices (voice: English version)
Jena Malone .... Lettie (voice: English version)
Joel McCrary .... Additional Voices (voice: English version)
Edie Mirman .... Additional Voices (voice: English version)
Emily Mortimer .... Young Sophie (voice: English version)
Liliana Mumy .... Madge (voice: English version)
Daran Norris .... Additional Voices
Peter Renaday .... Additional Voices (voice: English version) (as Pete Renaday)
Kristen Rutherford .... Additional Voices (voice: English version)
Mark Silverman .... King (voice: English version)
Jean Simmons .... Old Sophie (voice: English version)
Warren Sroka .... Additional Voices (voice: English version)

Note
My review will be of the English version with passing mention of the Japanese version

Plot
Taken from IMDB.com

Young Sophie Hatter is cursed by the Witch of the Waste, and turns into an old hag. Ashamed of how she looks, she flees into the hills where a moving castle roams the hills. It is said to belong to the young and handsome wizard Howl, who has a bad reputation. Within the castle, Sophie befriends the fire demon Calcifer, who promises to help her become young again. One catch: she must help Calcifer to be free of Howl, and Calcifer cannot tell her how. However, Sophie agrees to stay and try to find out about the contract through other ways. Still, Howl can see that Sophie is under a spell like Calcifer can, and he falls in love with her for who she is and not for what she looks like. Sophie manages to bring life to the moving castle, and she helps Howl to face his former tutor, Madam Suliman.

Comments
Wahhhh! Takayu Kimura! I was like "woahhhhh! Takayu Kimura!" and then I read the English version was Christian Bale and I was like "woahhhhh! Christian Bale!". I don't know why, this movie just had me in awe. It is not a perfect story, in fact Spirited Away is better in the story department but somehow I could watch this movie again and again and never feel bored with it. I suspect it is shorter than Spirited Away but no less imaginative. For one, the landscape is dreamy and gorgeous. I totally love the Japanese anime's version of landscape plus total silence. I could feel goosebump. I especially love the drawings of wind blowing the green grass, river, rain, you know natural stuff.

But the sight to behold is the moving castle itself. To call it a castle is an overstatement. It looks more like a fish with legs but every bit as imaginative and beautiful. I totally love the moving castle which has personality of its own. Inside the castle is suprisingly smaller. I expect bigger since the fish is so big but inside somehow looks tighter in space. But still as imaginative as ever. It may look like a pigsty before Sophie cleaned it but still what a place. What I like is the ability to change space and the location by the switch of the dial at the door. Like Sophie, I too wanted to explore the castle and like her I too fell in love with that place. Amazing animation, amazing stuff.

But let's get back to the story.

I have never read the book and I was told there were some differences between the book and the movie. In fact the movie may not have explained certain things that the book may have explained in detail, hence my hunt for the book, quite unsuccessfully at the date of this review. For one, I didn't quite understand the relationship between Calcifer and Howl. I didn't quite get it the relationship between Howl and The Witch Of The Waste. In fact the translation from the Japanese version and the English version itself is so different. One said Howl rejected The Witch because he found out he was Ugly (English version) whilst the other said Howl ran away from The Wicth because she was horrible (Japanese version). If you read carefully they're very different. The former implies that Howl once had a relationship with her whilst the other implied a more neutral relationship. I was confused. Other than that the ever changing look of Sophie, from old to young to old again confused me as to whether she was still old or not. But after repeated viewing I understood that to some people they saw her in her true form. But the most confusing was the ending; so was she young again? Someone explained yes, the curse was broken. I need to read the book to know how since the movie did not elaborate on that.

Whilst there are serious flaws with the story, the characters themselves are such a delight to watch.

I like the older Sophie rather than the younger one. Even in the Japanese version I found the younger Sophie lacking personality and such a boring character. This is even so when the scene had her changing from old to young and back to old. But the older Sophie is really something. As Sophie was no longer shackled by the fact of her unattractiveness as the younger Sophie (yes hard to believe she was supposed to be plain since the animation really drew her in a very pretty way), the older Sophie could do more like scolding, complaining, even with sarcasm. I was so sorry to see her being young again but then how can Howl be with a 90 year old woman? Even the voice was suitable. In the English version, Jean Simmons truly gave Sophie spunk and attitude. Her voice is kind and yet forceful with an opinion to share. Her observations also truly witty. Emily Mortimer as the younger Sophie fell flat like the character. Truly excrutiatingly boring. The Japanese version surprisingly has the same effect!

I also like Howl although I find him a bit childish and placed too much emphasis on beauty. Like he said "How can I live if I can't be beautiful?". Just shows how shallow he is. And yet there were some scenes that show the sinister side of it, and although Howl looked more like a very beautiful man (almost like a woman, like in all Japanese anime), there is no doubt there is a certain dangerous edge to Howl however shallow he may be. He seems pretty cool too, unperturbed by the fact that Sophie suddenly took up residence in the castle. And he fell for her despite her looks. As for the voice, Christian Bale really nailed the mysteriousness and playfullness of the character. In fact he sounded like Bruce Wayne, on a very happy day. He has such a beautiful voice well suited for animation and I feel he did the role justice. I really like the way he flirted with the older Sophie, very playful. The Japanese version is also just as great. Takayu Kimura has such a deep soothing voice that can be said as sexy. Perfect casting as well. Frankly I like the English version better because I like Christian Bale more and I am more familiar with his work. Takayu Kimura I know by reputation.

Markl, Howl's young apprentice is super cute. I like this character very much and his playful interaction with the older Sophie. Voiced perfectly by Josh Hutcherson, this young boy really gave Markl such a cute disposition.

The Witch of the Waste is an enigma. I am not even sure if she is good or bad or senile or pretend to be senile. But a very interesting character. Lauren Bacall who voiced this character did an amazing job. Just watch and I bet you wouldn't know it was her! I saw the Japanese version in some parts to hear the voice of the Witch. It is deeper, lower and manlier and may I say, somewhat fits the character more. However both actors did their interpretation and both were wonderful although the Japanese voice was more scary, more menacing.

Madam Suliman is an interesting character. She appears very late in the movie and doesn't much but this is one character that I wonder is she good or bad? Very nicely voiced by Blythe Danner who sound similar to the Japanese voice, I for one prefer the Japanese voice though. That voice is more womanly, more high pitch and in a way more sinister which makes Madam Suliman such a mysterious character and I know why Howl feared her. However her scene also involved a very strangely translated scene. That scene was where Howl escaped with old Sophie and Madam Suliman in the English version said she now knows how to deal with Howl because of his love for Sophie which meant she will do something sinister to Sophie AND YET in the Japanese version in the same scene she said Sophie looked very young. That was it! It indicates that she knew Sophie was under a curse and nothing more. Why the difference in translation?

My most favourite character in this movie, apart from the very cute dog called Hin is Calcifer. I feel the English version is way better than the Japanese version because in the English version, Calcifer is so funny. His animation is wonderful, imaginative and so very cute. Like a walking talking fire ball actually. I didn't know who voiced him. I thought Nathan Lane, but Nathan Lane had a higher pitched voice. I thought Kevin Spacey but couldn't be. And then I read in imdb.com that it was Billy Crystal! I would never have guessed! I believe he was the best in here, giving Calcifer such a delightful funny and witty personality and I enjoyed his interaction with Sophie. What I like best though is the animation. Look at the way he eats the egg shells and all! What a beautiful animation.

Everybody else were just as well cast and the animation superb. I have a few favourite scenes in here, one of which is when Howl threw a tantrum and how old Sophie dealt with his temper. The other was Sophie, a 90 year old woman carrying Hin an old heavy dog up some hundred steps of stairs to see Madam Suliman and the Witch Of The Waste was made to walk the same steps. The way they two walked up slowly with the Witch sweating profusely and old Sophie breathing loudly and all, it was just one of the really funny scenes in this movie. It is also nice to see Sophie encouraging the Witch, despite the fact that the Witch cursed her to be as such and yet had no counter curse because she didn't know any. Why she was cursed was because Howl helped Sophie earlier and out of jealousy the Witch who was obsessed with Howl's heart (you can saw love, you can literally his heart) cursed Sophie in one of the scariest scene in the movie. The way Sophie dealt with her sudden aged body was also interesting although unbelievably calm. But that is not a flaw, rather an observation.

What more can I say? Despite the poor story and sometimes patchy translation, I just love this movie. I must admit though Sophie's character is more like an observor than a participant, and Howl is rarely seen but heck! The moving castle, cute boy, cute scarecrow, cute everything, great animation, beautiful scenery? Just look at this movie which is boasted as one of the best English dubbed there is.

Verdict
A must buy for any Hayao Miyazaki fan. What a treat! What an amazing treat!



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Grave Of The Fireflies [Ani][Jap]

Written by Funn Lim


"Whilst this movie would have been better if it was acted by real people, animation itself may have lessened the impact of the war."




SPOILERS! SPOILERS! SPOILERS!





AKA
Hotaru no haka

Why such an English title?
I suspect it has to do with one scene where if I remember correctly Setsuko buried the dead fireflies into a small makeshift grave in honour of her dead mother.

Released In
1988

Cast-Character
Rhoda Chrosite .... Setsuko (voice: English version)
Shannon Conley .... Additional Voices (voice: English version)
Crispin Freeman .... Additional Voices (voice: English version)
Dan Green .... Additional Voices (voice: English version)
Amy Jones .... Aunt (voice: English version)
George Leaver .... Additional Voices (voice: English version)
J. Robert Spencer .... Seita (voice: English version)
Nick Sullivan .... Additional Voices (voice: English version)
Veronica Taylor .... Mother (voice: English version)

Plot
Taken from imdb.com

Seita and Setsuko are brother and sister living in wartime Japan. After their mother is killed in an air raid they found a temporary home with relatives. Having quarreled with their aunt they left the city and made their home in an abandoned bomb shelter. While their father's destiny who was a soldier is unknown the two must depend on each other to somehow keep a roof over their heads and food in their stomachs. When everything was in short supply, they gradually succumb to hunger and their only entertainment was the light of the fireflies.

Comments
This movie is depressing. Because you know the ending even before it began. The very first words uttered by the young teenage, Seita was that on a certain date in 1945 he died. We also know his sister, Setsuko died as well as the very first scene was him lying in a modern looking facility, dirty and in rags and dying of hunger. The next scene was his sister and himself reunited by a small tin container that used to contain his beloved sister's beloved fruit drops. It's a tragedy and the story is not interested in telling you how they died as we know by hunger or even when they died although we know this was set during WWII but why they died. The why is pretty grim and what is good about this story is it is pretty honest. Told through the eyes of the young children, the story takes a poignant and sad turn as we watch how the children slowly succumb to death.

There are several scenes in this movie that will definitely tug your hearts. Their mother's burnt body, as she laid dying possibly in lots of pain, the way the flies were flying all over her, the maggots, etc. Whilst the children were sent to live with their relative, an aunt who herself is married with teenaged children, they were very warmly welcomed and well fed. But once the aunt knew the mother had died and the fate of the father (who was in the navy) unknown, she turned nasty. Perhaps this is even more real than most depicted in movies because I believe in real life people, even relatives can be that cold hearted. She began to nag and said things that no child could understand. She blamed Seita for not working and contributing, calling him lazy and all sorts of name but in a very subdued way, not all out screaming. Even her husband seemed fed up with their presence although the daughter was more tolerant. Much later she conned Seita to handover his mother's expensive kimonos, she bartered them for rice which was a precious commodity and in a very hypocritical way generously gave them less than half which prompted Setsuko to say "But it is our rice ..." which had her launching her into lectures about how ungrateful the children were. Even adults conned children in times of desparation. Further scenes has the children finally moving out after Seita could no longer take her criticism and a happy Setsuko happily following her brother but that was the first step towards doom. Seita didn't have the heart to tell Setsuko that their mother died but Setsuko knew because the mean aunt told her and she took it like a mature adult would. Anyway, they basically died of malnutrition as rashes covered their bodies and Setsuko growing weaker and weaker by the day. Advice to Seita to swallow his pride and return to his aunt fell to deaf ears, desperation turned Seita into a petty criminal but in the end Setsuko died in her sleep. I think when Setsuko died, it was very sad because moments before she offered mudballs to Seita saying their were rice balls and when Seita refused she could not understand why he refused. Hunger by that time was playing tricks on her mind and after her death, scenes of a very active and happy Setsuko playing around the bomb shelter will sure tug at your hearts. In the end even Seita perished.

Whilst this movie would have been better if it was acted by real people, animation itself may have lessened the impact of the war. Imagine if you see a real child covered with rashed and only skin and bones, surely that would cause an outcry. But because of that, the animation seems distant to me, unable to draw me in except as a spectator. I once also foolishly mentioned that some may not be drawn into the story because it was about the Japanese during WWII. I remember when I was watching this movie and I was almost in tears, my sisters were unmoved. Reasons need not be stated, just suffice to say we are Chinese. But I remember telling them, this is about children and war, the most universal suffering one can see and it does not matter if they were Japanese or Iraqis, they're children, pure, simple and innocent victims of the foolishness of adults. In a way this movie depicted just that and more. What I like about it is it did not attempt to show the adults in a good light. Most of the adults in here are selfish, uncaring and unmoved by the children's plight, probably because there were million others. Even the children made mistake, in an attempt to strike it out on their own, they did not realise the gravity of their action. It is a very harsh look at the results of war in the eyes of the children and luckily it is animation, because like I said if it was a real movie acted by real people, it would be a very difficult movie to watch.

But yet I am not entirely moved by their plight, again caused by my own foolishness. In a way and I shall confess, when Seita said "the Great Emperor lost?" in total disbelief, I was rather annoyed. History is the reason why I did not like this movie as much as I should. Animation wise, it is passable but considering it was made in 1988, and not by the famed Hayao Miyazaki although I was told by the same studio, colours didn't get much prominence. in here. They're mostly black or brown, rather dreary. I didn't think it was beautifully animated, eventhough the firefly scene was nice. Worse still is the voice casting. I watched the English version and I disliked the voices, too high pitch, too cartoonish, too plain.

But the story itself is universal. It can happen anywhere and it can happen in any century for as long as there is war, the victims, most likely children and adults alike would have gone through what Seita and Setsuko went through.

In what I believe is a brilliant ending scene to a rather dreary looking animation with a heavy theme, we see a healthy looking Seita telling a healthy looking Setsuko to lie on his lap and sleep whilst sitting on a bench. The camera then zoom away to their back, where they were on a hill facing a very beautiful night view of tall modern buildings with very beautiful bright lights. If I am not mistaken, they were seeing modern Japan and surely looking still as young, they're both very dead. It was a poignant end. They were suffering in life but in death they were united and time stood still for them in terms of looks but Japan has moved on. It would have been even better if we get to see their parents joining them.

All in all, a very sad movie indeed, and moving but not the movie that I would declare as making the most impact on my senses. I felt the movie was a tad too long. I wouldn't dare call it entertaining because how can watching 2 children die be called entertaining? How shall I term it? Stark reality perhaps?

Verdict
Story wise a good watch but depending on how you view animation showcasing pain and suffering, get ready to be surprised or even shocked at the children's plight and the adults' indifference.



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Batman Begins [Mov]

Written by Funn Lim
 

"That aside, there is no denying he (Christian Bale) is a brilliant actor."




SPOILERS! SPOILERS! SPOILERS!





Not To Be Confused With
Batman Returns. Although he is returning to the big screen, technically this movie is about the beginnings of Batman.

Released In
2005

Cast-Character
Christian Bale .... Bruce Wayne/Batman
Michael Caine .... Alfred
Liam Neeson .... Henri Ducard
Katie Holmes .... Rachel Dawes
Gary Oldman .... Jim Gordon
Cillian Murphy .... Dr. Jonathan Crane
Tom Wilkinson .... Carmine Falcone
Rutger Hauer .... Earle
Ken Watanabe .... Ra's Al Ghul
Mark Boone Junior .... Flass
Linus Roache .... Thomas Wayne
Morgan Freeman .... Lucius Fox
Larry Holden .... Finch
Gerard Murphy .... Judge Faden
Colin McFarlane .... Loeb
Gus Lewis .... Bruce Wayne - age 8
Emma Lockhart .... Rachel Dawes - age 8

Plot
Taken from imdb.com

A new restart of the "Batman" franchise under the helm of "Memento" Director Chris Nolan and more in tone with the early "Batman: Year One" style comics. As a boy a young Bruce Wayne watched in horror as his billionaire parents were slain in front of his eyes, a trauma which led him to become obsessed with revenge but his chance is cruelly taken away from him by fate. After disappearing to the East where he seeks counsel with the dangerous but honorable ninja cult leader known as Ra's Al-Ghul, he returns to his now decaying Gotham City overrun by organised crime and dangerous individuals manipulating the system whilst the company he inherited is slowly being pulled out from under him. The discovery of a cave under his mansion, and a prototype armoured suit leads him to take on a new persona, one which will strike fear into the hearts of men who do wrong - he becomes, Batman. In the new guise, and with the help of rising cop Jim Gordon, Batman sets out to take down the various nefarious schemes in motion by individuals such as mafia don Falcone, the twisted doctor/drug dealer Jonathan 'The Scarecrow' Crane, and a mysterious third party that is quite familiar with Wayne and waiting to strike when the time is right.

Comments
I never knew the producers were planning a new Batman movie and suddenly there it was, Batman Begins. I always confused this with Batman Returns because in my mind the franchise was returning instead of beginning. The title merely refers to this movie showing the origins of Batman, thus the title. I have never seen this movie in the cinema before, not very interested and like I said, never knew there was one. I have the DVD in my house but never did watched it because the 1st 5 minutes was slow and dark and the rest I never bothered. TV has yet to show it. So interestingly I somehow managed to watch this movie sans the first 5 minutes in a hotel at Johor Bahru, because it was probably the most exciting thing being shown in TV that night. It was either Batman Begins or the same old MediaCorp family drama, so really, there wasn't any competition. Maybe it's a good thing I missed the 1st 5 minutes because that kinda broke through that psychological barrier I once had during my 1st viewing of this movie, that it was slow and dark. I began watching when Bruce Wayne was climbing some really cold looking huge mountains in broad daylight in search of Ra's Al Ghul. This was also the movie that reintroduce me to Christian Bale.

Reintroduce is not a wrong word to describe my feelings towards this talented actor whom I have failed to realise is no longer short, young and pre pubescant. He was in fact reportedly 6 foot 2 inches tall, all muscles and cut quite a dashing figure. I kept thinking of that kid from Empire of the Sun and I kinda forgotten about Little Women so it was quite a shock to see him ... well..all grown up and surprise surprise, older than myself. I don't know why that surprises me. Anyhow it is a great movie to get reacquinted with CB because he gave such an incredible performance although it didn't look like it at first. I think it is really because of a very good script that shifted the emphasis of Batman the superhero to Bruce Wayne the human being.

What I love about the first 2 Batman movies was that Gotham City looked so imaginatively dark and yet dreamy under Tim Burton's direction. Michael Keaton was surprisingly an interesting Batman and the villains were colourful as well as pitiful. I always ended up feeling sorry for Batman's nemesis, rather than feeling anything for Batman or Bruce Wayne himself. In fact the villains stole the thunder from Batman in all the movies, the good ones and the ones with that infamous nipples on the batsuit.

This movie is different. Make it very different. For one, it is all about Bruce Wayne. For once Bruce Wayne is not just the rich dude who dresses up as Batman but is a personality in itself. In fact Batman is Bruce Wayne, not two distinct characters but rather Bruce Wayne in disguise. You see Bruce's insecurity, fear, anger, uncertainties in Batman himself and I like the non-distinction because for once I feel for Bruce Wayne. We know his tragic story, how he lost his parents at a young age, how he grew into a rich playboy. This movie debunked mostly everything; that he wasn't cheeky, he pretended to be cheeky. He wasn't a playboy, he pretended to be one. In fact this Bruce Wayne had little or no social life, his night life is mainly about fighting crime, his day life is about improving his skills so that he can survive his night life. He wasn't invincible, he wasn't fearless, he too suffered bruises and he too needed to sleep until 3pm. Some reviewers call Batman a psychologically disturbed character. That to me was interesting because I never thought he was mentally unbalanced. But think about it; he has no super power, he is human, he wears a bat suit running around fighting crime ... one can't be mentally stable and reasonable to push oneself to do all he did. So maybe he is mentally unbalanced, maybe he had this suppressed anger and hatred that is checked only by his conscience and his beliefs in law and order. In short, he is not the Bruce Wayne I thought I knew. He hardly smiles in fact, always in deep thoughts, always serious and always keeping an eye out on how to save his beloved Gotham City.

In fact saving Gotham City was something he made a conscious choice to do, because his father loved Gotham and he believed in the goodness of men. His sifu, the man or rather men who trained him into a lean mean fighting machine had got the concept right; to fight crime to save humanity but they had got the execution wrong; they were the terrorrists and believed that pulling a Noah's Ark (as in wiping clean the face of Earth to start again) Gotham could be saved. Bruce naturally disagreed, had a major fallout and went home, after 7 long years of disappearance (in his quest to understand crime he himself became a criminal but not serious stuff) to don the Batman suit. How he created Batman was also interesting and I kept remembering the words that he wanted "something elemental, something terrifying". The fact that he chose the thing that he was most scared of, bats was interesting. He wanted to embrace fear to unleash fear and I find this concept very intriguing. The way the movie dealt with how he obtained the batsuit, the batmobile, the gadgets, batcave, etc were all believable and possible. By letting the viewers see Bruce Wayne becoming Batman, somehow Batman became more of a real possibility; that there could be one dude dressed like a bat helping the police to fight crime. I also like the fact that he has no super power, he is vulnerable and he had to depend on his agility and wits to save himself. And yet there are times he can't save himself and even Batman needed help.

The other characters surrounding Batman/Bruce Wayne are all as interesting as the man himself.

For one, we know Batman has a very faithful butler, Alfred. This Alfred is old of course but somehow different. The previous Alfred was caring but nothing more than the guy who pushes the batcave's buttons, so to speak. This Alfred is a commanding presence in itself. He has an opinion, and he is not afraid to let Bruce hear it. In fact Bruce listens to this Alfred. Not hard to see why. I see Alfred as the one who raised him and Alfred, although he calls Bruce Wayne Young Master Wayne, it was with love, affection and respect. Why Alfred stuck around was probably because old Master Wayne was a model employer. Even the way Bruce spoke to Alfred was not of indifference or disrespect or like master-servant; there was respect. Alfred was more than just to guide Bruce; he was often there to help solve his problems. I do find it quite funny to see an old man doing the action stuff, assisting the super hero in his quest to clean Gotham. Interestingly Alfred never questioned Bruce but did wondered about his motives. All of my favourite scenes involved the heated and sometimes moving interaction between Bruce Wayne and Alfred although my favourite had to be the one where Bruce, as Batman was seriously injured thanks to the hallucinagen and he was, I wouldn't say screaming but not quite whimpering with pain as he remembered the bats and the night his parents were murdered before his eyes and Alfred was silently driving the car back to Wayne Manor with Bruce at the back mumbling stuff and Alfred had these teary red eyes. The concern, the love, the hurt, the pain, everything was there.

Bruce was also very much guided by the inventor of this movie, the no nonsense and sometimes much too honest Lucius Fox, old Master Wayne's favourite employee I suppose since Lucious was very much involved in the desigining and creation of many stuff Batman will eventually use. The stuff interestingly were old stuff but unseen technology. They don't make Batman invincible but they do help in saving his neck couple of times. Lucius is also one of my favourite character in here and the way he talked to Bruce Wayne it was like a much older senior speaking to a junior and you can feel that Bruce is a bit wary of Lucius, afraid that Lucius may find out what he was doing at night. My favourite scene involving Lucius Fox had to be the spelunking scene, because it was way too funny for me to describe it. Just remember to check this scene out where Bruce explained why he needed to borrow what would eventually become the batsuit.

Another memorable character is Detective Gordon. Since I am not very familiar with the Batman series, I didn't know this character would become Batman's ally in fighting crime, who will become Commissioner Gordon, the man who flashes that bat sign into the dark sky I presume. He is supposed the be the only really honest cop in Gotham. Quite pitiful actually and I wonder how a clean cop like him can survive so long on his own. Anyway his relationship with Bruce Wayne went way back to his childhood but blink and you might miss this character. I like the interaction between the two, like whether Gordon should trust this weird guy in a rubber suit.

I even find the relationship between Bruce Wayne and his mentor, Henri Ducard who turned out to be the villain as rather fascinating. It was after all this mentor who taught Bruce, who trained him and guided him and yet different perspective and philosophy, different outlook, one very big climatic scene which is memorable and yet somehow sad. Not going to say much, but you have to watch it to know it.

The three characters that I didn't feel anything for were one, Rachel Dawes, the childhood friend and sweetheart of Bruce. For one, a miscast and secondly she really had very little to do except to be rescued. Not that she was supposed to be a weakling but her character was not properly fleshed out. And I hated the way how preachy she was and that as if she was doing something important by being the DA whilst Bruce, in her eyes a mere playboy was wasting his time and therefore useless. Her patronising tone wasn't nice either and I find her such an airhead sometimes for being so arrogant as to think she herself is doing something useful for Gotham and everybody else was either useless or brain dead. Nope, didn't like her at all. And the reason why she rejected Bruce Wayne in the end was both funny and stupid. Did she see Bruce enough to say that she didn't like his mask how and preferred who he was when for Heaven's sake, she last saw him when he was a moody young adult and before that, a young boy?

The other character that I was supposed to feel something for but did not was Bruce Wayne's father. It has to do with the weak characterisation but it is not important; just assume he was a great influence in Bruce's life even if very little is shown. I find the bats more better fleshed out that Mr Wayne himself! Let's not talk about Mrs Wayne. Just there to show her face then die. That was it. These two were the weakest link in this movie and the story.

Then there was the villain, not the ultimate villain but still a villain who called himself The Scarecrow (Dr Jonathan Crane). Manic, yes, cold, yes, mean, yes, evil, maybe but frankly no history, no background, no personality and totally not quite one dimensional but not quite 2 dimensional.

Whilst most of the characters make this movie a compelling watch, some scenes almost turned me off. For example, the earlier training scene. But they're rewarding in the sense that by not showing Batman too early into the movie, Batman retains its mysterious allure, that one feels this movie isn't really about Batman and the emphasis was more on Bruce Wayne's road to discovery of his true calling. Yeah, to be a super hero! Another scene almost had me switch the channel was the really really long scene of Batman rushing a drugged Rachel back to batcave. Supposedly she was losing her mind after being pumped on the face with those hallucinagens stuff but the way the whole rescue went, I was hoping she was losing her mind faster than was shown. It was such a draggy scene and it went on and on and on until the batmobile leaped into the cave. One word; boring. The final showdown between Henri Ducard and Batman was made tedious because it intercut with the scene where Gordon was driving the Batmobile whilst Batman was being punched by the ultimate villain. That whole Gordon driving Batmobile scene was tedious, long and at times I was thinking, when will it end?

There are times also this movie looks way too dark, it is hard to see the details. Some scenes if were brighter would be work of art, like Batman crouching on top of a building, wind blowing his cape as he sat in the rain, when he was climbing a building and he looked positively of power and determination. Be that as it may, what I like about certain details is the fact that none of the details look modern. I know this movie is made after the Burton movies and many years after, but it is consistent in the sense that some technology employed here are old school, muddy, first time stuff. Even the bat sign looked blurry, some gadgets looked elementary and could be and probably would be improved in later movies. We have explanations as to how the Bat mobile came about and it didn't look like those flashy bat mobiles. If you wondered how the cave came about, this movie provides a logical explanation. Of course the idea that Bruce himself does all the renovation is just a bit far fetch but then Bruce Wayne isn't like busy with work.

Anyway, apart from some not very good scenes that slows down the movie, sometimes I feel the realism of Gotham City itself turned me off. It reminded me of New York although I read Chicago was more like it. It looked dirty, dark, damp and depressing. There was no interesting Gotham-ish infrastructure that one could see in Tim Burton's versions and making it so reality based somehow killed some of the magic. It however lends credibility to the notion that there could be someone like Batman running around.

But how could that be isn't it? It is a superhero comics script and logic dictates no one dressed like that to do what he does at night. By grounding it in reality and by making it possible makes the entire premise more cartoonish in my opinion. It simply couldn't exist.

Putting that aside, the real reason or reasons why this movie is great is because of the performances. This is one of those few movies that are populated by character actors who are famous but not A-list famous and I was surprised to see so many old timers, faces we are all very familiar with but won't really run out to build a fansite for.

Morgan Freeman made acting so effortless and in here, though limited exposure he gave what I consider a flawless performance. His Lucius Fox can be quite sarcastic at times and he is certainly the comic factor not because he's cute or anything but because he delivers all his lines in such a no nonsense and yet slightly amused way, he made Bruce Wayne looked like a secretive little boy standing before his stern headmaster.

Michael Caine is another gem in here. At first I thought he was far too imposing, far too un-butlerlike to be the butler and sidekick, Alfred. But this Alfred is different; he is not just an observor, bystander or even a mere assistant; he is an assistant with an opinion to share, a role to play in the formation of Batman. He even helped order components that created the image of Batman and I am sure he runs the household as well as providing the essential family support system to Bruce Wayne. I love all the scenes with Michael Caine in it and he gave Alfred a rather harsh personality and yet sometimes, a certain tenderness that is at times moving and quite heart warming. I suspect Bruce Wayne did not tip over the mental case line because Alfred was there to make sure he didn't.

Gary Oldman was a shocker to me because I didn't know he was Gary Oldman and I did not recognise him. In fact I can never recognise this man and he looked so different from his Sirius Black look. Here he is so much slimmer, in fact tired, haggard, subdued and hopeless looking and his Detective Gordon looked so old and forlorn. In fact he looked like how Gordon would have looked I supposed, having to see corruption everywhere and am unable to fight it. He seemed resigned to the fact that Gotham was as morally corrupted as it was filled with criminals, even amongst the police. His role is limited but pivotal as he assisted Batman in a number of instances. But he also has the honour of being in one of those way too long scene, that was when he was driving the Batmobile. Other than that, it is a good surprise to see Gary Oldman playing a rather ordinary normal albeit sad tired old looking character. An excellent performance.

Cillian Murphy is a name I have never heard of. Also quite shocked to read that he actually auditioned for Batman, because quite frankly he had that kind of body frame that the batsuit would just easily slide on and slide off. He is that pint sized looking. But one thing he has above others that made him an effective and chilling villain is his cold cold eyes. His eyes is scary. He played his character in a manic way, in fact in a non-repentant way. He is one of those few Batman villains that didn't have a sad sob story to start with. However his performance is marred only by the fact that Jonathan Crane is a very poorly written character. Perhaps this is just an intro to this character and we may see more of him in later movies. Against the big guns, this actor gave what I would say a commendable performance.

Linus Roache is one actor that I can never forget his name but never quite remember his face because from my memory I can only remember him in the controversial movie, Priest where by the way he was excellent in it. In this movie I am sorry to say he was dead in every term of the word. His performance seems lifeless, deadpan, no range and boring. I couldn't believe my eyes when I read he was the actor from Priest because I expected better. And his accent seems strained, like too much effort. It is also because this character is poorly written. Flashback scenes do not really show the bond between Bruce and his father, we just have to assume. His worst scene was when he died. It was a total dud and almost comical. A very poor performance and that to me is shocking.

Tom Wilkinson plays the last of the old time gangster/criminal who did not resort to secret identities or who may have been disfigured in some ways. Oh yes, Batman movies were once populated with over the top villains with catchy names like the Riddler, the Joker, Catwoman ... this Carmine Falcone is supposed to be old school. He wasn't scary, wasn't evil, just a gangster and a criminal. An interesting performance.

Liam Neeson may in his later life be known as the Actor Who Gets Typecast As The Mentor. He seems to be playing these kind of roles an awful lot lately, from the ultimate Star Wars to Kingdom Of Heaven and now this, as Henri Ducard. He looks believable as a deadly assassin/terrorist/mentor. However his expression was the same throughout. Not one change. Anyway who cares? He's Liam Neeson! He can have the same worried expression for the entirety of his career and no one would complain because quite frankly, he is a charismatic actor and tall too. He looks like he can whack Batman without the help of gadgets.

Gus Lewis played the younger Bruce Wayne. Very decent looking boy, looked a bit like Christian Bale when he was younger, only less cynical and intense looking. Quite a lot of scenes and heavy drama too but not quite as effective. I suppose Bruce Wayne was very pampered when he was younger, after all only child of a very very rich man. He wanted to leave the theatre, parents immediately left. He seemed to have a carefree childhood and I suppose he is supposed to be boyishly giddy all the time until the day he witnessed his parents' death for which he blamed himself for it. From thereon he carried that guilt, that baggage and that hatred but sorry to say the boy in the few scenes of the aftermath did not show much of those qualities. He seemed rather the same. Of course when CB tookover there were these qualities. A poor performance.

Rutger Hauer was shocking too. I remember him in Ladyhawke and in here he looked so old. Then I remember; so many years have passed since Ladyhawke. His character is not a villain, just a greedy member of the board of Wayne Enterprise. A very good performance, when he got his comeuppance by the sarcastic Lucius Fox.

Soon to be Mrs Katie Holmes Cruise was probably the only major sore point in this otherwise almost perfectly cast movie. First of all, to have two brunettes or whatever colour hair together in one scene is undistinguishable and boring. Hair colour aside, she looks way too young to be a tough talking DA and she looks way too soft to be again, the tough talking DA. In fact her tough talking DA was through reputation only, not really seen onscreen where she spent the majority of time walking in and out of Bruce Wayne's life uttering those annoying "unlike you I have to work you know, like I am doing something very important whilst you are really useless" type of lines. Then she spent some more time being rescued, saved, running and in the end rejecting Bruce Wayne. Yes, her character is poorly written and worse still, poorly performed. There was no impact, no chemistry between the two and she shakes her head way too much. Sorry to say, it was the worst performance in this movie. I pity her though because this movie reminded me of TVB's Golden Faith, full of heavy weights and big brothers of great actors and here she was, a bit like Jessica Hester Hsuan and Anne Heung, a lot out of her league. I am a bit worried because I read she may be in the sequels. I hope not.

Last but not least, Christian Bale himself. I am not a Balehead, as his fans call themselves as such. A Balehead I am not. But I am fond of him. Fond in a very amusing way. I must narrate further.

You see, I always seem to forget he was in Little Women but I knew he was since I saw that movie gazillions of times. I didn't quite remember he was actually in Midsummer's Night Dream which I have watched and completely blocked him from my memory. I don't know why. Maybe Michelle Pfeiffer's awful performance was quite a trauma to my memory bank so I chose not to remember anybody in that movie except for super waif Calista Flockhart who ws quite good. I somehow could not remember the gentleman standing next to her that was CB himself. I remember watching Swing Kids but again memories of CB was blocked probably because he was blond and I couldn't remember him as a blond. I don't know why. I couldn't watch 5 minutes beyond Captain Correlli's Mandolin so I didn't know he was in that movie. Never watched his other more "exposed" movie so I never really knew he was actually you know, a man now. I do however forever remember him as that boy with the blank look in Empire Of The Sun. So basically my idea of CB was short, young, handsome young boy who can act very well and darn it, he waved to that kamikaze pilot! So imagine my shock when suddenly there he was him as Bruce Wayne, looking way beyond gorgeous and then as Batman, looking dignified even in that rather silly suit (I mean come on, dressed as a bat? That's silly right? Like Spiderman, Superman, but all these retained their dignity because these are serious super heroes so it's not funny to laugh at their costumes and by the way Spidey's costume has my vote as the best looking) and may I say, sexy AND dangerous. So yes I was shocked. So in between all those movies I have not watched, CB has grown up. But get this! GET THIS! He is OLDER than I am! That was SHOCKING! I remember reading amateur reviews of Empire Of The Sun at Amazon.com and some dude, in 2005 wrote "Christian Bale, that young actor looks set for a bright future". Dude, he's OLDER than me now! He's so grown up! What happened to the warped years? He was working steadily but never in the limelight. And some more shocker. Not only married BUT has a baby daughter! Ahhhh how time flies.

But you know, since Empire of the Sun which showcase his potential, zooming to this movie, I can see why his fans lovingly and proudly calls themselves Baleheads. I wouldn't mind being called a Balehead because this is one actor whose fan I am sure is very proud of. He not only takes his art very seriously (I saw the Machinist after Batman and all I can say is for his sheer effort and determination, he deserves an Oscar) to the point of obssessive, he takes on myrid of roles that most up and coming or already there actors may not take. His only flaw is he makes himself unavailable to the public so much so that no one knows his daughter's name. That is being way too secretive and private. I understand his detest for everything public and he gives me an impression that he loves the work but hates the promo he has to deal with which gives me an impression that he may not be as approachable in real life. In fact I don't think I dare to say hi to him and in a way his determination to stay away from the limelight can be quite put off-ish. Also he doesn't seem to care what others think of him and I guess that is why he is a better actor than most; he simply didn't care except to do what he likes and wants to do. That aside, there is no denying he is a brilliant actor, some say underrated actor but I would think he made himself too unavailable to the public, you can't blame us for underrating him. We simply do not know him enough to know how to rate him. I don't expect Tom Cruise but I expect Eric Bana/Hugh Jackman you know. He is of course a better actor than most of the names I just named.

Anyway, I do think he was an unusual choice for Batman because he wasn't that big a name BUT he is in the end the perfect choice as Bruce Wayne. I see this movie more about Bruce Wayne than Batman and I am very happy that it is as such. He makes Bruce Wayne interesting which is a rarity and he bridges the line between Bruce Wayne and Batman which the previous movies never done before. He gives these two characters personality, agendas, a past, a history, an outlook, basically making them more grounded, more real and more possible. Not just a comic super hero, but a possibility that such a person could exist. It is beyond comic books and that is not an easy feat. What more can I say that his fans didn't say in unison? Except maybe he looked and talked a lot like Michael Keaton? His mouth looked like Michael Keaton, in some scenes he sounded like Michael Keaton. Maybe he is doing a Keaton impersonation so as to provide a consistency, that perhaps his Bruce Wayne will grow older into Keaton's Bruce Wayne? I do not know. Whilst some did not like his voice as Batman, frankly I thought it was apt because you can't have Bruce Wayne sounding like Bruce Wayne. Everyone will know he's Bruce Wayne. Must change the voice a bit. My only complaint is Bruce Wayne seems like such a loner, no social life, no girlfriends, no life. Pretty sad actually.

Verdict
This is one movie where you must sit down and watch in its entirety without any disturbance. Once you're disturbed, you may be more inclined to not continue watching. It is well worth the attention and it gives the Batman franchise a respectable new beginning. What is probably the main attraction of this movie is the performances which is one of the best for ensemble cast in recent memory, despite several hiccups and may I say, very addictive. I just had to stare at the screen as Morgan Freeman, Gary Oldman, Christian Bale and Michael Caine moved in and out of the screen. A must not be missed movie and I am sure, once you have seen this, you will want to get the DVD for your private collection because a well acted movie certainly deserves a place in that DVD cabinet of yours.

Interesting Comparison
Who is a better Batman?
Let's not talk about George Clooney or Val Kimmer who both had the honours of starring in very badly written Batman movies so really can't criticise them for those movies.

Let's talk about Michael Keaton and Christian Bale.

Personally, I like Batman 2 with Catwoman in it. But what about the man himself?

I really do not see any clashes. Christian Bale reminded me so much of a younger Michael Keaton, especially when he was in Batsuit. I believe he may have been trying to convey an image of a younger Michael Keaton albeit no curly hairs and much taller. But who is better if you insist?

In my opinion it depends if you see Bruce Wayne and Batman as seperate and distinct entities or as one. Tim Burton's movies clearly drew a line between these two and in that sense Michael Keaton could be said to be a much savvier Batman. But do remember, CB is portraying a man who just became Batman, so even if he was a bit of a klutz, it should be still believable.

What I like about Batman Begins is it doesn't draw that line. It in fact enourages the viewers to see the man behind the mask and that Bruce Wayne was Bruce Wayne and Batman all along. They aren't separate. In that sense, I believe Christian Bale is the better Bruce Wayne/Batman because he makes Batman vulnerable and yet determined to be invincible. He makes us care for Bruce Wayne and applaud him when he became Batman.

There are many criticisms, and I wish to address them one by one ...

1. CB's Batman voice was horrible
I agree. Michael Keaton's was better but does it make CB's Batman less menacing? No. You see Bruce Wayne doesn't want anyone to know he's Batman and surely he can't go talking like Bruce Wayne. He adopted a voice which he feels will maximise the input of fear and of course minimise his exposure for who he really is. So yes his voice may be terrible but not entirely unsuitable.

2. Michael Keaton's Bruce Wayne savvier, more sophisticated, more magnetism/charismatic
This I totally disagree as Michael Keaton had the honours of playing a much older and experienced Bruce Wayne, so surely he must have earned some respect in the community by reason of the fact that he was filthy rich. CB's Bruce Wayne tried to draw himself away from the question that Alfred posed; people would wonder what does Bruce Wayne do with his free time? So he went on a spending spree, became totally arrogant and became really a jerk. He wasn't as such in real but he had to be, to stop people from asking questions and more particularly, he didn't want Henri Ducard to hurt the guests at his house in that scene in the movie. There is a perfect explanation for his behaviour and I believe some Batman fans may not see that. Frankly, Christian Bale looks more sophisticated and charismatic in a suit as Bruce Wayne. Moreover he looks believable as someone young and filthy rich. Not to take the credit away from Michael Keaton but he doesn't look that savvy.

3. Michael Keaton is a stronger Batman
In terms of eyes, looks piercing gaze, yes. In terms of acting, I have to say CB looks more believable in the sense I believe he could kill, punch and kick at the same time. Anyone who has seen Equilibrium will agree that physically, he's the man. Moreover the flexibility of the new Batman suit makes the new Batman more agile and since we saw his early training and those ninja like moves, it is natural to see this new Batman as more believably action oriented BUT this movie also shows he is also human, susceptible to bruises and yes, exhaustion.

4. CB's Batman/Bruce Wayne is so gloomy/angry, not very witty/wise/steady/etc
It is true that Michael Keaton's Bruce Wayne is much happier but look at these two versions as complimenting each other, I can see no conflict after Michael Keaton is a much older, mature and perhaps happier Bruce Wayne whilst CB is an angrier, sullen, gloomy one since he is burdened with guilt and anger. I really like CB's Bruce Wayne/Batman because it is more real. No happy go lucky guy is going to dress as a Bat saving the city, it must take more than that. But like I said, they do compliment one another instead of being in conflict

5. Michael Keaton's Bruce Wayne/Batman is sexier
Well, taste differs. I personally prefer CB although he doesn't look at tall as reported. I suspect not even as tall as reported. And he has more hair which is a plus point. But true true his accent can be rather too forced.

Conclusion
Who else? I personally prefer CB but looking at these two interpretations, I see them as a continuing saga. I don't see a conflict, more so when CB's lips really look like Micheal Keaton's in this movie. Perhaps a concious move?



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Chopper [Mov]

Written by Funn Lim
  

"I can see why this is his (Eric Bana) most celebrated performance. He embodies the character and has enough charm and charisma to carry the entire film. It is scary I ended up liking the character when he is such a flawed man."









SPOILERS! SPOILERS! SPOILERS!


AKA
Eric Bana's breakthrough role. You may even say his only breakthrough role thus far.

Released In
2000

Cast-Character
Eric Bana .... Mark Brandon 'Chopper' Read
Simon Lyndon .... Jimmy Loughnan
David Field .... Keithy George
Daniel Wyllie .... Bluey
Bill Young .... Det. Downie
Vince Colosimo .... Neville Bartos
Kenny Graham .... Keith Read
Kate Beahan .... Tanya
Serge Liistro .... Sammy the Turk
Pam Western .... Tanya's Mother
Garry Waddell .... Kevin Darcy
Brian Mannix .... Ian James
Skye Wansey .... Mandy
Annalise Emtsis .... Shazzy
Johnnie Targhan .... Paul the Bouncer

Plot
Taken from imdb.com

Chopper tells the intense true story story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a murder sentence in prison. His book, From The Inside, upon which the film is based, was a best-seller.

Comments
I have heard about this movie for ages. More specifically, ever since I have heard of an actor known as Eric Bana. In fact Chopper is like essential viewing for anyone who wants to see Eric Bana's work and it seems many directors, such as Ang Lee chose Eric Bana to play Hulk after watching Chopper. An essential item in his resume perhaps. So finally I got around to buying it at yesasia.com at a very low price. No Making Of stuff, just the movie. Luckily it came with English subtitles because the Australian accent in this movie was very hard to understand.

This movie is violent to some extent. Not too violent to turn me off but there was a lot of blood spilled. Not many killings involved but got some seriously scary stuff like being stabbed several times, poked in the eyes, cutting off ears, etc. But surprisingly all these never turned me off. This movie did not glamourise violence or make it look hip. In fact the violence isn't all consuming that the entire movie is only about violence.

I read that Eric Bana did an excellent job portraying the real man. In fact after looking at the real man's pictures, I must say the physical resemblance is there but Eric Bana has a more softer look whilst the real Chopper looked more manic in my opinion. In fact I really do not think there is much rage in his performance, but rather loads of self doubt and sarcasm. I really do not see Chopper as a man of raging repressed anger or as such although the directors who have seen this movie claimed otherwise.

This movie is really about Chopper and nobody else. It doesn't dwell into his childhood. In fact it doesn't even try to explain why this man is so violent. It doesn't really explain why he was in jail in the first place although some scenes did tell why but in passing. It doesn't really even try to justify the violence or even to show whether the killings actual took place. What this movie talks about is Chopper as a personality. What is scary about this is Eric Bana portrayed him as a very charismatic man and you kinda get sucked into whatever he is saying, almost believing whatever he is saying to be the Bible truth but yet whatever he is saying doesn't ring true and you do question his version of certain events. There is no doubt though that this movie portrays him as an egomaniac, probably in love with publicity and himself. In that sense this movie is very entertaining as you see him going through numerous problems which may or may not exist and solving such problems in a way that may or may not be as he described it. Eric Bana deserves all the accolades and yet somehow one sense that Eric Bana may have given him a softer image. I am not even sure whether the real guy is as violent as portrayed. But one thing is for sure. He doesn't do drugs.

What is rather funny about the people and the circumstances the people are in in this movie is their constant bickering, that despite all the assassination attempts or vulgar crude languages, there seems to exist a certain bond, a certain brotherhood amongst those in prison. When Chopper was stabbed numerous times by his best friend Jimmy, he didn't really retaliate. In fact he even lent Jimmy his suit when Jimmy was defending himself in the assault case brought by the state against Jimmy for hurting Chopper. There seems to be a sense that whatever violence undertaken against the other, it was like "no hard feelings mate" on the part of the victim and "I'm truly sorry mate" on the part of the one who did the violence. Quite surprising. Also whenever they got hurt, they can file a claim from the Victim's Compensation Board or something and can get a few thousand dollars! Although the movie didn't really show, I suspect these men have got good lawyers because the lawyers were able to beat the charges quite frequently. This movie can be said to be an observation of prison and its inmates in Australia and I must say, very witty observations, often time borderline ridiculous. It is not however an observation on the notion of justice and the legal system. No doubt Chopper seems to be feared by the inmates and well liked by the prison guards. In fact in one scene where he was cutting his ears off so as to get transferred for fear of geing murdered by fellow inmates, he didn't quite feel the pain but his best friend, Jimmy who has this love and hate relationship with him felt the pain and with concern asked him to please seek medical help! This Jimmy was the one who wanted to do him in! Chopper is also portrayed as a charming man and who is polite to those he wants to be such as the police, the guards and the judges. It is hard to believe he could be a career criminal with his politeness. The media certainly loved him because his books went on to become best sellers. Look at his official website. This man certainly has a flair for writing, his observations whilst written with "I don't care" attitude is also insightful and witty. Scary that with such a talent he turned to a life of crime and very boastful about it. He is out of prison now and is now a bestseller writer so maybe he has a change of career. Frankly I wouldn't want to cross his path.

The other performances were just as good. This is a very well acted movie although I do not know all of the actors save for one. I can see why this is Eric Bana's most celebrated performance. He embodies the character and has enough charm and charisma to carry the entire film. It is scary I ended up liking the character when he is such a flawed man.

Verdict
A must watch for any Eric Bana fan or those interested in the man called Chopper or quite simply for those interested in an interesting movie.

Interesting Fact
Many actually at imdb.com. Just go there, search for this movie. One very interesting was Eric Bana himself living with the real Chopper for I think 3 days to get a feel of the real man. Imagine that. I wonder how Eric Bana must have felt then since this Chopper has a formidable and violent reputation.

Apart from that, Eric Bana was a comedien and Chopper actually chose him to play him in the movie! Really!




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Old Boy [Mov][Kr]

Written by Funn Lim
 

"Yes, whilst my main objection is towards the theme of the movie, the plot itself whilst at first intriguing at the end descended into mediocrity and at last pure trash. "



SPOILERS! SPOILERS! SPOILERS!




Title Deciphered
I think Old Boy refers to the name given to the students in the school which the main characters attended during their teenage years.

Did You Know
This is the second in the 3 movies with revenge as the theme by famed Korean director, Park Choon Wok? The first was Sympathy For Mr Vengeance which I did not watch and the third was Sympathy For Lady Vengeance starring Lee Young-ae who won best actress in the recent Blue Dragon awards. I saw the 3rd movie. All 3 movies are similar in the sense of the theme being revenge and violence being the main staple diet. All 3 were of course once criticised for senseless violence.

Released In
2003

Cast-Character
Surname is listed second to given name, a bad habit by the westerners. Too lazy to change them.
Min-sik Choi .... Dae-su Oh
Ji-tae Yu .... Woo-jin Lee
Hye-jeong Kang .... Mi-do
Dae-han Ji .... No Joo-hwan
Dal-su Oh .... Park Cheol-woong
Byeong-ok Kim .... Mr. Han
Seung-Shin Lee .... Yoo Hyung-ja
Jin-seo Yun .... Soo-ah Lee
Dae-yeon Lee .... Beggar
Kwang-rok Oh .... Suicidal Man
Tae-kyung Oh .... Young Dae-su
Yeon-suk Ahn .... Young Woo-jin
Il-han Oo .... Young Joo-hwan

Plot
An average man, Oh Dae-su is kidnapped and imprisoned in a room with a TV as his only companion for 15 years without explanation. During those years he found out his wife was murdered and he was the suspect whilst his only baby daughter was adopted by a Swiss couple, thinking her father has run away to avoid arrest. He is then released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, he soon finds out that his kidnapper, Lee Woo-jin an affluent man offers to kill himself if Oh Dae-su finds out the why in the imprisonment in 5 days. With the help of a young pretty Sushi chef Mi-do, Oh Dae-su began to unravel some unsettling truths behind the imprisonment and finally had to confront his kidnapper who has something else planned as a big finale which will prove to be Oh Dae-su's biggest nightmare come true.

Comments
I was excited to watch this movie since I specially ordered it from yesasia.com which caused me around RM50-00. I knew I had to watch this movie alone since it is probably laden with sex and violence. The latter is true, the former not quite true since there is probably only 2 of such scenes, one not so obvious, one very obvious. The sex scene was nothing much until you finished watching the movie, then in retrospect that very scene made me feel sick to the core.

In fact this entire movie makes me sick. Is the violence senseless? No. It serves a purpose and understandable although some scenes were way too long winded that the effect wears off after a while. There is only so much of violence that can excite me, after that everything else is just plain repetition. The sex scenes were ok but in restrospect only was that scene sickening. The ending muddled and I suspect not a happy ending and in a way a sickening ending. What is sick though is why Oh Dae-su was imprisoned in the first place. The story makes no sense and gives no purpose. If there is a moral to the story, it is lost to me. It is to me a lame justification on the part of Lee Woo-jin to avenge for the untimely death of his beloved sister, Lee Soo-ah, a death which could be prevented if Lee Woo-jin had made an effort not to unzip his pants.

Yes, crudely written perhaps but the entire premise is about unzipping his pants. You see although the theme of this movie is about revenge, the real main theme is very disturbing. But to not make you suffer and watch this sickening movie, I must perhaps reveal why he was suddenly kidnapped and imprisoned for 15 years. So please ladies and gentlemen, FULL SPOILERS AHEAD.

Oh Dae-su was drunk one night and suddenly he was kidnapped and imprisoned for specifically 15 years. The reason was because he spread a rumour that Lee Soo-ah, a pretty young girl attending the same school was a slut. This girl in turn because of this rumour apparently committed suicide by jumping into a dam. Lee Woo-jin is her younger brother. The truth was Oh Dae-su met this girl and chatted with her on the playground at the school. He then saw her running into a classrom with a boy chasing after her and so he followed her. Inside the room, Oh saw the boy with the camera basically you know, removing her clothes and kissing her breasts and the girl was very much into it. They saw someone out there and Oh ran away. Oh was due to transfer from the school the next day I think. Before he went away, out of curiosity he asked his best friend, Joo-hwan whether he knew that particular girl. Apparently the girl had a reputation as someone virginal. Of course Oh told Joo-hwan what he saw but he didn't quite know who was the boy. After he left, rumours about her being a slut circulated. What people didn't know was the boy was Woo-jin, her younger brother. They were having full incestous affair culminated in her being pregnant. When Oh found out about the truth as he had simply forgotten the whole classroom seduction scene, he thought Woo-jin pushed his sister so as to cover the truth. The truth was the sister killed herself so as not to bring trouble to her brother and herself and Woo-jin saw his sister and his lover jumped to her death. Woo-jin blamed Oh for spreading lies without first thinking of the consequences. He said Oh "talked too much". Oh wondered too if he talked too much. But that's not the end. When Oh found out the truth, Woo-jin should have killed himself but Woo-jin's final act of revenge was the clincher. He gave Oh a package and in it contained pictures of his baby daughter with her adopted parents and the girl grew up to be Mi-do, the girl who became infatuated with him when he found her at a Sushi bar and the one whom he had sex with earlier. Oh was sickened to the bone and called Mi-do who herself received a package. Oh begged her not to open it and the he went down on his knees and even cut off his own tongue to beg Woo-jin not to reveal to Mi-do the truth. Woo-jin agreed. Why 15 years was because to give Mi-do sufficient time grow up. All along her expenses were financed by Woo-jin. Why Mi-do fell for Oh was because she and Oh was hypnotised and when they see each other, their unconcious mind tells them they're to be in love and Mi-do did all she could to help him whilst he lusted after her. In the end Woo-jin did kill himself, Oh aged many years and wrote to the hypnosis expert to make him forget the awful truth. Whether he actually forgotten the truth or not is debatable as he hugged Mi-do and began crying. Woo-jin last words to Oh was "I knew she was my sister and despite that fact we fell in love and we continue with our relationship. Now that you know Mi-do is you daughter, can you do the same?".

And the moral of the story is? True love reigns despite the incestous stuff? Don't ask questions when seeing a couple doing it in an empty classroom? Don't make assumptions even when the assumptions may not be entirely inaccurate? You get payback a million times fold for making an innocent assumption? Really, what is the point in here?

I can't help but feel disgusted with the story at the end of the day. Disgusted because of the contents, disgusted that an innocent assumption could result in all these tragedy and that Lee Woo-jin thought what he did was right, to ruin the lives of a father and his daughter for such trivial reason. His sister killed herself simply because he unzipped his own pants. Pure and simple. What this BS about true love despite the nature of the relationship is rather idiotic. Morality is out of the window. There are many movies dealing with incestous stuff, but to really justify it the way this movie did is simply well..simply ... sickening.

Technicality wise, remember Oh was framed for the murder of his wife? Later Woo-jin said his case was dismissed. How? Why? There were the glass with his prints, stuff with his prints, although all planted at the scene of the crime but still to the law enforcers these were strong evidence. So how was the case dismissed? Why in the first place put in the plot that he was framed for the crime if the end results is so confusing?

The ending itself was confusing. Oh pleading with the hypnosis expert to help him, the very same hypnosis expert who got paid by Woo-jin to ruin his life. Oh should have stabbed her to death, not plead for help. The real ending itself is also as confusing. It is up to interpretation if the hypnosis worked. I for one would think it didn't work and he lived with the knowledge he slept with his daughter who will never know he was her father, that he loved her as his daughter and as his lover and the way he cried and hugged her, I believe he would follow Woo-jin's advice and that is just so out of the point. Revenge theme? Nahhhh...more like incest theme.

Why do the Koreans love to make movies like this? They do make brilliant movies but when they make controversial movies, the movies are always extremely controversial. Even lighthearted stuff like young teenage brides and their quest for true love is in the very core quite a disgusting theme. Morality seems to be blurred to make way for storytelling but good storytelling? Maybe some yes but for this movie, no is my answer.

Coming back to this movie, the performances itself were in part faultless, in other parts a miscast.

Choi Min-shik was simply brilliant in his performance. He looked so old, so haggard and full of anger and in the end regrets. Every line, every wrinkle, every white strand of hair lend credibility to the suffering his character went through.

Kang Hye-Jeong is pretty. She is supposed to play an 18 year old since Mi-do was 3 when her father disappeared. Anyway a good performance as she embodies the innocence of Mi-do.

The miscast was Yu Ji-tae. If I am not mistaken he is supposed to be same age as Oh. Even if Oh looks haggard for his age, Yu Ji-tae looks way too young to be Woo-jin. And his performance consisted of psychotic type of cold smiles and tears. No middle ground and I would say miscast and poor performance. I can't see the agenda of his character. The movie seems to condone the reasons why he punished Oh which is pure crap.

The rest are forgettable or underused or just walk on roles.

Verdict
I watched Sympathy For Lady Vengeance first and was impressed with the story and the direction. Old Boy was disappointingly controversial of the nonsensical kind. The story leaves me feeling disgusted for having bought it and watched it. The plot is convulated, the story confusing and the ending whilst up to your interpretation is potentially sickening. The only word I can use is sickening. Disgusting may be suitable also but sickening is the right word. This movie attracted strong criticisms when there was one scene where Oh ate an average size octopus Sushi style and in whole (as in using his teeth to chew). That thing was still alive. Apparently 3 were consumed during the filming. Frankly I have no problem with that. It was the other contents of this movie that made me wonder is this movie smartly controversial or simply dumb controversial.

Watch Sympathy For Lady Vengeance and avoid watching this unless you want to watch a movie with a convulated plot. Yes, whilst my main objection is towards the theme of the movie, the plot itself whilst at first intriguing at the end descended into mediocrity and at last pure trash.

Avoid.

At.

All.

Cost.





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14 February 2006

THE MACHINIST [Mov]

Written by Funn Lim


 

"I am just thankful that I didn't have to see him (Christian Bale) baring his bottom. I don't think I could take it because there were times I was in total disbelief that one could still function whilst being so painfully thin."








AKA
El Maquinista

I wonder why a Spanish title? I read in imdb.com the origin of this movie was Spain. Was the writer or the director Spanish?

Released In
2004

Language
English

Cast-Character
Christian Bale .... Trevor Reznik
Jennifer Jason Leigh .... Stevie
Aitana Sánchez-Gijón .... Marie
John Sharian .... Ivan
Michael Ironside .... Miller
Larry Gilliard Jr. .... Jackson (as Larry Gilliard)
Reg E. Cathey .... Jones
Anna Massey .... Mrs. Shrike
Matthew Romero Moore .... Nicholas
Robert Long .... Supervisor Furman
Colin Stinton .... Inspector Rogers
Craig Stevenson .... Tucker
Ferran Lahoz .... Gonzales
Jeremy Xidu .... Evangelisti
Norman Bell .... DMV Clerk

Comments
I can basically summarise the premise of this story into one word; remorse.

Remorse is probably the most effective and yet most damaging feeling one can have and Trevor Reznik is an example what remorse can do to his physical health. Due to his deteriorating physical health, he then suffered a mental breakdown. What is the remorse and what caused it is of course for you to discover because I think revealing it will encourage you not to watch this intriguing and engaging movie.

The premise is very easily figured out. There are many signs and indications and less than half way I kinda figured out one key character isn't real but I didn't figure out many characters and circumstances in this movie are also intelligently placed in this movie to lend credibility to the premise that perhaps Trevor is really losing his mind, more so when post it notes seems to appear out of nowhere, one in particular that was incomplete. Trevor of course completed it in the end and that is perhaps his subconcious mind telling Trevor his deserved punishment.

Looking at him I don't quite doubt that he was indeed losing his mind. He is after all literally a skeleton of a man, with skin to wrap around his bones but not much flesh. The movie said he is 121 pounds at the start of this movie but looking at his POW look, I would think 100 pounds is more like it. There are several scenes where you can see this character half naked, with all the protruding bones. There are some times he even joked about it and he himself knew he was getting way too thin. Like the prostitute he loves to confess his inner deepest thoughts to said; "If you were any thinner, you wouldn't exist.". The entire movie is shocking from the first frame and I was immediately intrigued as to what caused him to be as such. More shocking was of course towards the end you will get to see his healthier self before he became quite simply skin and bones and that to me was an eye opener. Like I said, remorse caused him to be as such but like Trevor we need to discover what caused the guilt because he himself blocked it out and he thought his colleagues were after him. In the end paranoia probably caused by the fact that he has not sleep once for 1 whole year got hold of him. The ending where he finally discovered the truth and gave himself up wishing only to get some sleep was to me a perfect end for this very strangely entertaining movie. One must ease our conscience before we are allowed to function as a normal human being I guess and that is what makes this movie very interesting even if a tad predictable.

All kudos must be given to Christian Bale who made the ultimate sacrifice, by seriously damaging his body. I am sure he must still be feeling the ill effects of a crash diet. I read the review by renowned reviewer, Roger Ebert who emphasised on the fact that Christian Bale lost more than 60 pounds for this movie and he emphasised that not because of the weight lost but because that man you see on the screen, that unrecognisable man is indeed Christian Bale. And I too emphasise this here in my review. It is hard to believe right after this movie he gained all his weight back to star in Batman Begins. I once feared for Jang Dong Gun when he went on a massive weight loss, about 80 pounds I think to play Pirate Sinn in Typhoon but he didn't look this thin. But looking at Christian Bale, he gives new definition to dedicated actor. I can't explain his obsession with perfecting his art other than the fact that he must be one dedicated actor. No CGI could have achieved that result and thankfully no CGI was needed because one must feel Trevor is real, skin and bones to feel curious why he became such a wreck. And when I saw the healthy handsome Christian Bale towards the end, it was all the more effective. There are also various moments in this movie that kinda gives clues as to who Trevor was before he became this Trevor. I have a feeling he must have been young, confident, flamboyant and at times reckless but because he in the end became as such due to his conscience, he is nevertheless still a good man. I am just surprised this movie didn't get much mention and his performance alone, not really his weight look but his performance is worth a look. He gives life to the wretched Trevor and in the end I ended up pitying him and cheering that for the sake of his own physical health, he owned up to what he did. Of course maybe this movie didn't mean for the viewers to cheer but it seems to appropriate to do so.

Jennifer Jason Leigh was more of a supporting cast. With or without her, this movie will still work because this movie is all about Trevor and no one else. However kudos to her too for not wincing everytime she ran her fingers over the bony chest of Christian Bale.

There are however moments in this movie that made me wonder whether he really did what he did or just imagined it. None of these were ever explained. Like whether he did go to the amusement park? Did he deliberately go to the airport's cafe every night at 1.30am sharp or was that his imagination, that it was not really 1.30am? Did the guilt erased the memory which is replaced by something worse; remorse which is actually a branch of guilt? This movie never explained but really, didn't have to. There was also a moment I thought this movie could turn out into a slasher movie but thankfully it is deeper than that.

I have no doubt if such a man exists and he were to stand trial, I doubt the sentence will be heavy. After all, he really did forget and really felt such remorse. Look at him and that is enough. His physical being is itself punishment enough.

You must watch this movie uninterrupted and without a break to fully appreciate the impact of the story. I have given some major spoilers but nothing beats watching Christian Bale looking starved and how he went about interpreting the complexities of Trevor Reznik by first and foremost looking like how Trevor would look like. This to me is the definition of a very dedicated actor and it really helps that his dedication is backed up by the very fact that this is one fine actor. I am just thankful that I didn't have to see him baring his bottom. I don't think I could take it because there were times I was in total disbelief that one could still function whilst being so painfully thin.

Verdict
A must watch.

Interesting Title
The Machinist in here refers to Trevor's job operating a machine thus the machinist. Nothing to do with what happened and why.

For more trivia, go to imdb.com.

Some Pictures
Taken from Rottentomatoes

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10 February 2006

Split Second [TVB]

Written by Bridget Au

"The premise is fantastic yet the execution is an utter failure."

SPOILERS! SPOILERS! SPOILERS!



Chinese Title
“Jung Fun Duet Miu”
(roughly translates to Fighting for the Last Second)

No of episodes
30

Cast
Marco Ngai Jun Kit as Hau Man Wah
Patrick Tam Yiu Man as Yeung Kai Tung
Alex Fong Jung Sun as Fung Chi Wai
Kevin Cheng Ka Wing as Wong Ka Fai
Yoyo Mung Ka Wai as Pang Wai
Sririta Jensen as Rita
Chatchai Plengpanich as Sam
Supporting Cast:
Fiona Yuen Choi Wan as Vicky
Claire Yiu as Wing
Mandy Cho Man Lei as Maggie
Johnson Lee as Hung Mao (Panda)
Lau Kong as Cheng Kwan/Lee Man Ho
Kwok Hong as Wong Jun Yeung (Wong Sir)
Moses Chan Ho as Luk Yiu Kwok (Luk Sir)
Miki Yeung (from Mini Cookies) as Fung Mei Yan (Yan Yan)
Chris Lai Lok Yi as Dick
Wong Tak Bun as Hau Man Wui
Lok Tat Wah as Hau Man Ying

Foreword
Really now. All-around great acting (with some minor exceptions), huge budget, collaboration with Thai actors and half of the scenes filmed in Bangkok, you’d think Split Second would be the TVB series to watch. Think again. This series is the perfect example of how a completely illogical plot can fail an otherwise terrific series. Sigh.

Storyline
Where to begin? 30 years ago drug trafficker Lee Man Ho was shot in the leg by Wong Jun Yeung and fled to Thailand, becoming the nation’s all-mightiest triad leader. His son, Hau Man Wah, follows in Daddy’s footsteps and becomes Hong Kong’s all-mightiest triad leader. They are so famous in the criminal world that basically every cop in both Thailand and Hong Kong want to catch them and throw them behind bars. Tung is Hong Kong’s undercover cop who slowly becomes close to Hau Man Wah until his identity gets busted and the latter uses him for his own criminal dealings. Tung has a young daughter named Yiu Yiu by Wing, but does not know she is his daughter until he causes her death. Sam is Thailand’s undercover cop and becomes so trusted by Cheng Kwan that he becomes his adopted son. Wong Ka Fai, or Wong Sir (not to be confused with the older Wong Sir who is the Vice-Chief of Police) has around a month to live due to a brain tumour and is determined to make The Big Catch before dying. Fung Chi Wai, the unambitious cop of the bunch, becomes entangled in the whole debacle when Pang Wai, Hau Man Wah’s mercilessly annoying girlfriend, falls in love with him. This leads to the death of Fung Sir’s daughter, Yan Yan, and various other events stemming from Hau Man Wah’s thirst for revenge.

What happens in the end?
The death of basically the entire cast à la Burning Flame. Yan Yan and Yiu Yiu as mentioned. Hung Mao, Tung’s idiotic “big brother” in the triad, who is beaten to death by Cheng Kwan’s subordinates when he tries to beg for Tung’s life. Hau Man Ying, Wah’s adopted brother killed by Wah himself. Hau Man Wah, first stabbed then shot by the delusional Pang Wai (doubled tapped by Fung Sir to make sure he’s dead). Luk Sir, Hau Man Wah’s childhood friend, who became a cop and also shot by Hau Man Wah. Sam, shot by Fung Sir to protect Pang Wai after they murder Hau Man Wah. Cheng Kwan, in his old age after some form of redemption. Wong Ka Fai, obviously due to his terminal illness. Tung, shot by Fung Sir again in order to protect Pang Wai. So who’s left? Fung Sir, who ends up going to jail, and … well… some of the secondary cops you see walking around in the series.

Things that make you go “Huh?”
As mentioned in my foreword, there are so many gaping holes in the plot and so many things that don’t make sense that this series ends up totally wasting its potential. Here’s a list of those I can remember.

1. Exactly how do Fung Sir and Pang Wai fall in love?! That happens totally out of camera and I personally find it hard to root for them because the audience never gets to see the initial attraction in the relationship.

2. Why didn’t Fung Sir send Yan Yan away immediately when threatened by Hau Man Wah? Everyone knows how dangerous the guy is.

3. After Yan Yan’s death, how on earth did Fung Sir forgive Pang Wai, much less stay with her? If I were him I’d kill her with my own bare hands for causing my daughter’s death.

4. Why does Wong Ka Fai look so healthy when he supposedly has only one month to live? The man belongs on a hospital bed with an IV up his arm.

5. How long did Hau Man Ying’s corpse stay on Tung’s bed while he discussed the future with Rita and Wing? Surely it would have started stinking after two days!

6. Why did Sam agree to getting shot by Fung Sir? Even if he died Fung Sir would get caught by the 20-odd cops always waiting for him. And why didn’t Sam just go to the hospital? He wouldn’t have had to die if he just went to the hospital instead of going to the market to buy a flower for the noodle girl.

7. How on earth did Sam stay as an undercover for so long? He gains so much trust from Cheng Kwan that he becomes his adopted son and yet he still can’t find evidence against the guy?! Unbelievable!

8. What is it with undercover cops and recording their utmost secrets on tape in this series? Both Tung and Sam do it. Tung is lucky that Wing discovered the tapes and I find it completely ridiculous that she was the only one who did so when Hau Man Wah’s gang was hell-bent on catching the “2-5” boy (Cantonese speakers will understand that expression).

9. Yiu Yiu’s death. Is Tung really that thick-headed not knowing that carbon monoxide kills?

10. Hung Mao. Watch and you’ll understand what I mean.

And so on and so forth.

On Acting
The one redeeming factor of this series is the acting. Marco Ngai is terrific as the super-intelligent yet ruthless Hau Man Wah. His blank yet intimidating facial expression is classic but he doesn’t have much to do besides that one expression. And I wanted to slap his The Aviator sunglasses off his face. Kevin Cheng effectively conveys the determinedness of his character and looks calm and cool throughout the whole series, though he never strays far from being cool. I still think Hard Fate was his best work to date. Both Chatchai Plengpanich and Patrick Tam are phenomenal in their roles as the moles; they deserve awards for their work in here. Alex Fong gives what I feel is his best performance to date; he has finally learned to emote properly in a role that is a diversion from his previous stone-cold ladies’ man characters. Moses Chan is appropriately deadpan, while Mandy Cho gives an atrociously wooden performance. Johnson Lee, Fiona Yuen, and Claire Yiu are to be generally applauded for their supporting performances, and Fiona looks extremely pretty in here. Sririta Jensen is passable, while Yoyo Mung does well with the help of her chemistry with Alex Fong. Miki Yeung is surprisingly effective and likeable as the teenaged Yan Yan, while veterans Lau Kong and Kwok Hong obviously deliver some great acting.

Other Comments
The premise is fantastic yet the execution is an utter failure. Gritty crime, intelligent cops and undercover moles always provide a strong foundation and yet Split Second is all packaging with no substance. Yes, it plays like a movie, with a fast-paced, jam-packed storyline and strong characterization and yet… I find something completely illogical or confusing in every single episode. I am disappointed that this series showed such promise and yet completely wasted its potential, especially in the anti-climatic last few episodes where, as my mother commented, everyone started dying for the sake of dying. The character of Pang Wai, next to the plot, also fails this series. She is so irritatingly clingy, so very annoying, so unbelievably illogical and inconsistent that I really wanted to slap her silly off the screen every time she appeared. Honestly, if Pang Wai were taken out of the storyline completely, I would actually understand the plot more. Watch and you will understand my frustration.

To Watch or not to Watch, That is the Question
Riveting performances all around, so watch if you are in the mood for good acting (something sorely missing from some recent TVB series). However, be forewarned: don’t expect to understand what’s going on.

Rating

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